Tag Archives: Jon Favreau

Super Recaps: The Mandalorian – Chapter 4

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The Mandalorian is owned by Disney

Directed by Bryce Dallas Howard

The episode begins with an idyllic looking village on an unknown planet where villagers are catching fish, weaving things, and hoping that nothing bad or “Empire” like will come out of the forest to destroy their lives.  Well the good news is that the Empire does not in fact attack the village!  The bad news… some other dudes with lasers and pointy sticks do, who look suspiciously like Lord of the Rings Orcs, and we see that one mother and her child just barely survive the attack by hiding under water.  From there we cut back to… let’s go with Homer as the Mandalorian and Bart as Baby Yoda, who are still flying in the middle of nowhere space; the little green hellion continuing to touch things and nearly kill them all while Homer is keeping his eyes on the space road.  Sensing a bit of pent up energy within the little bugger’s attempts to destroy the ship by flipping levers, Homer decides it’d be a good idea to land on the nearest planet and let Bart run around a bit while he plans their next move.  As it turns out, the planet they land on is the same one we just saw and it’s a planet so idyllic and peaceful that their skeevy space saloon is about as threatening as an Applebee’s.  The best part is when Homer and Bart take a seat and they notice a mercenary sitting in a corner and they try to get information on her from the waitress, but she legitimately knows nothing and after Homer tosses her some cash to spill what she knows, she literally thinks it’s just a big tip for doing so well at her job.  That was pretty funny and you can even tell the frustration that Homer is feeling from underneath the helmet for having to deal with people who AREN’T backstabbing jerks.

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Super Recaps: The Mandalorian – Chapter 3

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The Mandalorian is owned by Disney

Directed by Deborah Chow

The episode begins like most road trips with Papa Mandalorian, who I will call… Hank this time, who is trying to fly the spaceship safely while his little baby Yoda, who should probably get his own name by now so let’s go with… Bobby, is making it that much more difficult by messing with the controls in his own adorably ignorant way.  Then again Bobby IS fifty years old, so maybe this whole “baby” thing is just a ploy to get on Hank’s good side.  Anyway, they manage to land on the planet from the first episode despite Bobby’s interference where Hank is planning to meet up once again with Werner Herzog.  Is he going to turn over Bobby for whatever awful experiments they surely have in store for him!?  Well he didn’t become a bounty hunter to play nice, so he does indeed hand him over to the director of Bad Lieutenant: Port of Call New Orleans as well as Doctor Creepy (Omid Abtahi) for whatever ungodly experiments they have in store for Bobby.  Hesitantly to be sure as he even tries to find out what Herzog plans to do with the baby, but he’s still not going to say no to the bounty which is a whole bunch of that super metal that Mandalorians use to make their armor.  With this, Hank will have the most impressive Mandalorian armor and Mandalorian accessories in the tri-galaxy area, but the decision seems to weigh heavy on him.

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Super Recaps: The Mandalorian – Chapter 2

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The Mandalorian is owned by Disney

Directed by Rick Famuyiwa

We’re back with another episode of Star Wars After Dark; which admittedly is still pretty family friendly considering its being made on Disney’s dime.  That said, the first episode did establish a tone for itself as a less goofy and more grounded interpretation of this universe and was quite good on top of that!  Was that episode a one off fluke, or does Disney really have something here that’s worth paying attention to?  Let’s find out!!

