Sing and all the images you see in this review are owned by Universal Pictures
Directed by Garth Jennings
It seems that Illumination’s business model is to just hammer us over and over again with constant advertisements and marketing pushes for whatever movie that will soon (and not so soon) be hitting theaters. We see it with The Minions invading everything from ironic T-shirts to toilet brushes, and I’m pretty sure I’m not the only one who got REAL sick of those Secret Life of Pets trailers about four months before the damn movie came out. At least with Sing, Illumination had a decent enough premise on its hand and the trailers only got better as time went on. Still, that’s the same strategy that Suicide Squad had, and while I didn’t HATE it, the trailers were clearly selling a film that the ACTUAL movie couldn’t live up to. Will that be the case here with Illuminations latest effort to take over the world with marketable CG characters, or is there something genuinely great here from a studio that’s only made fluff so far? Let’s find out!!
The movie is rather simple as it’s about a theater owning koala named Buster Moon (Matthew McConaughey) who gets desperate enough to rip off American Idol and naturally becomes the talk of the town once he holds open auditions. Our heroes are a gorilla with daddy issues named Johnny (Taron Egerton), a housewife pig named Rosita (Reese Witherspoon) who’s right out of the Marge Simpson School of quiet desperation, a shy but talented elephant named Meena (Tori Kelly), and a too cool for school porcupine named Ash (Scarlett Johansson) who’s relationship with her boyfriend is being strained by this competition. I guess I should also mention Mike the Mouse (Seth MacFarlane), but calling him a hero is a bit of a stretch as he’s the one who REALLY wants to win by any means necessary. Of course, noting goes quite as well as it should, what with Buster’s finances in total disarray and his talent dealing with their own problems at home that threaten to derail this singing competition as much as Buster’s inability to keep the lights on. Will this competition be exactly what Buster needs to save his theater and what everyone else needs to change their lives for the better? What kind of shenanigans does Mike have up his tiny sleeves that can cause big problems for everyone else? Is anyone else feeling a distinct lack of Billy Joel in this movie filled with so many oldies!?
The Reviewers Unite 