Cinema Dispatch: Coming 2 America

Coming 2 America and all the images you see in this review are owned by Amazon Studios

Directed by Craig Brewer

Coming to America is not a movie I have much nostalgia for.  I didn’t see it until I was well into my twenties and while I found it amusing it wasn’t exactly an all-time classic for me, so while I’m not giddy with anticipation to see where Prince Akeem ended up thirty years later, I shouldn’t be particularly bummed if it doesn’t live up to the original.  Frankly, the Eddie Murphy from my childhood peaked with Dr. Doolittle as I didn’t see any of his classic movies until I was much older, and it’s only been in the last few years that he’s buckled down and tried to be more discerning with his roles so perhaps this will take to heart the harsh lessons he learned over the last few decades and will actually be something true to the spirit of the original and to the comedy legend that he was at the time!  Yeah okay, I don’t think that’s going to be the case either (especially with them putting a 2 in the title), but let’s find out!!

Prince Akeem Joffer (Eddie Murphy), the soon to be king of Zamunda, has been living the last thirty years in luxury and bliss with his wife Lisa (Shari Headley) and their three daughters (KiKi Layne, Bella Murphy, and Akiley Love) in the beautiful palace that I’m sure is not an opulent eyesore and a constant reminder of wealth inequality in the region!  Surely not when they are being menaced by the neighboring warlord General izzi (Wesley Snipes) who wants his own son to be married to Akeem’s oldest.  After all, the law says No Chicks Allowed and therefore a woman can’t be the leader, so perhaps Akeem’s happy little life is about to get quite complicated.  As luck would have it however, the King (James Earl Jones) has been keeping a secret from Akeem as it turns out he has a son living in Queens that he conceived during his trip there thirty odd years ago.  Must have happened when we weren’t looking I guess.  We were probably all getting more popcorn.  So Akeem, with the help of his loyal aide Semmi (Arsenio Hall) must return to the United States and bring his son back to be groomed as the next Prince and eventual heir to the throne; something that doesn’t sit right with his eldest daughter who was hoping to find a way to ascend to the throne as well as his wife who’s a bit perturbed that he conceived a child about a week before they started dating.  His son Lavelle (Jermaine Fowler) has his own reservations as it’s a pretty sweet deal to be plucked out of obscurity to become a big shot, but being a Prince isn’t always what it’s cracked up to be even if it means the easy life for his mother (Leslie Jones) and his uncle (Tracy Morgan).  Will Prince Akeem be able to ascend to the throne as King with a competent heir by his side, or will the culture shock for Lavelle be too great for him and his family to handle? What will General Izzi do now that his master scheme is about to be unraveled, and will Lavelle suffer the consequences of his newly found father’s machinations?  Or will it be about none of that and everyone will spend most of the movie spouting lines from the first one?

“I’m getting too old for this spit.”     “Wrong movie.  And wrong line.”     “Oh who cares?  It’s a PG-13 sequel; you get what you pay for.”
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Cinema Dispatch: Sorry to Bother You

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Sorry to Bother You and all the images you see in this review are owned by Annapurna Pictures

Directed by Boots Riley

This is a great time of year because once the summer blockbuster season starts to wind down we start to get some really great stuff from the indie scene right before the Prestige Films and the Oscar Bait start to take over the multiplex.  Sure, August is normally considered a dumping ground for mediocre movies (I’m wary about Slenderman to say the least) but that’s more to do with the BIG releases rather than the harder to find stuff in the fancier theaters which is pretty much exactly what we have here today as I had to make a bit of a drive to catch this on the big screen.  Now I’ve been keeping my eye on this film since the trailers started to pop up due to its interesting style and oddly relatable premise, at least from what they were selling us on, and most importantly I could really use something other than super hero flicks and The Rock to fill out my GOOD MOVIES list for this year!  Does this bizarre little story manage to be just as good as I hoped it would be, or was I just too eager to find something new that there was no way it would live up to my expectations?  Wouldn’t be the first time this year (*cough* Thoroughbreds *cough*)!  Anyway, let’s find out!!

Cassius Green (Lakeith Stanfield) is a man just trying to survive day by day and constantly wondering if anything he does will ultimately matter in the grand scheme of things.  After all, once he dies and his theoretical children die and then THEIR theoretical children die, will there be ANYONE left to remember him or the fact that he just barely managed to get a job working as a telemarketer?  His girlfriend Detroit (Tessa Thompson) thinks he’s worrying too much about all that and she’s content to work on her art projects in between gigs as a sign flipper, but with the world slowly going to hell in a handbasket (a new company called WorryFree is basically reintroducing slavery by praying on the impoverished) it all just seems pointless unless he can REALLY start to make some money and find what it is that he’s good at.  As it turns out though, he has a knack for this telemarketing thing once he finds his “white voice” (David Cross) and is on the fast track to being a POWER CALLER which is basically doing the same thing only for more money and selling stuff other than encyclopedias.  However, his rise to the top has some roadblocks along the way as his fellow workers are staging a strike just as he’s about to make it as a POWER CALLER, and said promotion doesn’t come without its own problems and indignities that slowly start to tear at Cassius’s soul and creates a divide between him and Detroit.  Throw in some colorful characters like Squeeze the leader of the telemarketer’s strike (Steven Yeun), Steve Lift the CEO of WorryFree (Armie Hammer) who’s about as big of a douche bag as you’d imagine, and the mysterious Mr. ******* (Omari Hardwick) who represents the future that Cassius has waiting for him if he sticks it out at his new job for just a little bit longer.  Can Cassius find a way to use his talents for massive financial gain without losing his soul in the process?  Just what is WorryFree up to, and how does it connect to this Telemarketing Company as well as Cassius himself?  Is there like a hotline I can call that’ll explain this movie to me, because I feel like I STILL don’t have a clear grasp on what the heck was going on!

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“For plot summary and cast list, press 1.  For thematic elements and symbolism, press 2.  If you still haven’t come to terms with the horrors of Late Stage Capitalism, please stay on the line.”

Continue reading “Cinema Dispatch: Sorry to Bother You”