The Man from U.N.C.L.E. and all the images you see in this review are owned by Warner Bros. Pictures
Directed by Guy Ritchie
We get a movie based on this show, and yet I STILL can’t get a Hogan’s Heroes reboot!? It looks the Hollywood remake machine is going all the way back to the Cold War with this re-imagining of a series that was made well before Rocky solved the Cold War by kicking Dolph Lundgren’s ass. I’ve never seen the show before, but a good old fashioned spy thriller in the vain of From Russia with Love would be a nice change of pace from the other stylish spy flicks we’ve been getting recently. Not only that, but having Guy Ritchie at the helm of something set in an era that’s known for its unique brand of style seems like a perfect pairing of director and film, so there’s plenty to look forward to here. Still, you can’t say that Guy Ritchie has been one to look at for great stories which is pretty evident by his PREVIOUS adaptations of a popular series that didn’t take long to go completely off the rails. Will this be a return to form for the venerable director, or is this just another weak outing from a guy who never learns from his mistakes? Let’s find out!!
The movie begins in early 1960’s Germany with American Super Spy Napoleon Solo (Henry Cavill) making his way to East Berlin. His mission is to get a local mechanic (Gaby Teller played by Alicia Vikander) to assist him in finding her father who was a former Nazi nuclear scientist and has recently gone missing. The mission is fairly simple. Convince Gaby to help the US and sneak her out of East Berlin. Things get complicated however when Soviet Super Spy Illya Kuryakin (Armie Hammer) is acutely aware of what’s going on and tries everything in his power to stop the duo from crossing the border into West Berlin. Fortunately for the good old Stars and Stripes, Solo succeeds in his mission leaving the not so good old Hammer and Sickle twisting in the wind. Except not really! For some reason, the Soviet government and the US government decide to work together to find Gaby’s father, so now Solo and Illya have to work together to stop whatever scheme he, or possibly his kidnappers, are planning. So wait, they couldn’t come to an agreement to work together until AFTER Solo and Illya tear their way through East Berlin? Wouldn’t that have complicated any ongoing negotiations? Oh well, at least we now have our premise. It’s a spy action-comedy with the tension between Solo and Illya working for opposing sides in the Cold War informing much of the comedic strife and genuine tension throughout the movie.