We’re back with more Lovecraft Country intrigue, and it has certainly been an interesting journey hasn’t it? We’ve had great episodes, bad episodes, and all the tones that you can possibly imagine somehow crammed into this very strange tale of magic and horror wrapped in the not so strange but still horrifying exploration of racial issues in this country! With only two episodes to go are we heading towards a climactic conclusion that will make it worth whatever stumbling we went through getting to this point, or should we expect more of the same issues that have plagued this series for some time now? Let’s find out!!
The episode begins with Diana (Jada Harris) in a near comatose state as all the adults in her life (at least the ones that are still around) start yelling at each other about how this could have happened in the first place. Frankly I’m not sure what they’re fighting about as ALL of them are terrible guardians with Hippolyta (Aunjanue Ellis) having disappeared, but the more interesting revelation here is that the Evil Twins from the last episode didn’t want to kill Diana with their razor sharp nails; they just wanted to… poison her with a magic disease or something? In any case, Ruby (Wunmi Mosaku), being the only one with any idea of what to do, calls Christina (Abbey Lee) to try and make heads or tails of this, and while she DOES have some good news, it’s mostly bad. She can reset curse essentially; giving Diana more time before it overtakes her, but to remove the spell completely will require The Book of Names, and we learned that it was burned during the Tulsa massacre of 1921, so there’s not much hope. Still, Christina agrees to do the reset on the condition that Atticus (Jonathan Majors) joins her in Ardham on the night of the Autumnal Equinox. They’ve mentioned this whole Equinox things a few time and I still don’t have a clear explanation on what it is, why it’s so important, and why Christina wants to do some sort of immortality spell on that night (especially since her dad EXPLODED when he tried it back in episode 2), but Atticus agrees so I guess that’s what the tenth and final episode will all be about. They all start putting up transmutation circles all over the place while Christina goes to run an “errand of some sort” which his actually just her transforming into William (Jordan Patrick Smith) and gloating about Captain Lancaster’s untimely demise in front of him. No, William doesn’t go to a grave, apparently the cops are trying to Frankenstein their way out of this little fiasco, but they aren’t having any luck and Christina gets a front row view of this jerk bag breathing his last breath. Couldn’t happen to a nice guy in my opinion, but he may end up getting the last laugh if they aren’t able to stop his curse from killing Diana.
We’re back with another episode of everyone’s favorite Monster Mash just in time for the Halloween season? Yes, I’m a bit late at putting this up as I’ve fallen behind on… well basically everything the last few weeks, but it was hopefully worth the wait as I have quite a bit to say about this particular episode! Is it an improvement over the last few episodes that didn’t quite capture the tone that this series works best at, or will this show continue to go all over the place until the very last minute and tries to cram everything into a satisfying conclusion for the final episode? Let’s find out!!
The episode begins on a very somber note as everyone in this Chicago community are marching to the funeral of a young man named Bobo was a character who showed up, albeit briefly, in previous episodes as a friend of Diana (Jada Harris), and as it turns out he is in fact supposed to be the real life Emmett Till; a fourteen year old boy in 1955 who was shot and then strung up around the neck with barb wire which was then tied to a cotton gin fan before being thrown in the river; shooting him, cutting him, choking him, and drowning him on the flimsiest excuse of him supposedly flirting with a white woman who later in life recanted the story which his killers presumably knew to be false at the time. I’m dubious about putting an actual historical figure and victim such as him in a big budgeted HBO fantasy series to make a point, but aside from that it’s a sobering introduction that definitely reflections the tension and shared trauma of the current state of police and white supremacist violence in this country; violence that was always there but has gotten much more of a spotlight in recent years. Diana is certainly having a hard time of recently, especially with the recent death of her father George Freeman (Courtney B Vance) and the disappearance of her mother Hippolyta (Aunjanue Ellis), and it’s just too much for her to take with grace and restraint, so she runs off and starts yelling at other kids who aren’t in mourning over the loss of a child to such senseless violence. As cathartic as this is for her, the good feeling ends up being quite fleeting as a cop car immediately pulls up behind her and she may end up being the next kid to have a funeral. It’s not just any cop however as it’s Captain Lancaster (Mac Brandt) who is the leader of The Sons of Adam in this area and he has a copy of the comic book that was found at the Time Machine at the end of the last episode with her name written on it. They interrogate her to try and figure out where her mother went, but when they don’t get the answers they want the captain puts a curse of some sort on her which involves spitting on her head and putting her in a chokehold. The show is back to what it does best which is infusing tropes of horror and other genres with the real life terrors that people of color have to experience, and I’m glad that things are finally starting to get back on track after the last few episodes felt like they losing focus.
