Sleight and all the images you see in this review are owned by WWE Studios, BH Tilt, High Top Releasing, and Universal Pictures
Directed by JD Dillard
If I ever decide to write a screenplay, I have two ideas. One of them I’m still gonna keep to myself, but the other was a fake-documentary about a street magician who ACTUALLY had magic powers. I hadn’t really thought of it past that point (no idea what the conflict would be), but when I saw the trailer to Sleight it looked like someone had made a much better version of my idea and I couldn’t wait to see it. That kind of magic (or should I say MAGIC!) has always been of great interest to me, whether it’s Penn & Teller’s unique brand of magic comedy, the soft spot I have for at least the second Now You See Me movie, or even Zatanna from DC Comics who is one of my favorite super heroes of all time. Mixing that with a sort of low key X-Men origin story seemed like the kind of movie that would easily be one of my favorites of the year, and that’s saying something considering how good the movies have been so far! Does this manage to exceed my expectations as a pseudo-superhero movie with card tricks and drug dealers, or does this all devolve into a mess of poorly thought out ideas and wasted potential? Let’s find out!!
The movie follows the adventures of Bo (Jacob Latimore); a mild mannered young man with a little sister Tina (Storm Reid), a penchant for magic tricks, and a side job selling drugs to keep a roof over their heads. Now that last thing might sound rather risky to be doing, even if he doesn’t have much of a choice (both his parents are dead), but then again… who else would be better at hiding drugs than a master of sleight of hand!? Well I can think of at least ONE kind of person who’d be better! A master of sleight of hand who ALSO has super powers! Now he doesn’t make his powers obvious, but he clearly is using some sort of subtle manipulation of objects around him that no actual magician would have, so on top of being bad ass with a deck of cards he can ALSO avoid police suspicion with the way he can hide his products. This has led to him being a rather good dealer which is good news for his supplier Angelo (Dulé Hill) who wants to bring Bo deeper into his organization. On top of dealing with that and his kid sister, he also manages to meet a nice girl named Holly (Seychelle Gabriel) who he wants to be there for as well but Angelo pulling him closer keeps pushing him further away from them. Eventually things come to a head with Angelo and Bo has to find a way to get out from under his thumb once and for all, even if it means doing something he’s never wanted to do with the gifts he’s been given. Will BO be able to protect everyone he loves before Angelo takes everything away from him? What exactly is the nature of his powers and how did he get them? I wonder what his magician name would be. Bo the Benevolent?
“With great power comes great responsibility. Now what Spider-Man never got is that that responsibility can take many forms! He chose to save people, which is nice, but not for me. Instead, I’ve decided to BLOW THEIR MINDS!!”
Collateral Beauty and all the images you see in this review are owned by Warner Bros Pictures
Directed by David Frankel
Is it that time again for Will Smith to try and win that Oscar he’s been so desperately seeking for some time now!? Hey, since DiCaprio got his we need another underdog to root for, and Will Smith is as good a candidate as any. Well… except that HIS Oscar bait films tend to be stuff like Concussion where he’s a boring scientist while Leo jumped off mountains and did massive amounts of drugs trying to get his. This movie, just from the awkward title, doesn’t inspire much hope that The Fresh Prince is ready to put himself out there in something fun and risky to win his Academy Award, but then maybe this movie doesn’t need any of that and is a truly moving film in its own right. We can only hope…
The movie begins with Howard (Will Smith) and Whit (Edward Norton) as two best buddies as the heads of some advertising company that seems to get motivational Howard Speeches on a daily basis. That is… until the tragedy. We jump straight to three years later where Howard has gone from The Fresh to Hancock (well… Hancock without the fun) and is now spending his days building up elaborate domino sets instead of working. Not only that, but he’s so preoccupied with the grief of what happened (it doesn’t take long before we find out his daughter died) that he’s letting the company gone down the tubes financially and can’t even be bothered to sign the company over to Whit as well as Simon (Michael Peña) and Claire (Kate Winslet) who could save the company if Howard would just give them the authority to do so, though I’m not sure what the law is about letting someone literally sit on his ass all day while all his employees are left to watch things crumble. Eventually, our trio of good buddies decide that Howard needs to either lose his fucking mind or get better (it’s never quite clear which one they’re going for) and decide to Christmas Carol his ass using actors (Keira Knightley, Jacob Latimore, and Helen Mirren) who will play Love, Time, and Death; all three of which are concepts that Howard has been writing letters to as a way of expressing his internal frustration and rage. Will this strange plan to convince Howard he’s seeing his delusions come to life make him deal with his problems, or drive him further into his unhealthy state of mind? Will he eventually seek help from a local support group led by Madeleine (Naomie Harris) which seems like a less risky way for him to deal with his daughter’s death? Seriously, isn’t there like a MILLION ways this plan could go horribly wrong!?
“Without love in your life, you couldn’t even appreciate the time you had with her, and-” “Oh! I see you have a guest! What will she have?” “Wait, you can see her!? She can see you!?” “Uh…”