Tag Archives: Jack Reynor

Cinema Dispatch: KIN

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KIN and all the images you see in this review are owned by Lionsgate

Directed by Jonathan Baker and Josh Baker

Oh goody!  Another film I literally knew nothing about before I went to go see it!  It doesn’t necessarily bode well that I had never even seen a poster for it, let alone a trailer, before heading to the theater to see it, but I like being surprised by something that I have no expectations for going in.  It doesn’t ALWAYS work out as the recent Alpha and A.X.L have proven, but a kid with a space gun sounds like a great place to start; especially if this is gonna be anything like Laser Blast from 1978!  Admittedly there’s not much chance that a movie like THAT would be made nowadays (especially starring a kid) or given a wide release, but I can dream, right!?  Does this manage to be an excellent gem that no one bothered to give the time of day, or was this ultimately buried in late August for a darn good reason?  Let’s find out!!

Elijah Solinski (Myles Truitt) is your average fourteen year old boy stuck in a crappy situation.  His mom’s dead, his brother’s in jail, and he lives in Detroit with no Robocop in sight to make things better.  Well at least one of those things is about to change (no, not Robocop) as his brother Jimmy (Jack Reynor) has been released from prison and is gonna stay with him and their dad (Dennis Quaid) until he can find a stable job and get his life back on track.  This is proving to be a very difficult thing however as he apparently owes sixty thousand dollars to a local gangster (James Franco) for protecting him while in jail and he wants the money back NOW.  He doesn’t wait until Jimmy can get a decent job to garnish his salary, he doesn’t even have some dangerous job for him to do as a way of paying down the debt.  He expects Jimmy to pull 60K out of his behind right away, which I guess makes James Franco “quirky” instead of “very bad at his job”.  Despite how foolish his business model is, Jimmy DOES actually pull through for the guy as the two of them along with Franco’s brother (no, not Dave) rob the safe at his father’s construction site.  As fate would have it though, dear old dad walks in on the crime and gets killed by Franco which means that Jimmy in turn kills his brother and runs to find Elijah alone in the car.  Thinking fast, Jimmy spins a tale about a road trip where their dad will meet them later and the two of them rush off with whatever money Jimmy could scrounge up and not much more than the clothes on their backs.  Needless to say that Franco is a bit peeved about the whole “you murdered my brother” thing, and so he follows in hot pursuit looking for Jimmy and the one thing left in his life that he cares about.  Oh!  I almost forgot!  Apparently Elijah found a space rife or something and is carrying it around in secret while aliens in Space Marine armor are trying to find it.  For some reason the SPACE GUN managed to get kind of lost in the shuffle here.  ANYWAY, will Jimmy and Elijah be able to start a new life together and escape the wrath of James Franco?  How long can Jimmy keep up this ruse and what’s his plan once they DO find a place to settle down?  Seriously, HOW DO YOU MAKE A MOVIE ABOUT A SPACE GUN THAT’S ABOUT ALMOST EVERYTHING ELSE EXCEPT THE SPACE GUN!?

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Sir Not Appearing In This Movie.

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Cinema Dispatch: Free Fire

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Free Fire and all the images you see in this review are owned by StudioCanal UK

Directed by Ben Wheatley

I honestly don’t get excited to see movies all that often.  For one, I’m gonna see the damn movies whether or not they’re any good, and on top of that the only movies that seem to get a big marketing push nowadays are big franchise pictures like the MCU, the DCCU, and even The Fast and the Furious.  This movie however was the exception to that rule as I caught the trailer a few times and fell in love with the concept right away.  A real time gun fight set in the seventies with Sharlto Freaking Copley in it!?  Damn!  That’s almost too good to even show up in my local theater, which… spoiler alert: it didn’t and I had to drive to the one forty minutes away.  See, while everyone was gushing over The Nice Guys last year, it just didn’t quite do it for me as much as it did for everyone else, and this seems like the kind of thing that was not only going for that kind of look and feel but was much more in my wheelhouse as far as the overall tone and the central conceit.  Needless to say that this has been a long day coming and I’m hoping for the best while bracing myself for… well not the WORST as the trailers showed way too much promise for THAT to be the case, but at the very least I hope it’s better than mediocre.  Does this manage to live up to my rarely lifted expectations, or am I doomed to be disappointed by a film that showed a whole lot of promise?  Let’s find out!!

The movie begins with essentially two groups of colorful people in the gaudiest seventies fashion meeting in a warehouse to broker a gun deal.  One side is led by Chris (Cillian Murphy) and a few Irish gangsters (Michael Smiley, Sam Riley, and Enzo Cilenti) while the other side is led by Vernon (Sharlto Copley) and his associates (Babou Ceesay, Jack Reynor, and Noah Taylor).  In the middle are Justine and Ord (Brie Larson and Armie Hammer) who seem to have brokered the deal between the two sides and therefore probably have the most investment in everything going smoothly.  Of course, we wouldn’t have a movie if everything was hunky dory, and eventually bullets start flying after a few altercations and outburst from some of the less professional individuals on each side.  That’s it.  The rest of the movie is watching to see who gets killed next as they trade bullets and yell insults at each other for the next eighty minutes, and it’s pretty damn awesome!  Does anyone manage to make it out of this factory alive?  Was there a more sinister plot in play than anyone on either side realized before they started shooting at each other?  Can we please get Sharlto Copley a Marvel movie or something!?  He’s like the new Nicolas Cage and I want to see him in everything!!

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“If you see some motherfucking producer carrying a script around for another Wicker Man remake, you blow his bloody head up!”

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