We’re back with everyone’s favorite extremely ambitious SyFy original series! With the last episode leaving me with a sour taste in my mouth regarding our main character Atticus, it’s perhaps time that we get back to his storyline instead of going off on these tangents with other characters; if for no other reason than for the main plot of this story to not consistently get overshadowed by everything else that’s going on around it. Does this find a way to bring the whole Book of Names nonsense to the forefront in a fun and interesting way, or are we in store for more distractions? Let’s find out!!
Okay, so not looking to spoil things TOO much right off the bat, but this is a lot like Episode 5 (the one that was mostly about Ruby in a racially reimagined take on the Jekyll & Hyde story) in that this is another episode where one character’s story takes center stage while everything else is pushed to the margins. To that end, we’ll just speed by all the stuff that happens in the first part of the story which is once again where Atticus and the whole Sons of Adam thing get a brief spotlight, and then focus on the ONE BIG thing that happened during the rest of it.
Ruby and Christina (Wunmi Mosaku and Abbey Lee) are in the mysterious basement where we find the corpses of William and Ruby’s White Lady (Jordan Patrick and Jamie Neumann); seemingly dead though being held here to harvest blood for the transformation potion. Ruby is certainly upset about all this, particularly the lies of omission that Christina/William have been tactfully avoiding, but she’s not quite mad enough to leave the situation entirely. After all, she’s got a pretty good deal going on here with all this magical nonsense, but she wants Christina to be straight with her about what’s going on. It’s not clear because the scene cuts as soon as she mentions it, but Christina seems to inform Ruby about what’s going on with Atticus and Leti (Jonathan Majors and Jurnee Smollett) with the whole Book of Names thing, so I guess we’ll be seeing that confrontation at some point in the future. I genuinely do hope that Ruby doesn’t leave all this magic stuff behind because despite a few moments in that episode that made me cringe (the stiletto heel comes to mind), I really do like her as a character and am curious to see how far she goes and if she may even become an antagonist to Atticus and Leti in her pursuit of power.
We’re back with even more of everyone’s favorite gory soap opera! Last episode found a fun and interesting setup to carry the episode, but sooner or later they’re going to have to make the Sons of Adam stuff be the least bit interesting if it’s what will ultimately carry this show to its conclusion; not to mention how much they have to make up for the utterly dour note that the last episode ended on. Does the show finally find its footing and give us a cohesive narrative? Let’s find out!!
We’re going straight to the nitty gritty right off the bat; half this episode is pretty good, some of the other half involving Montrose (Michael K Williams) is pretty underwhelming, and the rest involving Leti and Atticus (Jurnee Smollett and Jonathan Majors) is quite insufferable. If you’re expecting any real consequences or even acknowledgement of Montrose killing the two spirit woman from the last episode (apparently her name is Yahima while Arawak is her tribe I suppose?), you’re out of luck because Montrose ALSO burned the pages from the Book of Adam they found, and they are discussed with FAR more prominence than her. Atticus beats the living hell out of Montrose for what he did and spends the rest of the episode sulking while Leti looks concerned which is not a particularly compelling thing to sit thru; especially since the whole purpose of these pages remains vague at best.
Still, as banal as that part of the episode is, it’s more of a subplot occasionally popping its head into a much better primary plot line about Ruby (Wunmi Mosaku) which focuses on what this show does best; reframing genre tropes in terms of racial issues and making it both very real and very tongue in cheek. In case the title wasn’t a giveaway, the episode is more or less a racial exploration of The Strange Case of Dr. Jekyll and Mr. Hyde story, and though it’s not the FIRST piece of media to do so, I think it has a bit more going on under the hood than Dr. Black, Mr. Hyde. Ruby wakes up from her night with William and finds herself in the body of a white woman (Jamie Neumann) which is not how she expected to start the day. Convinced she’s lost her mind, she throws on a bathrobe and starts wandering the streets of her neighborhood where no one recognizes her and everyone seems slightly on edge that this random white woman is wandering down their streets. It turns out to be a GOOD instinct because as soon as a young Black man comes up asking if he can help her, a patrol car screeches in and two cops start menacing him; threatening to beat him if he doesn’t confess to molesting her. Realizing the terrifying power of her own whiteness, she starts pleading with the cops to let him go and that he didn’t do anything which they eventually do and they take her back to William’s house as the cops were told that she ran away from there for some arbitrary reason (she forgot her medication that morning or something). Ruby’s not happy about this but it’s not like she has anywhere else to go (I think she’s still mad at Leti?), and as soon as she gets in the house she starts to feel VERY sick; almost like her skin is crawling off of her flesh! As it turns out… yeah, that’s basically it. She’s carried into the house by William and is laid on the flood (which is covered in plastic wrap of course) to writhe in pain until William comes by with a big butcher knife and carves the white skin off of Ruby who pops out and sheds it like a butterfly coming out of a very bloody cocoon! See, THAT’S the kind of goofy nonsense that makes this show work! You don’t see Robert Lewis Stevenson writing anything like that, do you!? Seriously, after what I just saw, Dr. Hastie Lanyon can talk to the hand!
