Cinema Dispatch: 2022 May Catch Up

So how’s everyone else enjoying their Spring? Lots of sunshine and pretty flowers? Well for me it’s been nonstop rain, a tornado warning, and a broken toilet that cost a bunch of money to fix, so things have been just a tiny bit hectic over here. That’s certainly a reason why my movie reviews have been a little late recently, but thanks to streaming services and studios becoming less confident about their theatrical releases, it’s now easier than ever to catch up on stuff in a timely fashion! To wit, I have three movie reviews for your enjoyment and to hopefully distract from the fact that I haven’t seen the new Top Gun movie yet!

.

Chip ‘n Dale: Rescue Rangers

Chip ‘n Dale: Rescue Rangers is owned by Walt Disney Pictures

Directed by Akiva Schaffer

The former stars of the nineties animated show Chip ‘n’ Dale Rescue Rangers have gone through a lot since its cancellation all those years ago with Chip (John Mulaney) selling out and going corporate while Dale (Andy Samberg) trying to make it work all these years later; banking on the nostalgia adults have for his glory days and selling signed photos at conventions to keep himself afloat. To make matters worse, they ended the show on pretty bad terms so they’ve hardly spoken to each other since then, but fate brings them back together as one of the cast members of that show Monterey Jack (Eric Bana) is in deep with the cartoon mafia and gets kidnapped right after calling both of them for help. With their friend’s life in the balance, Chip & Dale must put aside their differences and work together to scourge the LA Underworld (or at least the nostalgic cartoon version of it) to save their friend and perhaps even come back together after being apart for so long.

I’m either gonna be too harsh on this movie because I’m a giant sourpuss or I’m gonna be too nice to this for fear of looking like a giant sourpuss. It occupies a very strange place for me as I do genuinely enjoy a lot about this movie, but I still can’t quite get behind it for reasons that… well probably make me look like a giant sourpuss. Before we get into that, let me just say that I got a decent amount of laughs in this and I was genuinely tickled by a lot of the imagination on display. There are some deep-cut references that certainly appealed to me, and concepts like the putty captain and the puppet chef were well-realized and fun to watch on screen. Heck, I’d go so far as to say that the inclusion of Ugly Sonic has me convinced that he should get his own spin-off series because they were just that funny! It’s almost like the nineties kids finally got the Roger Rabbit sequel we always wanted to see as the movie’s use of nostalgia, however cynical it may be, is at least cleverly realized with some very funny premises throughout. I love the idea of turning the objects of nostalgia that are the lifeblood of the convention scene and making them the literal guests trying to make a few bucks at rickety card tables with tri-fold boards of merch. It’s clear that the creative behind this are of my particular generation, both with the nostalgia for all this nineties crap and the subsequent decades of nostalgia baiting entertainment, so it gets more than a few points for some level of authenticity even if the movie leans far too heavily on it which I guess brings us to what’s wrong with the movie. The thing is that you can only rely on sight gags and nostalgia for so long before the movie has to start standing on its story and this is where the movie just doesn’t work for me. I didn’t find Chip or Dale particularly endearing as characters, nor did I find the plot all that interesting with the mystery being pretty threadbare. Now I could avoid being a giant sourpuss here and chalk this up to being a kid’s movie where a swift pace and lighthearted tone can carry an otherwise simplistic storyline, but I feel the age and density of so many of the references means that it’s aiming a bit higher than it wants to admit. Do kids even know who the Rescue Rangers are? Heck, are kids gonna get any of the Disney Afternoon jokes in here; let alone the references to more adult-oriented stuff like South Park or the general concept of bootleg movies? It’s a movie that clearly wants to have its cake and eat it; setting its targets squarely on a Millennial audience while hiding behind the Gen Z for its immature and simplistic storytelling. Perhaps it splits the difference evenly enough that both groups will get at least something out of this and I can’t deny the moments I enjoyed throughout, so it gets a little bit of a pass from me but this trick isn’t gonna work indefinitely. Millennials will get sick of 90s-stalgia just as everyone got sick of 80s-stalgia about a decade ago, and what is that gonna leave us with? 2000s-stalgia? I mean it’d be nice if I got my Megas XLR reboot, but still…

