The Matrix Resurrections and all the images you see in this review are owned by Warner Bros Pictures
Directed by Lana Wachowski
Making another sequel to the Matrix is simply a bad idea from the word go. Sure, it’s tempting given that the original trilogy grossed over a billion dollars and became a cultural touchstone for a generation, but there’s no way to play of it as anything than a cynical cash grab, and there’s no guarantee that the audience will come back for another one; especially since a lot of them are approaching middle age at this point and this new generation is more enamored with Marvel films than anything else. Even getting one of the original directors to come back isn’t gonna turn many heads since the stagnation of the series occurred under their watch, and they’ve been heavily involved with all the various media made the franchise since the beginning. Now all that said, perhaps this IS the right time for it to be tried again. The themes and messages of the original movie have become all the more relevant since its, and the co-opting of some of its imagery among certain reactionary circles has been one of the more unfortunate developments in the story of The Matrix as a pop-culture staple. With so many people having so many different ideas about what The Matrix should be, is there any way that this can please even a fraction of the original fans and perhaps get new fans in the process, or is this just another soulless cash grab to further cement this as the worst of all possible timelines? Let’s find out!!
Thomas Anderson (Keanu Reeves) finds himself in a comfortable life that he built for himself, but not much more. He made his fortune creating a trilogy of video games called The Matrix with his business partner (Jonathan Groff), but each day feels like an endless drudgery as he searches for meaning. His therapist (Neil Patrick Harris) has been helping him through these feelings, especially after he nearly jumped off of a roof a few years back, but nothing seems to get through to him until he starts seeing this woman at the coffee shop. Her name is Tiffany (Carrie-Anne Moss) and there’s something about her that seems familiar but also brings him quite a bit of peace; a peace he will need as the studio is forcing him to make a new Matrix game and it’s just not going very well. That’s when things start to really unravel as he starts seeing things that may not be there and people start talking to him like he’s someone else entirely. How did Mr. Anderson find himself in such a miserable state, and can he trust his own mind to tell him the truth? Who are these people that are showing up to tell him that reality isn’t what it seems, and are they looking out for his best interest or for their own selfish goals? Is it just me, or does this sound less like The Matrix and more like Birdman?
Bill & Ted Face the Music and all the images you see in this review are owned by United Artists Releasing
Directed by Dean Parisot
There haven’t been many rays of sunshine during the last few months of lock-down, but one of them was the first trailer for Bill & Ted Face the Music. I remember hearing that Reeves and Winter were trying to make this movie back when I was in COLLEGE which at this point that was a depressingly long time ago, but after years of starts and stops, hype and silence, and Keanu Reeves regaining his A-List star clout (as well as becoming everyone’s Favorite Person Ever), the duo have finally returned to give us one more adventure with the Wyld Stallyns. Is it a beautiful trip down memory lane for all the fans that loved this franchise, or is it too little too late for all the years of anticipation? Let’s find out!!
Bill S Preston Esq and Ted Theodore Logan (Alex Winter and Keanu Reeves) have spent their entire lives trying to write the song that unites the world which apparently was NOT God Gave Rock And Roll To You. Apparently someone else wrote that song and the Wyld Stallyns haven’t come up with a better one since then despite releasing several albums over the years; some of which were decent but they fell off the charts pretty quickly and have been scraping by for some time now. At least they have loving families that support them as Bill is still married to Princess Joanna (Jayma Mays) and they have a daughter Thea (Samara Weaving) while Ted is still married to Princess Elizabeth (Erinn Hayes) and they have a daughter Billie (Brigette Lundy-Paine), but the strain is starting to get to them and they might just give up music altogether. Right as they’re discussing the end of their career, a time machine shows up in the driveway and out steps Kelly (Kristen Schaal) who is the daughter of Rufus from the previous films, and she takes them to the future where they high council of… I guess the ENTIRE EARTH informs them that their song to save the world is not only to usher in an enlightened age but to fix some horrific distortion in space and time that if they DON’T fix will end all of reality as they know it. Oh, and they have less than two hours to do it, starting… now! Without much time left to get their act together, Bill & Ted figure the best way to get the song that saves the future is to go INTO the future and the song after it’s already written by their future selves, and while that’s going on Billie & Thea are given a time machine from Kelly to try and muster up a band who will be talented enough to play the song once Bill & Ted get it. Will these two loveable has-beens find a way to save the future before time and reality folds in on itself? Will Billie & Thea turn out to be as good at traveling through space and time as their fathers were, and discover what destiny has in store for them as well? You know, we could really use a Bill & Ted miracle right now, so what are the chances that this is the MOVIE that will unite the world and save reality as we know it?
