Downsizing and all the images you see in this review are owned by Paramount Pictures
Directed by Alexander Payne
Every year, there’s usually one movie that starts off getting quite a bit of Awards buzz (mostly due to its cast and filmmakers) that eventually pivots all the way back to being an absolute train wreck once the critics get a chance to see it, and it’s usually not due to a genuine lack of talent on anyone’s part. More often than not, it’s misguided or something happened in the production that forced corners to be cut, so the badness of these kind of movies tend to be UNIQUE compared to the drivel that usually comes out during the rest of the year. Last year the winner of this prize was Collateral Beauty that tried SO hard to be a heartfelt and charming tale despite ostensibly being about people acting like total monsters towards someone with emotional issues, and word has been circulating that this is gonna be that film for 2017. I thought the trailers looked good as does its interesting premise, but I’ve been burned by good trailers before (*cough* Mother *cough*), so I’m hoping for the best but will keep my guard up just in case. Are the critics right about this film being wholly unable to live up to its lofty ambitions, or is this one of those few instances where the popular consensus will shift once it gets screened for the masses? Let’s find out!!
The movie follows the adventures of Paul (Matt Damon) who’s a simple man with a ho-hum job living a ho-hum life with his ho-hum wife (Kristen Wiig) in his ho-hum town of Nowhere-ville. He’s looking for something to spice up his life and to give him a renewed sense of meaning (by which I mean he wants to buy more stuff), so he starts to entertain the idea of him and his wife Downsizing. What is Downsizing you may ask? Well it’s a process by which a human can be permanently shrunken down to a fraction of their normal height and then move to a community of similarly shrunken people. Since things cost less when they are smaller, that means that Paul’s meager life savings can let them live as kings for the rest of their lives in one of these communities, so he eventually makes the leap. However, his wife doesn’t go with him (balking at the last second) and he’s basically back where he was before; miserable and looking for ways to be happy. Through his ongoing life in Tiny Town (also known as Leisureland) he meets with a goods trader Dusan Mirkovic (Christoph Waltz) as well as a Vietnamese protestor who was Downsized against her will named Ngoc Lan Tran (Hong Chau) that seem to be much happier than him and might just hold the secrets to helping Paul find what he’s been looking for. Can Paul find a shred of happiness in his sad pathetic life? What doors with Dusan and even Ngoc open for Paul that will help him on his journey? Wait, so we have this HUGE premise about people being shrunk down and living in corporate run micro-communities… and we’re focusing on some sad white dude the whole time!?
The Hitman’s Bodyguard and all the images you see in this review are owned by Lionsgate
Directed by Patrick Hughes
Okay, so MAYBE Atomic Blonde didn’t turn out to be everything I was hoping for, but that’s not the ONLY move I was looking forward to this year! Who DOESN’T want to see two of the best action/comedy actors of the modern age bounce off of each other in an over the top buddy shoot’em up!? That’s at least what we were promised in the trailers, but if there’s one thing that Atomic Blonde (and admittedly lots of other movies) has taught me, it’s that trailers aren’t always the best at telling you what a movie will ACTUALLY be about. I know; SHOCKING revelation there! Does the team up between these two titans of Hollywood blockbusters manage to work even better together than they do as individuals, or was this a team up worse than when Pouty Superman fought with Even Poutier Batman for no reason whatsoever? Let’s find out!!
The movie begins with Michael Bryce (Ryan Reynolds) who is a TOP NOTCH bodyguard with his own security company that’s apparently richer than half their clients considering how styling him and his crew are, but his idyllic life of protecting the rich and powerful is abruptly brought to an end when someone he’s supposed to be protecting gets shot right the head by an unknown sniper. He spends the next few years stewing in his own self-loathing and is stuck protecting losers and drug addicted lawyers as he tries to climb his way back to the top. An opportunity presents itself though when super hitman Darius Kincaid (Samuel L Jackson) is to be brought before an international court to testify against the Belarusian Dictator (Gary Oldman) who everyone seems to know committed NUMEROUS war crimes, but only Kincaid has the evidence… for some reason. Michael is given a chance to possibly redeem himself if he can get Darius to The Netherlands in one piece as the Belarusian Dictator is sending out a lot of hired goons to put him in a body bag before he can testify. That’s not the REAL problem though. No, what’s REALLY gonna make this the mission from hell is that Darius is a TOTAL asshole who likes to do things dirty which clashes with Michael’s preference of being clean and professional about everything he does. It’s like The Odd Couple, but with guns and a lot more swearing! I don’t recall Walter Matthau calling people mother fucker before shooting them in the head! Can these two get along JUST long enough for Darius to testify and put that dictator behind bars once and for all? Will Michael finally redeem himself and get his life back on track after delivering Darius to the international authorities, or will he end up shooting him in the head out of sheer frustration before that? Seriously, does Samuel L Jackson own the rights to the words mother fucker? He HAS to be getting royalties considering how much he says that!
“I see you driving round time with the girl I love, and I’m like… MOTHER FUCKER!!”
Our Brand Is Crisis and all the images you see in this review are owned by Warner Bros Pictures
Directed by David Gordon Green
I’m pretty sure I saw a trailer for this before every single movie in the last four or five months. Now that we finally get a chance to see this political dramedy about campaign management, does it actually turn out to be any good? Well this is basically a hodgepodge of people we like but who don’t always make the best career choices, such as Sandra Bullock, Billy Bob Thornton, David Gordon Green as the director, and even George Clooney who’s producing this and will sometimes have a misstep. Will this be another great film from people we know can make great movies, or is this gonna be one big disaster that we only sometimes expect from them? Let’s find out!!
The movie follows Sandra Bullock as Jane (colloquially known as Calamity Jane) who was at one time the best campaign manager in the United States. She won many elections in her career but along the way she developed a drug habit and became an alcoholic to the point that she started to become a laughing stock in her field and eventually checked into the Betty Ford clinic. The movie picks up several years later and she’s spent the intervening time alone in the woods in exile or something until two campaign managers Ben and Nell (Anthony Mackie and Ann Dowd) who are working on a campaign in Bolivia and are so far behind that they’re desperate enough to try and call Jane out of retirement. When she finds out that their opponent is being managed by her rival Pat Candy (Billy Bob Thornton) she agrees to go there and help out, but is quickly unimpressed by what she finds. A candidate who seems checked out and disinterested, a staff composed of idiots who can’t even speak Spanish, and polls that put the guy over twenty points behind their opposition. Can Jane get back into the swing of things and whip this campaign into shape, or will she end up losing herself again throughout this whole ordeal!?
“What do you think our chances are?” “Honestly? I think Rick Santorum had a better chance of winning the presidency.” “2012 Santorum, or 2016 Santorum?” “Does it matter?” “I guess not.”