Long Shot and all the images you see in this review are owned by Lionsgate
Directed by Jonathan Levine
I love Seth Rogen! Have I mentioned that before? Knocked Up, Neighbors 2, The Night Before, all are great movies that I’ve watched multiple times and showcase just how talented the guy is. Now we’ve got a movie with him AND Charlize Theron, one of the hardest working actors working today with so many great movies under her belt!? Well dang! How had I not heard about this movie before!? Seriously, considering how many times I go to the movies you’d think I’d have seen one trailer but no! I hadn’t even heard of this until about a week ago and I had no idea what it was even about, but hey, when do you watch a comedy for the plot? I’m here to see these two work off of each other and tell some funny jokes! Does this team up manage to knock it out of the park like peanut butter and chocolate, or are we in for an experiment that’s gone more horribly awry than whatever the heck it is Oreo has been pumping out recently? Let’s find out!!
Fred Flarsky (Seth Rogen) is a journalist with a serious chip on his shoulder who’s had a rough time of it recently and Charlotte Field (Charlize Theron) is the Secretary of State who’s had a rough time of it always. Two people from two vastly different worlds who you wouldn’t think would ever meet, but in movie land these two have something of a history as Charlotte used to babysit Fred when they were younger and there was an embarrassing incident between the two of them. Still, fate seems to conspire to bring them back together as Fred loses his job and is brought to an upper class party by his friend Lance (O’Shea Jackson Jr) where Charlotte just so happens to also be. They talk for a bit, Fred makes a fool of himself when trying to confront an evil media conglomerate (Andy Serkis) and you’d figure that life would just keep on going from there. However, Charlotte starts to read some of Fred’s earlier work and comes up with a brilliant idea! See, she plans on running for president as the current guy (Bob Odenkirk) won’t be running for a second term to instead make movies and so she needs a speech writer who can write funny and incisive commentary that she can pepper into her usual rhetoric, so going on quite a limb here she hires Fred for the job despite him being… well a boorish man child who can barely even dress himself. Naturally her staff isn’t too thrilled included her top aids Maggie and Tom (June Diane Raphael and Ravi Patel), but everyone goes along with it and Fred, if nothing else, seems to write decent speeches and the two begin to reconnect once more; possibly with more going on between them than either initially realized. Can Fred be the necessary piece that Charlotte has been missing in her life, and is Fred even capable of being what she needs him to be? What sinister actors out there will try to undermine Charlotte’s campaign, and how will Fred react to the realities of being part of the political machine on such a large stage? Seriously, how did this jacket alone not destroy her political career?
Blockers and all the images you see in this review are owned by Universal Pictures
Directed by Kay Cannon
Blockers? Seriously? We’re all PRETENDING that’s what the movie is called!? IT’S COCK BLOCKERS! They’re not even being subtle about it considering THEY PUT A ROOSTER ON THE POSTER!! I don’t know why, but the first time I saw the trailer and the subsequent poster for it, this one aspect REALLY annoyed me and I ended up feeling rather down on the trailer overall. What, John Cena’s gonna try to sell us on him being a comedy star by shoving stuff up his butt? Been there, done that! Sure they had Leslie Mann and Ike Barinholtz on hand to steady the ship and keep things on track, but I didn’t really see much to this movie that I hadn’t seen in a hundred other comedies before it. In the last week or so however, the early buzz for this movie started to get REALLY strong and people were praising it all over the place! Is there a chance that I was WRONG about this movie!? BUT THAT’S IMPOSSIBLE!! You all come to read this because I’m ALWAYS RIGHT ABOUT EVERYTHING, right!? Well I guess we’ll have to see if my skills at predicting movies based on trailers are top notch or if Universal was merely doing a bad job of selling a gem they had on their hands. Does this film live up to the hype, or was I right all along!? Let’s find out!!
