Cinema Dispatch: Primetime

Primetime and all the images you see in this review are owned by A24

Directed by Lance Oppenheim

Oh boy, is this nostalgic in all the worst ways. Like many Millennials, I too went down the To Catch a Predator rabbit hole and watched the entire series half a dozen times during a semester at college. It’s a pretty ugly chapter in American television that frankly deserves a reexamination given how even more destructive our criminal justice system has gotten in the twenty years since, and I could hardly think of an actor I’d want to don the Chris Hansen stare than Robert Pattinson. This could very well be the best movie of the year, especially now that Millennials are starting to take over for the Boomers and so it’s our childhoods and early twenties that will be the subject matter of prestige films going forward. Is this a devastating yet necessary deconstruction of the Justice Served Humilitainment that To Catch a Predator set the standard for, or will this be a simple pantomime of a show that was better left in the past? Let’s find out!!

In the long ago days of the mid-2000s, there was a little show called To Catch a Predator hosted by journalist Chris Hansen (Robert Pattinson) that sought to stop predators from taking advantage of young children. That’s what it claimed to do anyway, but it’s clear that Hansen, his producer Andie (Merritt Wever), and the crew from Perverted Justice who help him set up these sting operations are not as altruistic as the slick marketing would have you believe; not with so much fame, money, and prestige on the line. The quest to stay on top ultimately requires bigger and bigger spectacle, which means more deranged predators and a new decoy to lure them in. Enter Dan Plum (Skyler Gisondo), a young actor who didn’t seem to read the contract and finds himself in the middle of this parade of human misery, but perhaps with the right mindset and a little convincing from Chris, he can see this as a genuine calling that helps people instead of just another gig to pay the bills. Of course, this resolution will be truly tested when the crew get wind of a big fish out there on the pervert message boards; someone who isn’t just some boring loser but a genuinely connected and influential person who could cement the shows legacy and ensure its ratings domination. Will this be the show to define an era of television in all the ways that the team envisioned, or is this chaotic stab at punitive justice a cautionary tale for all of us? Can Dan put his feelings aside and accept his role as bait for these disturbed men, or will the artifice of it all leave him with scars that may never heal? Hey, maybe we’re just thinking about it too much. I mean what’s wrong with indulging in a little bit of justice every now and again?

“What else would you expect from the greatest country in the world, am I right?” “GO, AMERICA!!”
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Cinema Dispatch: A Beautiful Day in the Neighborhood

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A Beautiful Day in the Neighborhood and all the images you see in this review are owned by Sony Pictures Releasing

Directed by Marielle Heller

I’m trying to recall if I’ve ever actually sat through an entire episode of Mister Rogers’ Neighborhood and if I had it was WAY too long ago for me to remember, so while the guy has always been a presence in my life simply by way of cultural osmosis, I never really got to experience him the way that many other people did.  The impact was always felt, especially when PBS and public television were still things before the rise of YouTube and streaming services, but what made the show work so well and what made Mr. Rogers such an enigmatic figure for many generations? Well I guess if I wanted to know the answer to those questions then there wouldn’t be a better time to do it then this brand new biopic, right?  Well actually the documentary from last year would probably be the best bet which I still need to see at some point, but this movie is a decent runner up!  Does it

You’ll be forgiven for thinking that this movie is mostly about Fred Rogers (Tom Hanks), but ACTUALLY the movie is primarily focused with Lloyd Vogel (Matthew Rhys); a writer for Esquire Magazine who’s been assigned to cover Mr. Rogers for a piece about heroes right at the time he’s dealing with some serious issues in his personal life.  You see, Lloyd has spent the better part of his life avoiding his father Jerry (Chris Cooper) who did some really awful stuff in the past that Lloyd has had no reason to forgive, and yet his sister (Tammy Blanchard) gives him an opening back into their lives at her wedding which eventually leads to Lloyd’s wife Andrea (Susan Kelechi Watson) wanting to make inroads with his as well; a movie that utterly baffles Lloyd and puts a serious strain on their relationship which was already under a great deal of stress as they just had a baby.  All this is swirling around in his head which isn’t helping his lack of enthusiasm for writing a puff piece about a children’s entertainer, and yet something about Fred Rogers intrigues Lloyd; particularly the utter sincerity with which he approaches everything and everyone around him which is either a genuine extension of himself or possibly a mask for something much darker than anyone would have assumed from such a sweet man they see on television.  Is there truly something there for Lloyd to uncover behind the kind face and the red sweaters?  Will these interviews with such a noble seeming man perhaps give him some perspective on his own issues and how he’s been handling them up to this point?  Most importantly of all, do we get any juicy behind the scene details on the set of the show!?  Probably not, but we can always dream, right?

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“I saw THREE blue M&Ms in my bowl today!  Do we need to go over my contract again!?”     “No, Fred.  It was a mistake.”     “Do you realize how many children I inspire each day!?”     “Yes, Fred.  No blue M&Ms.”

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