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The episode begins with THE MANDALORIAN… okay, I’m not gonna keep calling him that, so until they give him a real name let’s try out a different one each episode.  Let’s go with… Jim for this one!  So Jim (Pedro Pascal) is taking the Yoda Baby with him after “rescuing” it from the “bad guys” last time (it’s still unclear whether they were good guys or not) and it’s unclear what Jim plans to do with it once he gets off world.  Will he take it back to the DEFINITE BAD GUY Werner Herzog, or find a Space Orphanage to drop it off at?   These are questions that will have to be tabled for the moment as Jim gets attacked by a bunch of… I guess they’re Tusken Raiders, who try to smash his head in with sticks.  Jim manages to fight them off however in a really well choreographed action scene, and after the dust has settled he notices that one of his attackers had a tracking device on him.  The same one that Werner Herzog gave to him to find the Yoda Baby.  So yeah, if being played by WERNER HERZOG wasn’t enough of a clue, this pretty much cements it that Jim is working for the wrong team.  They didn’t even give him a chance to find the baby before handing the job off to someone else, and I guess that begs the question of just how many more people are after this little green brat?  Speaking of whom, the little bugger is actually a pretty impressive effect.  They LOOK like a really good puppet with CG modifications, but I wouldn’t be surprised if they’re just a REALLY good CG effect.  While it can’t talk or seem to communicate with Jim, it seems to be much more aware than a typical baby would be (considering he’s fifty years old, he BETTER have picked up on a few things) but Jim has no time for such things as he ignores it like any good surrogate father figure does in the first two acts of a story!

Eventually the duo make it back to Jim’s ship which would normally be good news, but as it turns out a Jawa sandcrawler has happened upon it and the little jerks are currently stripping it for parts which Jim doesn’t take too kindly and starts shooting at them.  They scurry off at the first sign of danger and try to bail in their sandcrawler with whatever parts they have, but Jim doesn’t take too kindly to that either and tries to chase it down.  The show is still knocking it out of the park with the action as this scene where Jim chases the sandcrawler is really well made and does a much better job of blending grit and comedy than we got in the last one.  Jim eventually jumps on the side and starts climbing with grim determination and ruthless skill while the Jawa’s are scrambling to knock this guy off of their truck; throwing trash and hurling insults like space soccer hooligans.  He somehow manages to crawl his way up to the top of the sandcrawler and is ready to bust some heads, but he didn’t stop to think that MAYBE a bunch of them would be waiting up there for him and sure enough he gets blasted with enough stun weapons to fall over the side like a sack of space potatoes.  Well that didn’t go too well all things considered!  With the Jawas now far off in the distance with a bunch of the ship’s parts, Jim has no choice but to go back to the guy who helped him out in the last episode (Nick Nolte) and beg him to find them a way off planet.  His solution is pretty simple which is to go back to the Jawas and ASK them for the parts back which is a plan Jim doesn’t seem to fond of, but sure enough it actually seems to do the trick as they agree to return what they took as long as they do something for them.  There’s a creature in a cave not too far from here that has an egg the Jawas want.  If Jim can get the egg, he can have his parts back.  Not too shabby a deal considering how many of them he’s already killed, but hey!  Why let a wee bit of murder get in the way of perfectly good transaction!?

So Jim goes off to get this egg and for some reason brings the Yoda Baby along which doesn’t seem like the BEST of ideas.  I mean sure, he wouldn’t want to leave them with the Jawas who already stole everything else he had, but he couldn’t trust that baby with adorable alien dude Nick Nolte?  Oh well, it can’t be THAT dangerous right?  I mean everything else on this planet has been pretty small, so how big could this creature be?  Turns out; quite big!  Imagine a rhinoceros the size of a Wampa and you get the idea, and for Jim this is less than ideal situation as the creature bashes him all over the place; knocking his weapons away, pretty much destroying his armor, and presumably with far fewer bones intact than when he went there in the first place.  Then something MAGICAL happens!  Seemingly by some sort of… shall we say… FORCE, the monster starts rising several inches off the ground and hangs there mid charge.  Surprising Jim and literally no one else, it turns out Yoda Baby can use the force and just barely saved Jim’s life as well as keeping the animal still long enough for Jim to jab a knife in its neck in a particularly grim moment in the series.  Jim grabs the egg, brings it back to Nick Nolte and the Jawas, and he finally gets the parts he needs to put his ship back together.  Well… for NICK NOLTE to put his ship back together at least.  Seriously, I understand being neighborly and all that, but considering he pretty much rebuilt this ship from the ground up for absolutely no fee, I’m starting to think that Nick Nolte is less the Ned Flanders of this planet and is actually hiding something here and which is why he wants Jim to go away as fast as possible.  And so ends the second episode of THE MANDALORIAN as Jim and the Baby say their goodbyes to Nick Nolte and ride off into the stratosphere with uncertain futures and probably more than a few targets on their back.

