Incredibles 2 and all the images you see in this review are owned by Walt Disney Studios Motion Pictures
Directed by Brad Bird
So it’s time to once again return the Pixar well, isn’t it? After the underwhelming sequel to Finding Nemo which was then followed by the much more interesting and engaging Coco, you’d think that Pixar would have leaned into new properties they can exploit down the road rather than relying so heavily on sequelizing their back catalog, but this one is a little bit different than say Monsters University or yet another Toy Story movie. People have been clamoring for a new Incredibles movie since the first one came out which is particularly exasperating considering it’s been well over a decade since then, but Brad Bird finally came back to the company that made him and is finally giving us the movie we’ve all been anxiously anticipating for all that time! Was it actually worth the wait, or should Pixar left well enough alone? Let’s find out!!
The movie picks up right after the events of the first film with the Parr family fighting the sinister UNDERMINER (John Ratzenberger) and in doing so reaffirming their strong familial bond! Actually, they barely manage to stop anything and the city is pretty ticked off that they got involved in the first place; particularly since the dude was just robbing a bank and the money in there is insured anyway. Heck, they could probably just trace the bills that were in there and arrest the UNDERMINER when he actually tries to spend it, unless of course he’ll convert it into bitcoins or something ridiculous like that. Anyway, the Parr family is let out of custody, but are forced to lay low once again to avoid raising the ire of the authorities who are still enforcing a strict NO SUPER HERO policy despite seemingly unprepared for dudes with giant drill vehicles tearing up the city. Things look particularly grim right now as Agent Dicker (Jonathan Banks) is retiring and can’t keep covering their butts on this, but a ray of hope comes through as Lucious Best AKA Frozone (Samuel L Jackson) arrives to give the parents Robert and Helen (Craig T Nelson and Holly Hunter) some news of an eccentric business man ready to offer them a deal. The man’s name is Winston Deavor (Bob Odenkirk) and he wants to bring Super Heroes back into public favor, so with the help of his sister Evelyn (Catherine Keener), they plan on using one of them to solve a few low level crimes on camera so that people can actually see a Super Hero in action instead of just witnessing the aftermath of their fights. The duo feels that Helen AKA Elastagirl is gonna be the best choice which incenses Robert AKA Mr. Incredible, but he capitulates and stays home to watch the kids Dash, Violet, and Jack-Jack (Huck Milner, Sarah Vowell, and Eli Fucile) until they can get Super Heroes legalized once again! THEN he’ll be able to don the spandex once again and fight criminals instead of helping with math homework or reading bedtime stories! It’s not as easy as it sounds though for either Robert OR Helen as the former has to deal with the evolving and terrifying powers of their youngest child Jack-Jack while the latter all of a sudden finds herself an arch nemesis called The Screenslaver (Bill Wise) that’s ready to stop her crime fighting ways before she even has a chance to really make a difference. Will Robert manage to be a good dad while dealing with all these Mr. Mom shenanigans? What can Helen do to stop this latest threat, and is there more to the story that she’ll need to uncover? Wait, didn’t we already go through most of this the last time around!?
Sometimes you see a movie that will just not leave your brain as questions keep running through your head about what it all meant and what it was trying to say. I guess this is TECHNICALLY one of those movies, but certainly not for the reasons the filmmakers hoped for because I have nothing but contempt for the asinine questions that I’m left with after watching the damn thing which is made even worse because there ARE no answers. This was just a super sloppy movie PRETENDING it knew what the hell it was doing and it utterly failed to convince me otherwise. Since keeping things bottled up is not a particularly healthy way to deal with something, I decided to let YOU all know what questions I was pondering while watching this silly film and how the movie fails to address them in any adequate or satisfying way! Before that though, let’s have a full rundown of the plot so that you all have a better idea of where I’m coming from if you haven’t seen the movie. Trust me, I’d rather spend my time recounting it here than make ANYONE feel like they’d have to sit through this drivel just to understand what the heck I’m talking about! FULL SPOILERS AHEAD!!
The Commuter and all the images you see in this review are owned by Lionsgate
Directed by Jaume Collet-Serra
Now that the end of year hold overs are finishing up their rounds at the box office, it’s time for the TRUE January releases to show themselves which are becoming less associated with absolutely dreadful movies with each successive year, but can still be considered a dumping ground for stuff the studios felt couldn’t hack it in more competitive months. I guess a Liam Neeson action flick isn’t the WORST way to herald in the New Year, but then I’m pretty sure there are people who still wake up in a cold sweat thinking about Taken 3 and the infamous fourteen cut fence jump. Will this movie be another strike against the increasingly fragile belief that January films tend to be terrible, or will this only reinforce those notions for yet another year? Let’s find out!!
The movie begins with exceedingly average older white dude Michael MacCauley (Liam Neeson) going about his daily routine and living the exceedingly average older white dude life. That is until he gets fired from his exceedingly average older white dude job for lousy capitalist reasons, and is now facing the prospect of financial ruin; right before his son heads off to college too! Things seem rather for the guy as he boards the train with nothing to look forward to other than telling his family the devastating news, but fortune seems to be in his favor as a mysterious woman (Vera Farmiga) offers him twenty-five grand now and seventy-five grand later if he can just do one small insignificant thing. Find a person on this train that has something of value in their bag, is traveling to Cold Spring, and goes by the name “Prynne”. The woman gets off at the next stop and while Michael is more than happy to hold onto that twenty-five grand she gave him up front, he feels a bit hesitant about finding this person to claim the other seventy-five. Fortunately for THE BAD GUYSTM that the mysterious woman is forking for, as well as the audience I guess, they kidnapped his family anyway so he has no choice but to find the passenger known as “Prynne” before anything happens to them! Will Michael not only find “Prynne” but figure out what THE BAD GUYSTM are planning to do once they find them? What can Michael do when every move he makes is being watched by THE BAD GUYSTM… somehow? How many non-Taken Taken movies is Liam Neeson gonna have to make before they give him one that doesn’t suck!?