The Lego Batman Movie and all the images you see in this review are owned by Warner Bros Pictures
Directed by Chris McKay
Let’s see… you take something awesome like The LEGO Movie, and you add more Will Arnett. How could this POSSIBLY fail!? I mean granted, adding Will Arnett to ANYTHING is an automatic improvement (unless it’s Bojack Horseman), but considering what we’ve gotten from the DC canon since Nolan’s second movie, how could we NOT be excited when one of those movies isn’t fraught with astounding mismanagement and crushing solemnity!? Does this offshoot of The LEGO movie prove to be a success while laying the groundwork for other LEGO based offshoots, or has Warner Bros utter mismanagement of the DC licenses somehow managed to spread to this colorful and vibrant take on the characters? Let’s find out!!
The movie is about Batman being Batman and everyone getting really sick about it, and I can certainly relate to that. More specifically, Batman (Will Arnett) has just locked away a whole bunch of villains for what has to be the millionth time, but something’s a little bit different. While The Joker (Zach Galifianakis) managed to escape like he usually does, Batman managed to hurt his feelings by claiming he’s NOT his arch-enemy, so now he’s got a NEW axe to grind with the caped crusader. On top of that, Barbara Gordon (Rosario Dawson) has just become the new commissioner and is somewhat skeptical about letting some sociopath with silly ears and a cape beating up poor people and other weirdos in the streets of Gotham which makes SENSE but isn’t all that comforting to Batman who’s already having enough trouble finding things to do in what little spare time he has NOW; let alone how much he’d have if the police department started doing their jobs right under Barbara’s new rule. To cap things off, he JUST SO HAPPENS to adopt a young boy named Dick Grayson (Michael Cera) which you’d THINK would require just a LITTLE bit of paperwork, but I guess the Orphanage could use the extra bed; especially considering how many kids they have to take in considering how many supervillains are blowing shit up around the city. ANYWAY! Batman, who’s been avoiding his feelings all this time by punching baddies in the face now has to deal with that one thing we all fear… CHANGE! Will he be able to keep his cool now that the status quo has been upended? Just what does The Joker have planned now that he’s even MORE pissed at Batman than usual? Is it too soon to reboot the DC films and just make them all based on toys?
Don’t Think Twice and all the images you see in this review are owned by The Film Arcade
Directed by Mike Birbiglia
I always like to see comedians (especially of the Stand Up variety) take a chance behind the camera, especially considering how many really great works that transition has produced. Bobcat Goldthwaite’s been making angry and brilliant films since the nineties with people only noticing in the past decade or so how great thy are, and Louis CK made such an impact with his television series that it’s become the template for comedian focused shows since then (*cough* Real Rob, Maron, Lopez *cough*). Now it’s time for Mike Birbiglia to take another stab at it, and while I didn’t see his first film Sleepwalk with Me, I’ve heard very good things about it and can only hope he’s improved since. Does this insight into the world of improv comedy turn out to be the sleeper hit of the year, or is it destined be yet another victim of the Sophomore Slump? Let’s find out!!
The movie follow the six members of a New York City improv group known as The Commune; some of whom have been there since it began in the late nineties, others came later, and some are rather fresh to the scene. Miles (Mike Birbiglia) is the presumptive leader of the group as he has seniority and also teaches an improv class where a lot of the members came from, including Jack and Samantha (Keegan-Michael Key and Gillian Jacobs) who seem to be the rising stars of the group. You’ve also got the other old timer Bill (Chris Gethard), the rich girl who wants to be taken seriously Lindsay (Tami Sagher) and the one who’s TOTALLY writing a novel and will finish it eventually Allison (Kate Micucci) to round out the crew. Everything seems to be going fine and they’ve built up their own little life around the show they do a couple of times a week at this small theater, but then life as to throw a curve ball and things change once they find out the theater is shutting down. Not only that, Jack and Samantha managed to secure auditions for NOT SNL (Weekend Live) which puts even further strain on their friendship; especially with Miles who tried out years ago but couldn’t make the cut. Will these comedians be able to survive the changes that are being thrust upon them? Can Jack and Samantha make that transition to the big leagues without burning out or losing their friends in the process? Why can’t they ALL be winners!?