Toy Story 4 and all the images you see in this review are owned by Pixar and Walt Disney Studios Motion Pictures
Directed by Josh Cooley
Sigh… I THOUGHT I WAS DONE!! I thought that after the third film we’d reached the perfect end point for this series, but instead of coming up with a new idea or even rebooting the franchise entirely, here we are again with the same cast, the same toys, and even more Randy Newman. I’ve been pretty down on Pixar recently with Incredibles 2 being a HUGE disappointment for me and being rather lukewarm on Inside Out, but they can still do great films like Coco when they put their mind to it and that fact only makes me even more tired that we’re dipping into the same well one more time. Who knows though, right? I mean, they managed to make Toy Story 2 one of the best sequels of all time and even made the third film a perfect closure for these characters and this world! Can they somehow pull it off a third time by making this beating of a dead horse not nearly as horrific as that metaphor implies? Let’s find out!!
Following the events of the third film, Woody (Tom Hanks), Buzz (Tim Allen), and all their pals (Joan Cusack, Wallace Shawn, John Ratzenberger, Blake Clark, Don Rickles and Estelle Harris) are living with Bonnie and her toys (Kristen Schaal, Timothy Dalton, and Jeff Garlin); enjoying their new lease on life having avoided both the garbage dump and the day care of infinite horrors. Still, Woody isn’t quite as happy as the ending of the last movie would have indicated because he is no longer the top toy in the room which is led up by Dolly (Bonnie Hunt) instead. Feeling out of place and probably more than a little bored, he sneaks into Bonnie’s backpack for her first day of kindergarten orientation where he slyly helps Bonnie through the emotionally turmoil and even gets her to make a new toy out of trash and craft materials. The new toy named Forky (Tony Hale) does indeed come to life which comes to a surprise to Woody and everyone else, and what’s even MORE surprising for a kids movie is that this little bugger is determined to throw himself in the garbage because he’s aware he’s an unholy abomination unto the world and needs to return to the trash from whence he came! So the good news for Woody is that he now has a new lease on life being Bonnie’s protector by way of protecting Forky, but the bad news is that Forky turns out to be a HUGE handful and he manages to escape out the window during the family road trip. Woody goes after him, slowly trudges to the town the family is staying at, but as it would JUST SO HAPPEN, Bo Peep (Annie Potts) who went missing between Toy Story 2 and 3 is in this town as a lost toy; helping other lost toys find kids to play with in the park and living her life to the fullest as a STRONG INDEPENDENT badass! Seems like a perfect little reunion if it wasn’t for the fact that Forky is kidnapped by the EVIL Gabby Gabby (Christina Hendricks) who is a doll in an antique store looking to replace her broken voice box and wants the one embedded in Woody’s toy guts. Can Woody and Bo save Forky from whatever maniacal machinations Gabby has in store for him? Will the rest of the toys be able to distract the family long enough so that Woody and Forky can return in one piece? Seriously, how has a porcelain doll managed to last this long out in the wilderness? Is she ACTUALLY made out of Adamantium!?
John Wick: Chapter 3 – Parabellum and all the images you see in this review are owned by Summit Entertainment
Directed by Chad Stahelski
So here we are once again. Now I wasn’t the biggest fan of the second movie, but the John Wick movies have their own sense of style and craftsmanship that’s hard to ignore even when the story begins to fall apart, at least as far as I’m concerned regarding that sequel. Now the time has come for them to hopefully right the ship and bring this franchise back to what made it great instead of the convoluted mess that we got last time. Will we be getting the conclusion to John’s story that will make this whole wild trip worth taking, or is this franchise already too far into the rabbit hole for us to reasonably expect them to dig their way out of? Let’s find out!!
The movie picks up mere minutes after the end of the last one where John (Keanu Reeves) has just been ex-communicated from The Continental for (SPOILER ALERT FOR JOHN WICK 2) killing what’s his face in the last film (Riccardo Scamarcio). Now obviously no one expects John Wick to go down quietly, especially not the owner of The Continental (Ian McShane), and yet a bunch of assassins take a swipe at the guy with about as much luck as you’d expect. However, John’s plan isn’t JUST to kill enough people to clog up the Hudson River; he needs to go and appease The High Table who I guess is in charge of The Continental and all the other Assassin Hotels which apparently was a THING in the last movie that I just forgot about. Now what’s his face that no one liked from the last movie was apparently a member of this table (can’t be THAT great if he got a seat) and so John’s up to his eyeballs in not just hot shots trying to make a quick buck, but basically everyone within the orbit of The High Table. This includes The Adjudicator (Asia Kate Dillon) who is there to clean up (i.e. kill) everyone with even a vague connection to John’s recent activities, and Zero the Assassin (Mark Dacascos) who’s band of ninjas have been hired to help The Adjudicator do his dirty work. So while that’s all going down in New York, John is trying to get a meeting with a member of The High Table which is no easy task as he has to cash in whatever chips he has left to get help from his former trainer (Anjelica Huston) and a former colleague who owes him one (Halle Berry); both risking a lot even if whatever assistance they offer is through official channels because The High Table is having none of that crap anymore. Will John find what he needs to in order to spare his life from the wrath of The High Table? What will those back in New York do now that they’ve gotten the ire of the people at the very top of the food chain? Just how many dudes do BOTH sides have to spare over this rather small dispute between the one guy none of them can kill and a dead dude who only got the job like a week ago? Is there REALLY no other way they can solve this!?
