The Disaster Artist and all the images you see in this review are owned by A24
Directed by James Franco
I may not be as over the moon in love with The Room as plenty of other people are, and it has admittedly lost a bit of its charm once you realize just how misogynistic the whole thing is, but it certainly has my respect as being one of the more unique examples of a GOOD BAD MOVIE due in no small part to the auteur himself, Tommy Wiseau. Now he’s far from the only ridiculously cocky creatives out there who write, direct, and star in what they perceive to be their one true masterpiece (*cough* Old Fashioned *cough*), but with Mr Wiseau there’s a genuine sense of mystery about the guy as many details of his origin are STILL unknown to this day (HOW IS THAT EVEN POSSIBLE IN THE INTERNET AGE!?) and his… shall we say UNIQUE brand of acting certainly sets him apart from many of the other low rent struggling artists out there. No doubt there is a VERY interesting story to tell about this one guy, his one movie, and his friendship with co-star Greg Sestero, which the wannabe auteur himself James Franco has opted to do by adapting Greg’s book The Disaster Artist into a motion picture; one that he directs, produces, and stars in of course. Will this examination of one of Hollywood’s biggest oddities be a worthwhile exploration of the creative process and what it truly means to be an artist, or are we just desperately trying to milk a novelty that had lost its luster many years ago? Let’s find out!!
The movie follows the journey of two men; aspiring actor Greg Sestero (Dave Franco) and… I guess aspiring actor as well Tommy Wiseau (James Franco). The two meet in an acting class where Greg finds the eccentric weirdo with bad hair and a worse accent rather endearing for his utter fearlessness and ability to throw himself out there in ways that Greg is still struggling to do despite his hopes of becoming an actor. Because of Greg’s admiration for Tommy and Tommy’s love of being admired, the two move in together and work their way through Hollywood; getting small gigs here and there but nothing that will truly set them apart from the thousands of other working actors cluttering the streets of LA. After a particularly rough string of bad luck, Tommy eventually starts writing his own movie and wants none other than Greg himself to be the co-star. The Room is what he titles his masterpiece and he funds it himself with his seemingly unlimited supply of money but things go from awkward to unsustainable as Tommy’s ego and complete inexperience with the process starts escalating tensions with the cast and crew and even with his best friend Greg who’s trying to stick by him but is finding it hard and harder to deal with Tommy’s unpredictable behavior. Can Tommy find it within himself to get past his issues and foster a good working environment for the only people in the world who are helping him achieve his dreams? Will Greg stand by his best friend, or will he realize just how much Tommy is holding him back? WILL THE WORLD EVER UNDERSTAND THE BRILLIANCE OF THIS ONE MAN’S VISION!?
A Bad Moms Christmas and all the images you see in this review are owned by STX Entertainment
Directed by Scott Moore and Jon Lucas
As glad as I was that the first film didn’t end up being an unbearable slog to sit through, I can’t say that the prospect of seeing another one fills me with much joy as I have serious doubts that STX can squeeze out another competent movie from this premise; especially when their go to idea for a sequel is to make it a freaking Christmas movie. Seriously, aside from Christmas Vacation and A Very Harold and Kumar Christmas, has there been a holiday themed sequel that WASN’T an absolute waste of time? Well I guess we’re about to put that theory to the test as we get ready to spend some more time with everyone’s favorite quote-unquote BAD MOMS who are actually not so bad moms. Does this manage to rise above the low expectations set for it being both a sequel and a Christmas film in one unfortunate package? Let’s find out!!
The movie begins with Amy (Mila Kunis) beginning her Christmas rituals of working way too hard and being utterly miserable in the process; not that anyone is REALLY asking her to do it as her two kids (Oona Laurence and Emjay Anthony) as well as her boyfriend Jesse (Jay Hernandez) and his daughter (Ariana Greenblatt) seem perfectly cool with a less intensive holiday experience. Now Amy would like nothing more than to just sit back and actually enjoy the season, but her plans to let go of the pointless and time consuming rituals that encompass the month of December are utterly destroyed once her mother Ruth comes to visit (Christine Baranski) who’s super judgmental, extremely demanding, and wants this to be the PERFECT Christmas for everyone! Sounds like a nightmare, right? Well it’s not much better with Kiki and Carla (Kristen Bell and Kathryn Hahn) who ALSO have their mothers coming into town (Cheryl Hines and Susan Sarandon) and all the baggage that comes with them; the former being overbearing and invasive and the latter being… well just like her daughter. Will the titular Bad MomsTM find a way to fight back against these unwelcome invaders and make this the best holiday ever? Is there more to the rather sudden appearance of their mothers than what they’re claiming to be a merely innocent interest in spending time with their family? Just how raunchy are they willing to get to stand out in the surprisingly crowded market of naughty Christmas movies!?
