The Lego Batman Movie and all the images you see in this review are owned by Warner Bros Pictures
Directed by Chris McKay
Let’s see… you take something awesome like The LEGO Movie, and you add more Will Arnett. How could this POSSIBLY fail!? I mean granted, adding Will Arnett to ANYTHING is an automatic improvement (unless it’s Bojack Horseman), but considering what we’ve gotten from the DC canon since Nolan’s second movie, how could we NOT be excited when one of those movies isn’t fraught with astounding mismanagement and crushing solemnity!? Does this offshoot of The LEGO movie prove to be a success while laying the groundwork for other LEGO based offshoots, or has Warner Bros utter mismanagement of the DC licenses somehow managed to spread to this colorful and vibrant take on the characters? Let’s find out!!
The movie is about Batman being Batman and everyone getting really sick about it, and I can certainly relate to that. More specifically, Batman (Will Arnett) has just locked away a whole bunch of villains for what has to be the millionth time, but something’s a little bit different. While The Joker (Zach Galifianakis) managed to escape like he usually does, Batman managed to hurt his feelings by claiming he’s NOT his arch-enemy, so now he’s got a NEW axe to grind with the caped crusader. On top of that, Barbara Gordon (Rosario Dawson) has just become the new commissioner and is somewhat skeptical about letting some sociopath with silly ears and a cape beating up poor people and other weirdos in the streets of Gotham which makes SENSE but isn’t all that comforting to Batman who’s already having enough trouble finding things to do in what little spare time he has NOW; let alone how much he’d have if the police department started doing their jobs right under Barbara’s new rule. To cap things off, he JUST SO HAPPENS to adopt a young boy named Dick Grayson (Michael Cera) which you’d THINK would require just a LITTLE bit of paperwork, but I guess the Orphanage could use the extra bed; especially considering how many kids they have to take in considering how many supervillains are blowing shit up around the city. ANYWAY! Batman, who’s been avoiding his feelings all this time by punching baddies in the face now has to deal with that one thing we all fear… CHANGE! Will he be able to keep his cool now that the status quo has been upended? Just what does The Joker have planned now that he’s even MORE pissed at Batman than usual? Is it too soon to reboot the DC films and just make them all based on toys?
“Do you bleed?” “Probably not. I mean, I AM made of plastic.” “YOU WILL!!” “Again… I’m made out of plastic…”
The BFG and all the images you see in this review are owned by Walt Disney Studios
Directed by Steven Spielberg
The fact that Spielberg hasn’t made a Roald Dahl film up to now seems like either an oversight. That or maybe the guy thought that it would have been too obvious for the reigning king of cinematic wonder to adapt a story from one of the best children’s book authors of all time. If you think about it, the really good Dahl adaptations come from unconventional places, whether it’s Mel Stuart who’s known for Willy Wonka and basically nothing else outside of television, Henry Selick who’s only done four movies in over twenty years (one of which is James and the Giant Peach and another is Monkeybone), and even Matilda which was directed by Danny DeVito of all people; a director known for The War of the Roses where Michael Douglas and Kathleen Turner kill each other over spite, and Death to Smoochy which had Ed Norton in an awful Barney suit. The most mainstream examples I can think of would be Fantastic Mister Fox from Wes Anderson and Charlie and the Chocolate Factory from Tim Burton, the former proving my point as the most mainstream we can get for good Dahl is Wes Anderson and the latter probably being the worst Dahl adaptation pretty much BECAUSE of how Hollywood it was. Now the biggest director of all time is stepping up to the plate to adapt one of Dahl’s books that has yet to have a major film adaptation, though there was an animated one that no one really cares about. Can Spielberg work his magic yet again for material that seems perfectly suited for him, or will the magic of Dahl’s work be lost when adapted under the Disney umbrella? Let’s find out!!
The movie follows a young orphan named Sophie (Ruby Barnhill) who suffers from Insomnia… I think, and she stays up late enough one night to see a giant roaming the streets of her town. Sophie tries to return to her bed but unfortunately it’s too close to the window and the giant kidnaps her to take back to his home in Giant Country which doesn’t seem too hard to get to as the secret portal or whatever is just off the northern coast of Scotland. The giant is played by Mark Rylance (who will at some point be known as BFG which does NOT stand for what you think it does) and tells Sophie that he plans to keep her there so that she doesn’t blab to the world about the existence of giants. Now normally this would be the setup for a horror movie, but BFG turns out to be a vegetarian which means she’s safe from being eaten, and that the giant is actually super sweet which makes this situation more like an adoption without that pesky paperwork. Now of course the movie isn’t just about these two hanging out together as the main conflict arises when we discover that not only is BFG a rather small giant, but that the other giants are total pricks who like to eat children and bully and the kind old man for reasons that I’m sure make sense to the giants. Can Sophie come up with a way to stop the other giants from picking on BFG? Will the other giants discover that BFG has a human around which will set them off on a rampage? Wait, why is BFG responsible for people having dreams? Seriously, what does that have to do with anything!?
“What is that dream about?” “Eh… I’ll tell you when your older.”