3 out of 5
Continue reading “Cinema Dispatch: 2022 May Catch Up”

Cinema Dispatch: Spider-Man: Into the Spider-Verse

SMITSVCD0

Spider-Man: Into the Spider-Verse and all the images you see in this review are owned by Sony Pictures Releasing

Directed by Bob Persichetti, Peter Ramsey, and Rodney Rothman

Honestly this whole “Oscar Season” thing has felt rather muted this year as I really haven’t seen that many movies that would fit the archetype we often associate with them.  Other than Welcome to Marwen, the holiday season has been just an extension of summer with huge blockbusters coming out back to back with three presumed major money makers (Bumblebee, Mary Poppins Returns, and Aquaman) fighting over a single weekend right before Christmas.  However out of all those movies that we’re getting right now, the one that really caught my attention was this film; not because I had any particular reason to think it would be great (though I do certainly hope that’s the case!) but because it looked so much different than everything else.  An animated film with a unique art style about Spider-Man characters other than Spider-Man?  Heck, that’s PRACTICALLY Venom considering how much CG they used, and that wasn’t TOO bad!  Can the cinematic debut of Miles Morales, Spider-Gwen, and… others I guess, manage to be up there with the best that Disney can put out, or is this only gonna look good in comparison to Sony’s other recent Spider-Man efforts?  Let’s find out!!

Miles Morales (Shameik Moore) is your typical Marvel nobody; slightly smarter than everyone else, painfully insecure, and doesn’t realize how good his life is until some tragedy will inevitably strike it after they get super powers!  For now though, he’s just bummed about having to go to a fancy new school that his parents (Brian Tyree Henry and Luna Lauren Velez) want him to attend while all he wants to do is be with his friends and hang out with his uncle (Mahershala Ali) who understands him a heck of a lot more than his parents do.  During one such hang out session where he and his uncle tag a wall in an abandoned subway tunnel, Miles gets bit by a radioactive spider and goes through the typical Spider-Man first day of school; make a fool of yourself, stick to things, and eventually realize how awesome these powers are!  Then again, there’s already a Spider-Man roaming the streets (Chris Pine) so it’s not like he needs to get himself involved in Super Hero shenanigans, right?  Oh wait, Spider-Man’s dead.  Huh.  Didn’t see that coming (especially if you don’t know anything about Miles Morales already) and not only that, the big Super Villain plot he failed to stop is some sort of interdimensional portal gun thingy that The Kingpin (Liev Schreiber) is making and is merging alternate realties into this one.  It makes a lot more sense when you see in the movie.  Trust me on that.  ANYWAY!  One of the alternate dimensions has spout out Peter B Parker (Jake Johnson) who is like this universe’s Peter only a lot less dead and a lot less competent, and he and Miles end up crossing paths through even more convoluted shenanigans.  So now that we’re up to TWO only somewhat competent Spider-People, they can do what the actually GOOD Spider-Man couldn’t, right?  Eh… maybe, but let’s see if we can find a few more Else Worlds Spiders like Spider-Gwen (Hailee Steinfeld), Spider-Noir (Nicolas Cage), Spider-Bot (Kimiko Gleen), and Spider-Pig (John Mulaney) before storming The Kingpin’s castle.  I’m sure they’re around here somewhere!  Will Miles learn how to use his powers for good and accept the responsibility that comes with them?  Can the other Spider-People not only show him what it means to be a hero, but stop The Kingpin before their universe’s become endangered as well?  Can we somehow find a way to go to an alternate dimension where this film is ALSO part of the MCU!?

SMITSVCD1
“In our universe Venom was released in 2007.”     “WOW!  Your world really IS superior!”

Continue reading “Cinema Dispatch: Spider-Man: Into the Spider-Verse”