Baby Driver and all the images you see in this review are owned by TriStar Pictures
Directed by Edgar Wright
Summer is in full swing and they’re bringing out the big guns! No, not Transformers surprisingly enough which is floundering at the box office. We’re talking about this latest Edgar Wright feature that every film critic has been waiting for! Everything about this movie looks great, from the trailers and casting all the way down to the soundtrack that brings to mind Scott Pilgrim in how it’s integrated into the narrative. Does this manage to be yet another entry in Wright’s sterling career, or is this car chase film a huge wreck waiting to happen? Let’s find out!!
The movie begins with the titular Baby (Ansel Elgort) waiting in a car and listening to his music while three bandits named Buddy, Griff, and Darling (Jon Hamm, Jon Bernthal, and Eiza González) are robbing a bank. Once the trio get back to the car, Baby proceeds to put The Transporter to shame by driving with as much skill and wacky collateral damage as the Blues Brothers could in their heyday; somehow managing to avoid the cops and get away scot free! It turns out that Baby’s been doing these kind of jobs for a while now as he’s under the thumb of a local mobster named Doc (Kevin Spacey) who recognized the kid’s skills and has been putting them to good use for some time now. Luckily for Baby, he’s just about to pay off whatever debt he owes to Doc and is ready to start his new life that will be free of crime and will hopefully involve a waitress at a local diner named Debora (Lily James) who he’s had his eye on for a while. Of course, nothing goes as well as Baby hopes it does and his chance to get out ends up digging himself even further in doing more jobs with even more erratic and dangerous criminals such as Bats (Jamie Foxx) who has it out for Baby right from the start. Can Baby find a way to break free whatever it is that Doc is continuing to hold over him? Will this next heist be the one that breaks his perfect driving record? Wait, did I just hear Handsome Boy Modeling School!?
Nine Lives and all the images you see in this review are owned by EuropaCorp
Directed by Barry Sonnenfeld
How does this movie even exist? I know actors gotta eat, and sure, we ARE getting a Bryan Cranston dad comedy with James Franco soon, but even HE doesn’t have the freaking clout of Kevin Spacey! If this guy was so desperate for a payday, then why isn’t he in a Marvel movie or a DreamWorks animated feature!? Why the hell is he in a TALKING CAT movie!? This is the shit you cast Chris O’Donnell in or snatch up Jason Lee to do! Not two time Oscar winner Kevin Spacey! Ugh… whatever. We gotta deal with the cards we’re dealt. Does this movie manage to be just as bad as we expect it to be, or is there something there that justifies its reason to exist in 2016? No. The answer is no. Still, we might as well take a look anyway.
Tom Brand (Kevin Spacey) is your typical movie dad. Spends a lot of time at work, doesn’t have much time for his family, and is generally considered a jerk by his peers. He doesn’t care though because he’s building the TALLEST BUILDING ON THE EAST COAST which will be his legacy; much more so than his grown ass son David (Robbie Amell) who works for him in a desperate bid to get his approval, and his daughter Rebecca (Malina Weissman) who still hasn’t figured out that her dad is an asshole. His wife Lara (Jennifer Garner) informs him that he better come through in spades for his daughter’s birthday and all she wants is a cat. Bi shocker there. The guy bites the bullet and goes to buy a furry bastard but somehow (through FATE perhaps!?) ends up in the shop of God (Christopher Walken) who for some reason runs a cat store. Okay, he’s not ACTUALLY God, but considering how magical this guy is, there’s not that many other alternatives, though it would have been AWESOME if he turned out to be Satan. Anyway, Tom buys a cat from the man known as Felix Perkins (he runs a shop called Purr-kins) but has to make an emergency stop at the office on the way back to tell one of his company’s terrible managers (Mark Consuelos) that his ass is shit canned. Unfortunately for Tom, lightning strikes, shenanigans ensue, and he ends up in the body of the cat while his real body is in a coma (presumably the cat’s consciousness just died or something). Now he has to find a way back into his body before that awful manager dude somehow sells the company out from under him and his son, while also learning that maybe life isn’t all about going to work every day and providing for your family. What a moral. Can Kevin Spacey bother to show any interest in this performance? Just how embarrassing can Jennifer Garner’s performance get? WHO THOUGHT THIS WAS A GOOD IDEA!?!?