Tag Archives: Joel Coen

Cinema Dispatch: Suburbicon

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Suburbicon and all the images you see in this review are owned by Paramount Pictures

Directed by George Clooney

Now this film kind of came out of nowhere for me as I’ve only been seeing the trailers for maybe a month leading up to its release.  I guess that’s not too surprising as George Clooney films, good or bad, rarely make a whole lot of money so there’s not much point in advertising it to the movie going masses; especially when the film in question looks pretty dark and super weird.  I mean that makes sense considering it’s from a script The Coen Brothers wrote back in the eighties, but that little factoid not only explains why this movie has been rather low key despite its wide release, it also raises some red flags.  Is this a cinematic masterpiece that was just too good to be made in its time, or did the Coen Brother put this in a draw for so long for a really good reason?  Let’s find out!!

The movie is basically split into two stories; the first being about Gardner Lodge (Matt Damon) who’s family suffers a horrible tragedy, and The Mayers (Karimah Westbrook, Leith M Burke, and Tony Espinosa) who have just moved into the idyllic neighborhood known as Suburbia and have the dubious honor of being the first black family in town.  With The Mayers moving into town and bringing out the worst in the neighborhood just for simply being there, there isn’t a whole lot of attention paid to Gardner and what seems to be some very shady stuff going on with him.  For starters, the death of his wife Rose (Julianne Moore) by some bad men who broke into the house seems to have not been as random an act of violence as it appears to be on the surface, yet no one is picking up on this than Gardner’s son Nicky (Noah Jupe) who’s the only one really looking for answers.  Throw in some possible mob connections, Nicky’s aunt Margaret (Julianne Moore as well) who’s working a bit too hard to fill in the motherly figure role, and a suspicious insurance claims adjuster (Oscar Isaac), and you have the makings for a classic noir thriller set against the backdrop of the super repressed and overtly racist fifties!  Will Nicky find the answers he’s looking for and will he be happy with what he finds?  What is Gardner have up his sleeve that’s making him act so inexplicably after the murder?  Does anyone in this movie REALLY have any idea what they’re doing!?

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“NO NO NO NO NO!!  THIS ISN’T HOW IT ALWAYS WORKS OUT IN THE MOVIES!!”

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Cinema Dispatch: Hail, Caesar!

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Hail, Caesar! and all the images you see in this review are owned by Universal Pictures

Directed by Joel & Ethan Coen

Now that January is finally out of the way, we can get to the GOOD movies, right? Well… February isn’t exactly the best month for movies EITHER what with Valentine’s day being an invitation to release terrible rom coms, but then we ARE dealing with the Coen Brothers who have a pretty damn good track record when it comes to movies. Is this going to be another classic film in their catalogue, or is way below their usual standard of excellence and just be a decent film? Let’s find out!!
The movie follows around Eddie Mannix (Josh Brolin) who is the head of Capitol Pictures and an all-around problem solver for everyone who works there. He makes sure the bills get paid and that the movies stay under budget, but he also pulls actors out of embarrassing situations, pays police to stay quiet, and that Capitol Pictures keeps a respectable image despite the chaos that is brought before him each and every day. The day that the film takes place on turns out to be an eventful one as Baird Whitlock (George Clooney) who is the star of the studio’s biggest film, Hail Caesar, has been kidnapped. Not only that, but another big star at the studio DeeAnna Moran (Scarlett Johansson) is having a baby out of wedlock which Eddie needs to find a way to cover up, and another one of the movies on the lot needs a lead actor but the only guy available is Hobie Doyle (Alden Ehrenreich) who has only starred in cowboy pictures and they need him to somehow act in a classy movie about New York socialites. Will Eddie be able to deal with these problems and more as the day goes on? Will the world finally get an idea of just how mad the movie business is, or can Eddie keep everything on the down low despite several reports prying into the studio’s affairs? Do we get to see Josh Brolin slap the shit out of George Clooney!?

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To answer one of those questions… yes.

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Cinema Dispatch: Bridge of Spies

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Bridge of Spies and all the images you see in this review are owned by Walt Disney Studios and 20th Century Fox

Directed by Steven Spielberg

We’re well into the Oscar season by this point, but now it’s time for the BIG guns to strut their stuff, and you can’t get any bigger the Steven Spielberg!!  It also seems that he’s found a niche that he’s starting to get comfortable with considering this is his second historical film based on a bunch of lawyers and politicians arguing during a very contentious time in our country’s history.  Does Spielberg remind us once again why he’s one of Hollywood’s greatest living directors, or will this be one of those lesser films he makes that we’ll all forget about as soon as his next film is made?  Let’s find out!!

The movie begins in 1957 with the arrest of Soviet Spy Rudolf Abel (Mark Rylance) and the media storm that surrounded it.  When it comes time to actually try the bastard, the US government hires a law firm to represent Rudolf so that at least it can APPEAR to be a legit trial instead of a kangaroo court.  Unfortunately for everyone, the man the law firm assigns to the case is James B Donovan (Tom Hanks) who actually believes in the constitution and won’t just let the legal system run all over this guy.  For doing the right thing, he ends up drawing unwanted attention from hot heads looking to see some Soviet scumbag hang as well as the ire of the FBI who want him to tell them everything that Rudolph has said in their meetings which would obviously be a breach of attorney client privilege.  While this is going on, we occasionally cut to Francis Gary Powers (Austin Stonewall) who is a US solider training to be a spy and will one day fly a stealth plane of USSR territories to take covert pictures.  Will fate conspire to put him in a similar situation as Rudolph Abel finds himself now?  What kinds of consequences will James incur for himself, his law firm, and his family for simply believing in and fighting for what the constitution guarantees?  Just how many awards will Spielberg win for directing a period piece political thriller starring Tom Hanks!?  Like… fifty?

“I’m willing to talk Mr. Spielberg down to forty-eight, but you need to guarantee us best picture first.”

“I’m willing to talk Mr. Spielberg down to forty-eight, but you need to guarantee us best picture first.”

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