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What really came together for me while watching this episode is that it seems to be taking inspiration not just from the other films and some of the lore, but from Genndy Tartakovsky’s more serious works like Samurai Jack and even that Clone Wars show he did.  This episode is light on plot and dialogue but excels at setting its scene, establishing clear and straightforward goals for its characters, and showing off some flashy action on top of it.  I’m not sure if every episode will be this way now that we’re presumably going back to the more talkative and character based world of bounty hunters, but it was a real treat to watch this episode unfold and I’m glad they’re willing to just let some of the story speak for itself instead of filling it with redundant dialogue or pointless subplots.  Sometimes all you need is a guy in a helmet, a desert planet, and a force sensitive baby of unknown origin who can lift monsters with their mind!  Keep it simple!

Super Recaps: The Mandalorian – Chapter 1

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The Mandalorian is owned by Disney

Directed by Dave Filoni

Since Disney+ is the new hotness and so are the shows that Disney will be producing for it, I figured I’d check out the Star Wars show (which is set about five years after Return of the Jedi) and let you know if it’s worth your time and attention!  It’s being made by Jon Faverau which is a good sign as even the movies I’m not too fond of like The Jungle Book and The Lion King are still notable for their technical achievements, and the amount of money Disney is putting into this show is absolutely ludicrous which means at least the visual side of things will be interesting to see unfold.  Heck, if nothing else a production of THIS scale, if it’s destined to fail, can only fail in the most SPECTACULAR of ways, and I want a front row seat if it’s going to be one big hot mess!  Does Disney’s latest venture into the Star Wars universe provide an intriguing introduction into a part of the universe we’ve yet to see on screen, or is this an underwhelming attempt to further cash in on their very expensive license?  Let’s find out!!

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I knew nothing about this series going into it, and by the end of the first episode it was kind of exactly what I never knew I wanted out of a Star Wars series.  It’s almost childish in just how much it appeals to the basest of my tastes, and yet it never sinks into being crude or garish with it.  It’s a fan film made by professionals; not wanting to subvert the source material to their own ends but to give us a glimpse at something we haven’t seen in this world before.

If there’s anything it reminds of specifically it’s Solo which has a similar stylistic bent to it as both of these draw from cowboy stories, old fashioned machismo, and plenty of gun play to satisfy your action cravings.  Where this one differs though is that where Solo was about charm and wit, this is much more about stoicism and grit which is a valid approach to take as long as its handled well, and I think they do a fine job of it here.  The opening scene of the episode where THE MANDALORIAN (Pedro Pascal) silently walks into a bar, immediately gets the heat from local tough guys, and then cleans house with barely any effort, is taken whole cloth from any number of cheesy B-movies or old school action anime, but seeing it in the Star Wars universe and done with a decent enough budget is definitely novel if nothing else.  So why is it that THE MANDALORIAN is in this bar in the middle of nowhere in the first place?  Well the tough guys were hassling this blue guy (Horatio Sanz) and after THE MANDALORIAN tears them to pieces, we find out that said blue guy is actually his target.  He drags him back to wherever it is bounty hunters take their captives.  This return trip includes a cameo from none other than Brian Posehn who drives them from the bar to their ship, and during this scene we learn that THE MANDALORIAN has a problem with droids that we’ll no doubt get further into in later episodes.

