Can You Ever Forgive Me? and all the images you see in this review are owned by Fox Searchlight Pictures
Directed by Marielle Heller
Have I mentioned that I really like Melissa McCarthy? Because I REALLY like Melissa McCarthy. The Ghostbusters reboot was one of the best movies the year it came out, The Happytime Murders is one of the best films of this year, and I even liked Life of the Party which may not have gotten QUITE as much negativity as the puppet cop movie, but makes up for it in just how quickly everyone seems to have forgotten about it. Now she gets to star in a nice juicy biopic that doesn’t seem to have the over the top comedic tone of her usual output and is instead a much quieter and more character driven film. Hey, it may not be what she’s known for but I have no doubt that she has the acting chops to pull off something much more serious and it’d be even MORE hilarious if she makes a movie that critics fawn over in the same year that they’ve quite harshly rejected everything else she’s done. Does this biopic capture the importance of its subject matter along with giving Melissa McCarthy an interesting role to work with, or will this be a bigger disappointment than Bohemian Rhapsody? Okay, chances are NOTHING could be as disappointing as that, but let’s find out!!
Back in the long ago time of the early nineties, biographer Lee Israel (Melissa McCarthy) was struggling to make ends meet with whatever profits she made from her earlier books drying up completely and her bitter attitude and sardonic wit making her not very popular in office environments. This is made especially bad because she’s experiencing a rather lengthy bout of writers block and is being stonewalled by her agent (Jane Curtain), so with nothing else to fall back on a sick cat to take care of she starts to pawn off whatever memorabilia she has; including a letter she got from Katherine Hepburn. It seems that letters like this can fetch a nice price from book stores and collectors, though when she just so happens to find two more letters from someone else who is famous she learns that they need to be… spicy as it were to fetch more than a few bucks. Well hold on! She’s a writer, isn’t she? And she writes about famous people already, right? Why, it wouldn’t be THAT hard to just make up some letters in the voice of those famous individuals and use old typewriters with old paper to more or less print money! That will give her enough money to help her sick cat AND keep her drinking habit alive! So she begins her life of crime which not only keeps a roof over her head but gives her a passion for writing that she hasn’t experienced for some time; not to mention giving her a little cash to spoil herself and her friend Jack Hock (Richard E Grant) who eventually joins her to help cover her tracks. How long though can these two keep this scheme of their going before collectors and the authorities start to take a closer look? Even if they can get away with it, will it help Lee understand and maybe even resolve the issues that have been plaguing her life and her writing up to this point? Is it too early to start filling out my Award Card yet? I know we’ve got another two months and I’m NOTORIOUSLY bad at picking winners, but this time I’m feeling lucky!
What!? Since she didn’t win for Bridesmaids, it means she’s due!
The Spy Who Dumped Me and all the images you see in this review are owned by Lionsgate
Directed by Susanna Fogel
Another Spy Comedy, huh? Well I guess there are genres with even worse track records than that, but there’s clearly an uphill battle to be fought considering how bad a lot of these movies turn out; not to mention the fact that the trailer was kind of meh despite the film starring two of my favorite actors working today. I’d rather they be doing OTHER stuff like say a Ghostbusters sequel, but until everyone realizes just how wrong they were about that movie, I guess this will do just fine. Hopefully! Does this movie manage to be a shining example of a genre that is notorious for underwhelming films, or will this succumb to whatever curse has made it so hard to make good Spy Comedies? Let’s find out!!
The movie follows Audrey (Mila Kunis) and Morgan (Kate McKinnon) who are two best friends living their normal early thirties lives without a whole lot going for them; particularly Audrey who just got dumped by her boyfriend Drew (Justin Theroux). BY TEXT! What a jerk! I sure hope something bad happens to him! Well… just wait fifteen minutes. It turns out that he’s an INTERNATIONAL MAN OF MYSTERY which comes as news to Audrey and left some Spy MacGuffin in her apartment which he tries to get but is… indisposed in the process, and it’s up to her delver whatever the heck it is to someone somewhere at a specific time! Easy enough, especially with her best friend by her side! Unfortunately, there are a lot of other people looking for whatever this is, including Sebastian and Duffer (Sam Heughan and Hasan Minhaj) who are working for at some sort of spy agency, a Super Assassin named Nadedja (Ivanna Sakhno) who’s been hired by someone MYSTERIOUS to take them out, and a bunch of motorcycle henchmen who are more than willing to fire live ammunition in busy streets to try and take out these two nobodies when a less blunt approach would PROBABLY work on these two. They’re not the best when it comes to detecting threats, nor should they considering neither one of them have even used a gun, let alone protected very important MacGuffins! Can Audrey and Morgan deliver this package before getting themselves murdered? Will they be able to save the world by taking this where it needs to go and will there a few double crosses along the way? Will this mission be even more impossible than making a good spy comedy!? Even Tom Cruise isn’t necessarily gonna get THAT right all the time!
“This mission, should you choose to accept it, is to stop a bomb. A BOX OFFICE BOMB THAT IS!!” “I see what you did there.”