Kayla, Julie, and Sam (Geraldine Viswanathan, Kathryn Newton, and Gideon Adlon) are the high school seniors who are ready to finally graduate but not before going to their prom which is the biggest day in a young teenager’s life, at least according to this movie. I don’t know about you, but I brought a book to my prom instead of a date, so I guess I have trouble relating to that, but it’s made clear that this is a special night to THEM and they even decided that that will be the night they’ll lose their virginity! One wants to do it then so that it would be a perfect night, another figures it’s as good a time as any to get it over with, and the last one is a closeted lesbian or wants to get in on the bonding experience and at least TRY to see if she’s maybe into the opposite sex before committing to the queer identity. Too bad that their parents get wind of this idea and have decided to… block them from getting laid that night! The parents in question include Kayla’s dad Mitchell (John Cena) as the super serious and incredibly dorky one, Julie’s mother Lisa (Leslie Mann) who’s a single parent and is afraid that her daughter is making a terrible mistake, and Sam’s father Hunter (Ike Barinholtz) who has his own reasons for going along with this that include wanting to reconnect with his daughter since he’s been more or less absent since he divorced her mother. Will they be successful in stopping their daughters from having either the best night or the worst night of their lives? What other issues have they all been hiding from that will be forced to the forefront in this wacky adventure? Can John Cena properly atone for being in the god awful Mel Gibson movie!?
The Disaster Artist and all the images you see in this review are owned by A24
Directed by James Franco
I may not be as over the moon in love with The Room as plenty of other people are, and it has admittedly lost a bit of its charm once you realize just how misogynistic the whole thing is, but it certainly has my respect as being one of the more unique examples of a GOOD BAD MOVIE due in no small part to the auteur himself, Tommy Wiseau. Now he’s far from the only ridiculously cocky creatives out there who write, direct, and star in what they perceive to be their one true masterpiece (*cough* Old Fashioned *cough*), but with Mr Wiseau there’s a genuine sense of mystery about the guy as many details of his origin are STILL unknown to this day (HOW IS THAT EVEN POSSIBLE IN THE INTERNET AGE!?) and his… shall we say UNIQUE brand of acting certainly sets him apart from many of the other low rent struggling artists out there. No doubt there is a VERY interesting story to tell about this one guy, his one movie, and his friendship with co-star Greg Sestero, which the wannabe auteur himself James Franco has opted to do by adapting Greg’s book The Disaster Artist into a motion picture; one that he directs, produces, and stars in of course. Will this examination of one of Hollywood’s biggest oddities be a worthwhile exploration of the creative process and what it truly means to be an artist, or are we just desperately trying to milk a novelty that had lost its luster many years ago? Let’s find out!!
The movie follows the journey of two men; aspiring actor Greg Sestero (Dave Franco) and… I guess aspiring actor as well Tommy Wiseau (James Franco). The two meet in an acting class where Greg finds the eccentric weirdo with bad hair and a worse accent rather endearing for his utter fearlessness and ability to throw himself out there in ways that Greg is still struggling to do despite his hopes of becoming an actor. Because of Greg’s admiration for Tommy and Tommy’s love of being admired, the two move in together and work their way through Hollywood; getting small gigs here and there but nothing that will truly set them apart from the thousands of other working actors cluttering the streets of LA. After a particularly rough string of bad luck, Tommy eventually starts writing his own movie and wants none other than Greg himself to be the co-star. The Room is what he titles his masterpiece and he funds it himself with his seemingly unlimited supply of money but things go from awkward to unsustainable as Tommy’s ego and complete inexperience with the process starts escalating tensions with the cast and crew and even with his best friend Greg who’s trying to stick by him but is finding it hard and harder to deal with Tommy’s unpredictable behavior. Can Tommy find it within himself to get past his issues and foster a good working environment for the only people in the world who are helping him achieve his dreams? Will Greg stand by his best friend, or will he realize just how much Tommy is holding him back? WILL THE WORLD EVER UNDERSTAND THE BRILLIANCE OF THIS ONE MAN’S VISION!?