The Bad Batch and all the images you see in this review are owned by Neon
Directed by Ana Lily Amirpour
So has anyone else heard of this? I certainly hadn’t heard of it until I was looking up movies to watch during a trip I was taking, and once I saw the cast I was IMMEDIATELY excited to see just what the hell it is! We’ve got two actors who are quite possibly in the prime of their careers (Jason Momoa and Keanu Reeves) and they even managed to fish Jim Carrey out of obscurity who’s been one of my favorite actors since I was a kid; personal stuff and recent filmography notwithstanding. How the hell did this movie manage to fly under the radar!? Is it one of those weird obscurities that’ll be a treasured masterpiece to its target audience, or is this movie unsalvageable even with its all-star cast which is why it was dumped as a limited release? Let’s find out!!
The movie begins with a woman named Arlen (Suki Waterhouse) being dropped off in some desert wasteland which appears to be the dumping ground for “societal undesirables” that this dystopian future government has set up in Texas. I don’t know why they don’t just shoot them in the head instead of letting them wander the desert with no water, food, or supplies, but whatever. The point is that she’s in a harsh and lawless world filled with other terrible people that want to hunt and eat everyone they come across. That’s right, we’re dealing with cannibals in this movie that honestly probably don’t NEED to be eating people (there are scenes that confirm editable plant life exists out here) but just like the extra protein I guess. The bad news is that she gets caught rather early and loses an arm and a leg (literally), but the good news is that she escapes and manages to make it to a cannibal free sanctuary city known as Comfort ran by what is essentially a cult leader named The Dream (Keanu Reeves). A bit on the nose, but I guess when you don’t have TV to watch, you basically have to add theatrics to your own life just to keep things interesting. Anyway, from there we’re basically following Arlen who’s trying to find her place in this harsh and merciless world as well as meet a colorful cast of wasteland wanders who have their own shit to deal with, such as another cannibal known as The Miami Man (Jason Momoa), a wandering hermit who’s pretty much a True Neutral in all this (Jim Carrey), and even a little girl (Jayda Fink) who winds up with Arlen after a… particularly grim confrontation. Will Arlen lose her soul in a world that never rewards those who are Good Samaritans? Just what does The Dream have planned for the people of Comfort, and is it any less awful than what The Miami Man does? Is this what a Mad Max movie would be like without the cars, interesting characters, fast pace, and exceptional cinematography!?
John Wick: Chapter 2 and all the images you see in this review are owned by Summit Entertainment
Directed by Chad Stahelski
WOO!!! JOHN WICK IS BACK!! Now I wasn’t as over the moon as some people were with that first movie (), but I am never the less EXTREMELY excited to see what Keanu Reeves has up his sleeve in the sequel! True, sequels to unexpected hits are almost universally terrible (*cough* Highlander 2, The Hangover 2, Taken 2 *cough*), but there’s not a whole lot of ways to screw up a formula like this; especially when what made it work the first time around was well choreographed and expertly shot action scenes; two things that Keanu Reeves and the returning director seem to prize above all else. Can this manage to be as exceptional as the man himself and ACTUALLY be a good sequel, or has the air gone out of this series the same way the Matrix did when we got ITS sequels? Let’s find out!!
