Halloween Kills is owned by Universal Pictures and all the images you see in this trailer talk are the property of their respective owners
The Halloween sequel from 2018 (which was actually the THIRD sequel to the original movie; fourth if you count the sequel to the Rob Zombie reboot) had a VERY clear path to a sequel which I thought was to its detriment. For me, finishing off the series, at least as far as Jamie Lee Curtis’s involvement with it, in one final definitive perfect movie would have been preferable to… well pretty much what they did the LAST time they brought Jamie Lee Curtis back. In H20, she definitively killed Michael Myers and ended the nightmare, but then they made a sequel to bring him back and it was the worst Halloween film; yes, even worse than either cut of Curse. Well despite my protestations, Universal and Blum House are going ahead with the sequel and we have our first trailer to check out. Let’s see what they’ve got for us aside from a very awkward title!
Now it’s hard to say how any of it will work until we see the movie, but what’s interesting is that they are pretty much following the ORIGINAL sequel formula which is to have it take place on the same night after Laurie is taken to the hospital and have most of the action take place there. They sort of did that at the start of Rob Zombie’s Halloween II as a misdirection before jumping ahead to several months later, but here they seem to be playing it fairly straight which COULD work I suppose, but so much of this trailer feels like retreading what we saw in the last movie. Laurie is determined to kill Michael Myers, the cops are completely ineffectual, and somehow Michael manages to find the rest of Laurie’s family. There also seems to be a shift in Laurie’s character based on the dialogue in this trailer which is raising some red flags for me as well. In the last movie she was the only one who REALLY understood Michael, not as a fascinating glimpse into the human psyche like the podcasters or Dr. Sartain and not as a mere annoyance to be dealt with like the Sherriff, but as a mere mortal who is capable of great evil. Her references to him being THE BOOGEYMAN as a coy put down of the myth people want to build up around him is also a defense mechanism to try and keep herself above everyone else and therefore justify her survivalist lifestyle. Here, she’s talking about how each kill makes Michael grow stronger; like he’s a freaking Highlander. Perhaps the lines are worded differently in the final film, but it feels like we’re going down the same road that the latter sequels did in making Michael more than he actually is.
The Reviewers Unite 