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Cinema Dispatch: The Lion King

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The Lion King and all the images you see in this review are owned by Walt Disney Studios Motion Pictures

Directed by Jon Favreau

Didn’t I just do this a month ago?  Seriously Disney, I know you own basically all of entertainment now, but can you at least change it up a bit from month to month?  We JUST got done making fun of the genie in Aladdin; we don’t need another remake this soon!  Seriously, if they keep burning through their renaissance films like this they’re gonna have to take another stab at Treasure Planet before 2030, and if they thought that one sunk like a lead balloon LAST TIME… oh who am I kidding?  We’ll give it a billion dollars at the box office without a second thought!  So until those bleak times are upon us, does this latest remake of a beloved nineties classic live up to the original, or is this a worse idea than Lion King 1.5?  Let’s find out!!

Now stop me if you’ve heard this one before!  Simba (Donald Glover) is the son of Mustafa (James Earl Jones); king of the Pride Lands and brother of Scar (Chiwetel Ejiofor) who conveniently has a scar on his face to go with the name.  Now if the name wasn’t enough to convince you, scar is one EVIL lion that wants the throne for himself but now has to wait behind the little brat for his shot.  That is unless he pulls a Hamlet and MURDERS THE KING IN COLD BLOOD, albeit with a stampede instead of a jug of ear poison.  Convincing young Simba that he is responsible, he runs off to live in exile while Scar takes the Pride Lands for himself, and the young prince runs into two free spirited do nothings called Timon and Pumbaa (Billy Eichner and Seth Rogen).  While Simba is living his carefree life as a slacker, things are not going so well in the Pride Lands under Scar’s quasi fascist rule with the help of the hyenas and so Simba’s childhood friend Nala (Beyoncé Knowles-Carter) runs off to find help, and believing Simba to be dead this whole time… well let’s just say there’s an awkward conversation very soon in their future.  Can Simba find the courage to face his fear and his guilt that have defined him for so long?  Just how far will Scar go to stay seated on his throne, and does Simba have a chance of defeating him after all this time?   Did Disney listen to that “everything the light touches” line again recently and consider that a challenge?

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“Everything the light touches is our Kingdom.”     “Yeah, but the Earth revolves around the sun, so pretty much everywhere gets hit by sunlight at SOME point throughout the day.”     “Look, we’re lions, alright!?  We can’t draw border maps!  WE DON’T HAVE OPPOSABLE THUMBS!!”

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Cinema Dispatch: Spider-Man: Far From Home

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Spider-Man: Far From Home and all the images you see in this review are owned by Sony Pictures Releasing

Directed by Jon Watts

Well now that we’re FINALLY done with Thanos (and James Gunn is back on Guardians 3), we can finally get things back on track, right? I mean sure, we needed a nice big climatic sendoff for the big stars that helped bring this franchise to life, but now that the party’s over things have got to keep going without them and the MCU, if they’ve done NOTHING else, have managed to create something that can go on even after closing the book on some of its biggest characters. Still, there’s a big ol’ elephant in the room (or perhaps SPIDER-PIG in the room!) called Into the Spider-Verse that came out between the last Tom Holland film and this one which frankly blew Homecoming out of the water. Homecoming is still great, but Into the Spider-Verse? Woo boy is that a hard act to follow! Can this Post Thanos and Post Spider-Verse entry into the MCU cement itself as the first step to the future of this franchise, or have we already seen the best this version of the hero has to offer and will be left wanting for something more? Let’s find out!!