The movie picks up RIGHT where the last one left off, namely with John Wick (Keanu Reeves) finishing off what remains of the Russian mob (his injuries have healed rather nicely considering how close he was to dying at the end of the last film) and getting his car back. Of course, because of how much noise he made doing so, he gets a visit from a former associate who wants him to do a favor despite his insistence that he’s FINALLY going to retire. This turns out to be a VERY bad move as the associate Santino D’Antonio (Riccardo Scamarcio) then blows up his fucking house because of this. Doesn’t kill the dog though! No, he makes to the end! Anyway, apparently Santino has a Marker with John which supposedly makes all of this make sense (spoiler alert: it doesn’t) as a Marker is essentially a blood oath where one party owes the other a one-time request that they MUST do or else… I don’t know, they die? I mean, good luck finding someone to kill John Wick! Hell, if that was even an option, why don’t you send THAT person to do the job for you!? Well no one was asking for my opinion when they were writing this, so John takes the job, executes his target, and THAT’S when things go to hell as the target’s bodyguard Cassian (Common) was an old friend but now a SWORN MORTAL ENEMY, and Santino betrays John and tries to have him killed. I totally didn’t see that coming, especially when HIS bodyguard Ares is played by Ruby Rose and was giving John dirty looks throughout the first act (angry dirty; not sexy dirty). So now he’s got Cassian on his ass, Santino trying to kill him, and oh yeah A SHIT TON OF OTHER ASSASSINS as Santino has ALSO put a hit on him just for good measure. Will John be able to kill his way to Santino and finally get his retirement once and for all? Well… PROBABLY considering how good he is at head shots, but does Santino plan to keep John JUST out of arm’s reach? Who can John trust now that there’s a huge bounty on his head and hit men are coming out the wood work for his very valuable head? How many suits does this guy go through on a daily basis!?
Keanu and all the images you see in this review are owned by Warner Bros Pictures
Directed by Peter Atencio
The day has finally come for these two titans of TV comedy to make the leap to the silver screen! That’s ALWAYS a great idea, right? Okay, so sometimes the transition from small screen to big screen can be a bit awkward, but the trailers for this movie have inspired a lot of hope in me and many others that this will turn out to be the exception rather than the rule for sketch comedians turned movie stars! Can the duo pull it off, or is it back to Comedy Central to beg for another season of their show? Let’s find out!!
The movie follows the misadventures of Rell (Jordan Peele) and Clarence (Keegan-Michael Key); cousins and best friends who must retrieve Rell’s cat Keanu from the clutches of villainy! You see, Rell had just had a pretty bad break up and was spiraling into depression without much hope for a brighter future. That is until a small kitten that’s as cute as a button wanders up to his doorstep; bringing with him a glimmer of light and new chapter in Rell’s life. But where exactly did this cat come from? Well, what Rell doesn’t know is that this cat belonged to a local drug dealer who’s entire gang was killed right before he himself was murdered; all done by two tough as nails, long haired, mute mother fuckers who did this… for some reason, and are now hell bent on finding that cat… for some reason. Not only that, but while Rell and Clarence are out seeing a movie, Rell’s place gets broken into and Keanu is kidnapped by the Seventeenth Street Blips (a crew too badass for the Bloods or the Crips)… for some reason. Honestly, don’t question why people want Keanu; just assume he’s too cute to NOT steal. Anyway, Rell and Clarence now must go undercover as tough guys and gang bangers (two things they are quite far from being) if they have any hopes of infiltrating the Blips and getting the cat back. Will they be able to fool the members of this crew and pretend to be hard long enough to get their cat back? What about the two crazy-ass murderers looking for the cat? How are they gonna fit into all this? Wait, so this ISN’T a parody of John Wick!?
Point Break and all the images you see in this review are owned by Warner Bros Pictures
Directed by Ericson Core
When Star Wars and Creed are bringing back beloved franchises in spectacular fashion, it takes a lot of nerve to try and sneak this movie right in the middle of it. The original Point Break is one of those movies I’ve been meaning to see for a really long time, but never got around to for one reason or another. Still, from what very little I know about it and from how the trailer for this remake looked, it definitely seemed like a shaky proposition to try and bring it back like this. Still, I’ve been surprised by plenty of movies this year and I certainly don’t have the last movie to compare this to. Could this be a solid remake of a minor action classic, or will this be yet another movie to throw in the pile of unnecessary remakes along with the likes of Total Recall whose writer coincidentally wrote this movie as well? Let’s find out!!
The movie follows an FBI agent who as far as I can tell is ONLY referred to by his nickname Utah (Luke Bracey) that is brought in on a case that involves EXTREME thieves that are pulling some Robin Hood shtick with rich corporations. The first of their crimes that the FBI is made aware of is the group driving motocross bikes through the twentieth story of a diamond sorting building and stealing all of them before crashing through the windows and parachuting to safety. How they got the bikes all the way up there and how they weren’t caught once they landed is left a mystery, but let’s just say they escaped by sheer manly bro-force. The reason why the FBI (or at least this one boss of his played by Delroy Lindo) wants Utah on the case is because the guy was an extreme sports practitioner before joining with the FBI. That is… before the accident.