Bad Boys for Life and all the images you see in this review are owned by Sony Pictures Releasing
Directed by Adil El Arbi & Bilall Fallah
As I’m sure is true for many film fans out there, Michael Bay and I have a complicated relationship. On the one hand, being upset at the Michael Bay Aesthetic and the crappy Transformers movies has become kind of passé and is better left to the Cinema Sins and Razzie hacks of the world. Not only that, he’s more than capable of making REALLY great movies that are unique to his sensibilities; particularly Pain and Gain which is clearly his best film by a wide margin. Then again, he’s also the guy who indulges in racist and sexist caricatures in the service of crass humor, and his disdain for the audience and basically all of humanity may be an asset in some films but is also reflected in just how shoddily some of them are put together; incoherent plotting, choppy editing, and an oblivious tone on top of being unfunny and tasteless. I had never seen the Bad Boys movies until very recently and solely in preparation for this new one, and sure enough they contain everything I don’t like about the guy even if they are somewhat more tolerable than some of his later work; presumably due to Bruckheimer being the bigger name at the time which meant he could reign in some of Bay’s worst tendencies. Now all that said, we are going Bayless for this one as he doesn’t even have a producing credit on here, so at least there’s hope that these filmmakers with a fresh perspective can take what elements DID work in the originals while taking out some of their more pernicious aspects to send this franchise off right. Can we close this trilogy on a high note instead of get more of the same nonsense? Let’s find out!!
Marcus Burnett and Mike Lowrey (Martin Lawrence and Will Smith) are still Miami cops doing their Bad Boys shtick, and while it’s been a fun ride for both of them, Marcus is starting to look towards the back half of his life and doesn’t want it to be filled with more violence, rough schedules, and close calls. Mike on the other hand isn’t even SEEING this as the back half of his life and is trying harder than ever to stay fit, stay alert, and stay young despite the gray hairs showing in his beard. One fateful night while partying with the other cops including good ol’ Captain Howard (Joe Pantoliano, a.k.a. JOEY PANTS!) Mike gets the biggest reality check of his life as some masked assassin tries to shoot him to death and almost succeeds. Marcus takes this as a sign to finally retire while Mike can only think of vengeance and wants his help in finding the person who did this to him, but perhaps Mike will have to go it alone. Even worse, he may have to try and find this person with the help of the youngsters at the station who are in some sort of advanced CSI crew named AMMO led up by Mike’s ex-girlfriend Rita (Paola Núñez) who isn’t thrilled about working with the guy either given his history of blowing things up and how personal this case is to him. Will Mike’s quest for vengeance end in him triumphing once again like he did so many times in the old days? Will Marcus stay true to his retirement and be there for his family, or is his bond with his best friend enough to get him on board for one last ride? Is it just me or is this like ten times more interesting than whatever was going on in the other films?
21 Bridges and all the images you see in this review are owned by STX Films
Directed by Brian Kirk
Look, the holiday season is a busy time and this one slipped through the cracks, alright? Besides, even if this movie hasn’t been in theaters since Disney Plus came out, it still has SOME value… at least once the blu ray comes out… right? Eh, whatever. I’ve got a To Do list for the end of the year, and we’re putting a little check next to this one right the heck now. Is this cop thriller a fun little distraction from the rest of the big movies that came out in the last two months, or is there a reason I kept pushing this one to the back burner until it was well past the point of being relevant? Let’s find out!!
Super Detective Andre Davis (Chadwick Boseman) is called to the scene of a gruesome crime. A bunch of cops were found dead at the scene of a drug robbery and the two suspects have disappeared with a large amount of cocaine. Said suspects are Michael and Ray (Stephan James and Taylor Kitsch) who we learn were not expecting THAT much coaine to be there, let alone any cops, and so they have to find a way to get out of town and probably even further than that as soon as possible with the drugs they took being their best bargaining chip in the seedy underbelly of organized crime in the city. Andre however is hot on their heels along with his temporary partner Frankie (Sienna Miller) from Narcotics that seems to be particularly invested in this case along with Captain McKenna (JK Simmons) who was in charge of all the officers gunned down during this raid. Andre’s big plan to catch the crooks is to shut down the island of Manhattan (which includes it’s TWENTY-ONE BRIDGES) to any traffic in or out and hopefully root out the two bad guys before they can escape without a trace, but as Ray and Michael work their way through dealers, contacts, and Swiss bank account dudes to try and secure safe passage, they may have come across some information that puts an even bigger target on their backs than the ones they already had. Will Andre be able to find these two and uncover the mystery of wat exactly happened this night? What secrets did Ray and Michael learn, and is it their ticket to freedom or their ultimate death sentence? Most importantly, is this a role worthy of the king of Wakanda!?