So hey! That whole… dead for five years thing was pretty rough, wasn’t it? Well the world keeps on turning I suppose and that’s definitely true for Peter Parker (Tom Holland) as well as the entire cast from the first Spider-Man movie who JUST SO HAPPENED to be blinked out of existence as well which makes sense to me because this is a movie and everyone liked the cast from the first film. This includes Ned (Jacob Batalon), Mary Jane (Zendaya), and even Flash Thompson (Tony Revolori); all of whom as well as a couple of other students from Peter’s school are going on a European field trip. Frankly, Peter could use the time off considering how much he’s had to go through in the past… I guess it’s only been a few months for him, and after… well ENDGAME SPOILERS WILL BE IN THE REST OF THIS REVIEW SO LOOK AWAY NOW, Tony died saving the universe, he’s been having trouble coping with this whole “superhero” thing which has gotten a lot more real than just being a dude doing back flips on roofs and stopping two bit muggers. Of course nothing can be that easy for good ol’ Peter Parker because Nick Fury (Samuel L Jackson) along with Maria Hill (Cobie Smulders) are trying to pull him into this “save the world” situation where elemental monsters from another dimension are tearing up cities all over the world, and with the Avengers kinda doing their own thing (the ones who aren’t dead at least) all they’ve got to work with is this kid and some dude named Quentin Beck (Jake Gyllenhaal) who claims to have come from the same alternate dimension as the elementals and wants to help us stop them. Oh, and at some point people start calling him “Mysterio” for some reason, but I’m sure that’s fine. This is all WAY more than Peter was ready to handle so soon, but then again if he’s not ready to drop everything at a moment’s notice and save the world, was he ever truly worth of being Tony’s protégé and a possible future Avenger? Can the world possibly get along fine with the new guys out there like the square jawed and overly capable Mysterio fellow to let Peter just be a kid for once? Seriously, considering where he ends up in Into the Spider-Verse, he might as well quit now. Yes, EITHER version of Peter in that movie!

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“So what’s it like having already done this already? When you look back on what you’ve accomplished, was it worth the years of sacrifice?” “What? No, that wasn’t… I’M NOT TOBEY MAGUIRE!!”

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Cinema Dispatch: Avengers: Endgame

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Avengers: Endgame and all the images you see in this review are owned by Walt Disney Studios Motion Pictures

Directed by Anthony Russo and Joe Russo

My displeasure of Infinity War is well documented in both my review and the follow up piece I did, so I was frankly not looking forward to this one.  Still, the two films they’ve done since then, Ant-Man and The Wasp as well as Captain Marvel, were really great entries in the genre and confirmed that Marvel could still make a great film if they wanted to, and if nothing else it’ll be worth ripping off this Band-Aid once and for all and letting things get back on track before Thanos butting his ugly purple head in.  So hey, if I HAVE to be here I might as well try and find something to enjoy about it!  Is this the perfect conclusion to not just Infinity War but to the Marvel Cinematic Universe as it currently exists, or does the first iteration of this franchise and these characters continue the utter disappointment from the LAST time we saw them?  Let’s find out!!

After the events of Infinity War which (SPOILER ALERT) ended with Thanos (Josh Brolin snapping his fingers and wiping out half of all living creatures in the universe, the remaining Avengers are stuck in a world on the brink of collapsing and with no real way to fix things. I  mean, they could go after Thanos and kick his head around a bit, especially now that Captain Marvel (Brie Larson) is here to provide some cosmic backup, but would that even fix anything at this point?  The real question is whether or not those people can be brought back, Thanos or not, and after some time with no ideas they get a visit from one of the lesser known among them Ant-Man (Paul Rudd) who might just have the answer they’re looking for what with his experiences in the Quantum Realm and all that entails.  The remaining Avengers which include Captain America (Chris Evans), Iron Man (Robert Downey Jr), Thor (Chris Hemsworth), Black Widow (Scarlett Johansson), The Hulk (Mark Ruffalo), uh… whatever name Rhodes is going under now (Don Cheadle), as well as honorary members Rocket (Bradly Cooper and Sean Gunn) and Nebula (Karen Gillan), and a barely held together Hawkeye (Jeremey Renner), now have a mission in place (and a rather odd one at that) to bring things back to the way they were before, but it’s incredibly risky and could actually make things worse if they DON’T succeed.  At even less than half their usual strength since everyone is still dealing with the trauma of what happened can The Avengers manage to pull off one more spectacular feat of heroism against the one foe they couldn’t overcome?  What dangers will they have to face along the way, and are all of them able to confront them with steadfast determination and the will necessary to succeed?  If this IS gonna be the last one of THIS specific kind of Marvel movie… maybe we could get a Star Wars crossover?  I mean it’s now or never, right?

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I’ll also settle for a movie where Captain America beats up those THE LAST JEDI IS SJW PROPAGANDA jerks.

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