Cinema Dispatch: Snake Eyes: G.I. Joe Origins

Snake Eyes: G.I. Joe Origins and all the images you see in this review are owned by Paramount Pictures

Directed by Robert Schwentke

How many people have seriously sat down and watched that GI Joe movie in the last few years?  Heck, I’m pretty sure Obama was barely into his second term the last time this franchise was the least bit relevant!  GI Joe is just not a franchise I ever had any affection for even if the more ludicrous aspects of it seem right up my alley, and roping a guy like Henry Golding into the franchise when even The Rock couldn’t salvage it seemed like a lot of wasted time and effort.  Still, it was a movie that Paramount had enough faith in to move out of its original October timeslot to wait until crowds can enjoy it on the big screen which is either true confidence in a unique vision or panicked desperation to try and turn a profit on a hundred million dollar ninja movie.  Does this manage to elevate the franchise and generate enough good will to get a few more sequels out, or (much like the movie’s namesake) this was a really bad bet to go all in on?  Let’s find out!!

A lone drifter known only by his fighting name Snake Eyes (Henry Golding) is searching for his father’s killer but hasn’t had much luck of it and spends most of his time punching things and being alone.  He’s eventually recruited by the Yakuza with promises of finding the man he’s been hunting, but it doesn’t take long for that to go sideways as the boss Kenta (Takehiro Hira) wants him to prove his loyalty by killing a traitor.  Now Snake Eyes is a lot of things, most notably a guy with a silly name, but he is not a killer so he and the supposed traitor fight their way out and escape; only for Snake Eyes to learn that he hit the motherlode as the traitor Tommy (Andrew Koji) is actually the heir to the most powerful ninja family in Japan and is offering Snake Eyes a place among them.  This decision doesn’t sit well with everyone in Tommy’s clan, especially their head of security Akiko (Haruka Abe), but with the bad blood between Tommy and Kenta as well as the ever rising tide of terrorism and weapons in Japan (no doubt provided by an organization that likes to brand everything with snakes), Snake Eyes may just be the man they need to save the clan from the ever encroaching threats that wish to bring them to their knees.  Is Snake Eyes really willing to dedicate himself to such a cause; especially with his father’s murderer still out there?  What does Tommy see in this guy that has convinced him to make such a bold move, and is this a decision he will end up regretting once all the dice have been rolled?  Is it just me or is this WAY more interesting than it has any right to be?

Are we sure Paramount didn’t just sneak a Takashi Miike movie into theaters and slap the GI Joe name on it?  I mean it worked for Power Rangers, right?
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Cinema Dispatch: Stuber

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Stuber and all the images you see in this review are owned by 20th Century Fox

Directed by Michael Dowse

I don’t know about you, but if there’s ONE thing I’ve always wanted to see in a movie, its endless product placement for a company trying to corner the market on an industry through sheer financial force of will!  Then again, I probably shouldn’t be sitting TOO pretty on my high horse considering I still review Disney films despite their vicious takeover of 20th Century Fox (coincidentally the studio who made this film), so I guess I’ll just have to judge this movie on its own merits instead of how blatantly EVIL it’s marketing is.  Anyway!  Does this Buddy Comedy manage to be the best of both their lead actors’ filmographies, or are you much better off watching Hotel Artemis and The Big Sick instead?  Let’s find out!!

Stu (Kumail Nanjiani) is your average millennial stuck trying to make it in the gig economy and failing to earn the affections of his BFF (Betty Gilpin) who he’s been secretly in love with but decided to invest in her startup company instead of just telling her he likes her.  We’ve all been there, am I right!?  Well investing in other people’s ideas isn’t cheap, so along with his day job at a sporting goods store he drives with Uber (DOWNLOAD NOW FOR YOUR MOBILE DEVICES!!) and does his very best to be as accommodating as possible.  This is 2019 though, and apparently being a massive jerk is in vogue now so despite his best efforts he’s barely hanging onto his current user score which is dangerously close to getting him kicked off the service entirely.  Enough about that guy though!  This is a movie with a famous wrestler, so let’s talk about that famous wrestler!  Vic (Dave Bautista) is a cop who is obsessed with finding this drug trafficker named Oka Teijo (Iko Uwais) who he nearly caught a while back but managed to escape and also killed his partner in the process.  After six months though, there hasn’t been a break in the case and so he takes a bit of time off to try and reconnect with his daughter (Natalie Morales ) and finally get that laser eye surgery he’s been meaning to get.  He’s at home and waiting for his vision to return as well as running out the clock until the start of his daughter’s art show when he gets a call from one of his informants telling him that Teijo is gonna be at this big drug deal later tonight at some undisclosed location in town.  Seeing his chance but not seeing much else, Vic is determined to take Teijo down once and for all… but he needs a ride.  I THINK YOU SEE WHERE THIS IS GOING!!  Can Stu provide wonderful ride sharing service to the antsy and determined Vic and maintain his unobtrusive existence with a slightly higher star rating?  Can Vic solve this case without his vision, and can he convince Stu to help him beyond his duty of just getting him from one place to another?  Seriously, does this dude not have even ONE cop friend or a super tough bro he could have called instead!?

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“I tried to get someone else to pick me up, but he was too busy.”     “Oh really?”     “AND HIS NAME IS JOHN CENA!!”     “I don’t need your life story, pal.”

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