Santa and his ho ho hos! … WHAT!? You can’t just set me up like that and expect me NOT to go there!
Bad Moms and all the images you see in this review are owned by STX Entertainment
Directed by Jon Lucas and Scott Moore
It’s the triumphant return of Mila Kunis who… actually didn’t really go anywhere, but then Jupiter Ascending does feel like it came out a LONG time ago. Anyway, the trailers for this movie really didn’t inspire much hope as it looked like an unholy mashup between Mother’s Day and Mike and Dave Need Wedding Dates, but the cast is pretty strong which is both good for this movie and also depressing considering really great actresses like the aforementioned Mila Kunis as well as Katheryn Hahn, Kristen Bell, Christina Applegate, and Jada Pinkett Smith are stuck doing stuff like this which in all honestly looks pretty bad. Does this movie manage to rise above expectations and turn out to be a delightful romp, or is this another failed comedy that’s trying way too hard and completely failing at being edgy? Let’s find out!!
The movie is all about Amy (Mila Kunis) who’s a mother of two and is struggling with the worst white people problems you can imagine! Her kids need rides to their extracurricular activities, she’s not appreciated at her high paying job, and her husband is a lazy slob who masturbates a lot. Okay, the PTA is an overbearing monstrosity headed up by the EVIL Gwendolyn (Christina Applegate) and her cronies (Jada Pinkett Smith and Annie Mumolo) so that sucks, not to mention that her husband is masturbating with another woman which is REALLY fucked up when they’ve been hiding it from Amy for ten months, so she’s on the edge of nervous breakdown. What could possibly put her over the edge? THE BAKE SALE! SCREW THAT SHIT! She’s done with ALL of this and is about to do HORRIBLE things like… have her twelve year old kids make their own breakfast and not go to the insane PTA meetings. Huh. Well, she finds some compatriots in her quest to become a “Bad Mom” (quotes very intentional here) in the form of Carla (Kathryn Hahn) who really IS a bad mom and Kiki (Kristen Bell) who’s in a really unhealthy relationship and is on the verge of her own emotional collapse. So they basically transition from being overbearing mothers to ones who demand space from their familes and for them to take on more responsibilities in their own lives. Doesn’t sound like much of a problem, but this doesn’t go unnoticed by Gwendolyn who maintains her iron grip on the PTA through intimidation and fear, so this “Bad Mom” as it were is a threat to her little totalitarian state and she will put a stop to it by taking it out on Amy’s kids. Oh HELL no! Amy’s not about to take that shit lying down, so on top of spreading the gospel of “Bad Moms”, she’s also going to run for PTA president to unseat the HBIC and be the HBIC herself! Can Amy succeed in getting the other parents on her side to stop Gwendolyn’s reign of terror? What consequences will this new form of parenting have on her home life and her children? Just how “BAD” are these mom’s gonna get!?
MOTHERS!? Imbibing of SPIRITS!? HOW ABSURD! I can feel my sense of moral fortitude being shat upon as we speak!
The Boss and all the images you see in this review are owned by Universal Pictures
Directed by Ben Falcone
Melissa McCarthy has been around for quite some time, but her meteoric rise to super-stardom is nothing short of amazing, especially when you realize that Bridesmaids was only five years ago. She’s had her ups and downs to be sure with movies like Identity Thief and Tammy being total wrecks, and yet neither of those (nor anything else she does) can even put a dent in her ever growing box office power. Now on the brink of the biggest movie of her career, it’s time for her and her husband to take another crack at making a film all on their own to make up for the last one not turning out to well. Does this manage to prove once again that McCarthy is untouchable due to her skills as a leading lady, or will it prove that she’s untouchable due to career not slowing down in the slightest if this turns out to be a disaster? Let’s find out!!
The movie follows Michelle Darnell (Melissa McCarthy) who is the forty seventh richest woman in the world; a fortune she built from the ground up as she was adopted and abandoned no less than three times during her life. When the movie starts, she’s on top of the world but has lost touch with the commoners, which is especially apparent with the way she treats her assistant Claire (Kristen Bell). Not only that, she has an ex business partner (and ex-lover) named Renault (Peter Dinklage) who has been itching to get revenge on her and finally has an opportunity when he gets proof of committing a crime (insider trading) and reports her to the FCC. She goes to jail, loses all of her money, and comes crawling back to Claire. Will Michelle be able to earn back her fortune with the help of her former assistant and soon to be bestest friend? How far will Renault go to keep Michelle from finding success ever again? WHAT IS SHE HIDING UNDER THAT TURTLENECK!?
“Can you dig it? Can you dig it!? CAANN YOOUU DIG IT!?!?”