Cinema Dispatch: The Matrix Resurrections

The Matrix Resurrections and all the images you see in this review are owned by Warner Bros Pictures

Directed by Lana Wachowski

Making another sequel to the Matrix is simply a bad idea from the word go.  Sure, it’s tempting given that the original trilogy grossed over a billion dollars and became a cultural touchstone for a generation, but there’s no way to play of it as anything than a cynical cash grab, and there’s no guarantee that the audience will come back for another one; especially since a lot of them are approaching middle age at this point and this new generation is more enamored with Marvel films than anything else.  Even getting one of the original directors to come back isn’t gonna turn many heads since the stagnation of the series occurred under their watch, and they’ve been heavily involved with all the various media made the franchise since the beginning.  Now all that said, perhaps this IS the right time for it to be tried again.  The themes and messages of the original movie have become all the more relevant since its, and the co-opting of some of its imagery among certain reactionary circles has been one of the more unfortunate developments in the story of The Matrix as a pop-culture staple.  With so many people having so many different ideas about what The Matrix should be, is there any way that this can please even a fraction of the original fans and perhaps get new fans in the process, or is this just another soulless cash grab to further cement this as the worst of all possible timelines?  Let’s find out!!

Thomas Anderson (Keanu Reeves) finds himself in a comfortable life that he built for himself, but not much more.  He made his fortune creating a trilogy of video games called The Matrix with his business partner (Jonathan Groff), but each day feels like an endless drudgery as he searches for meaning.  His therapist (Neil Patrick Harris) has been helping him through these feelings, especially after he nearly jumped off of a roof a few years back, but nothing seems to get through to him until he starts seeing this woman at the coffee shop.  Her name is Tiffany (Carrie-Anne Moss) and there’s something about her that seems familiar but also brings him quite a bit of peace; a peace he will need as the studio is forcing him to make a new Matrix game and it’s just not going very well.  That’s when things start to really unravel as he starts seeing things that may not be there and people start talking to him like he’s someone else entirely.  How did Mr. Anderson find himself in such a miserable state, and can he trust his own mind to tell him the truth?  Who are these people that are showing up to tell him that reality isn’t what it seems, and are they looking out for his best interest or for their own selfish goals?  Is it just me, or does this sound less like The Matrix and more like Birdman?

“So I’m the one that will save humanity?”     “If by ‘humanity’ you mean Warner Bros quarterly finical report, then yes!  Well, maybe.  Let’s see how it does overseas.”
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Cinema Dispatch: All Eyez on Me

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All Eyez on Me and all the images you see in this review are owned by Summit Entertainment

Directed by Benny Boom

If there’s one thing that we know Hollywood is good at it’s driving a good idea into the ground, and with the record breaking success of Straight Outta Compton, imitators were bound to pop up to try and ride its coattails.  Now that’s not to say that piggybacking off the success of one film is necessarily a bad thing; especially when the film being made is good enough to deserve the attention it wouldn’t otherwise get by following in a successful movie’s wake.  I know nothing about Tupac Shakur, but from what I understand he’s just as influential in the world of hip hop as NWA was in their day which makes his story ripe for adaptation.  Does this movie manage to live outside the shadow of its most obvious influence and stand on its own as a great biopic, or will this fail to find an identity outside a Straight Outta Compton cash in?  Let’s find out!!

The movie follows the life of Lesane Parish Crooks, also known as Tupac Amaru Shakur (Demetrius Shipp Jr), who rose to prominence as a rapper, actor, and black liberation advocate in the early and mid-1990’s.  Starting out from a young boy, he saw the horrors that institutionalized racism inflicted on his community and his own family as his mother Afeni Shakur (Danai Gurira) and step father Mutulu Shakur (Jamie Hector) were prominent figures in The Black Panthers Party.  After growing up in Baltimore where he met Jada Pinkett (Kat Graham) who remained a lifelong friend, he was eventually forced to move to California which is where he took off as a rapper and became part of the Digital Underground which is where he started to branch out as a solo artist and make a name for himself in the wider public.  Of course, being a huge success comes with its own caveats and Tupac has to face a corrupt criminal justice system, disloyal sycophants who want to suck him dry, and even his own personal demons which are brought to the forefront once he becomes a household name and a superstar.  Does this retelling of the life of the legendary rapper manage to capture all the nuances of the man behind the headlines?  What can this man’s story tell us about how broken the system is even to this day?  If this movie is anything to go by, was the dude even a human being or simply a demi-god walking among mere mortals?

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“It’s actually a lot colder in here than I thought.  Can someone get me my shirt?”

Continue reading “Cinema Dispatch: All Eyez on Me”