Tag Archives: Ike Barinholtz

Cinema Dispatch: Blockers

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Blockers and all the images you see in this review are owned by Universal Pictures

Directed by Kay Cannon

Blockers?  Seriously?  We’re all PRETENDING that’s what the movie is called!?  IT’S COCK BLOCKERS!  They’re not even being subtle about it considering THEY PUT A ROOSTER ON THE POSTER!!  I don’t know why, but the first time I saw the trailer and the subsequent poster for it, this one aspect REALLY annoyed me and I ended up feeling rather down on the trailer overall.  What, John Cena’s gonna try to sell us on him being a comedy star by shoving stuff up his butt?  Been there, done that!  Sure they had Leslie Mann and Ike Barinholtz on hand to steady the ship and keep things on track, but I didn’t really see much to this movie that I hadn’t seen in a hundred other comedies before it.  In the last week or so however, the early buzz for this movie started to get REALLY strong and people were praising it all over the place!  Is there a chance that I was WRONG about this movie!?  BUT THAT’S IMPOSSIBLE!!  You all come to read this because I’m ALWAYS RIGHT ABOUT EVERYTHING, right!?  Well I guess we’ll have to see if my skills at predicting movies based on trailers are top notch or if Universal was merely doing a bad job of selling a gem they had on their hands.  Does this film live up to the hype, or was I right all along!?  Let’s find out!!

Kayla, Julie, and Sam (Geraldine Viswanathan, Kathryn Newton, and Gideon Adlon) are the high school seniors who are ready to finally graduate but not before going to their prom which is the biggest day in a young teenager’s life, at least according to this movie.  I don’t know about you, but I brought a book to my prom instead of a date, so I guess I have trouble relating to that, but it’s made clear that this is a special night to THEM and they even decided that that will be the night they’ll lose their virginity!  One wants to do it then so that it would be a perfect night, another figures it’s as good a time as any to get it over with, and the last one is a closeted lesbian or wants to get in on the bonding experience and at least TRY to see if she’s maybe into the opposite sex before committing to the queer identity.  Too bad that their parents get wind of this idea and have decided to… block them from getting laid that night!  The parents in question include Kayla’s dad Mitchell (John Cena) as the super serious and incredibly dorky one, Julie’s mother Lisa (Leslie Mann) who’s a single parent and is afraid that her daughter is making a terrible mistake, and Sam’s father Hunter (Ike Barinholtz) who has his own reasons for going along with this that include wanting to reconnect with his daughter since he’s been more or less absent since he divorced her mother.  Will they be successful in stopping their daughters from having either the best night or the worst night of their lives?  What other issues have they all been hiding from that will be forced to the forefront in this wacky adventure?  Can John Cena properly atone for being in the god awful Mel Gibson movie!?

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“This is MUCH better than doing Daddy’s Home 3!!”

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Cinema Dispatch: The Disaster Artist

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The Disaster Artist and all the images you see in this review are owned by A24

Directed by James Franco

I may not be as over the moon in love with The Room as plenty of other people are, and it has admittedly lost a bit of its charm once you realize just how misogynistic the whole thing is, but it certainly has my respect as being one of the more unique examples of a GOOD BAD MOVIE due in no small part to the auteur himself, Tommy Wiseau.  Now he’s far from the only ridiculously cocky creatives out there who write, direct, and star in what they perceive to be their one true masterpiece (*cough* Old Fashioned *cough*), but with Mr Wiseau there’s a genuine sense of mystery about the guy as many details of his origin are STILL unknown to this day (HOW IS THAT EVEN POSSIBLE IN THE INTERNET AGE!?) and his… shall we say UNIQUE brand of acting certainly sets him apart from many of the other low rent struggling artists out there.  No doubt there is a VERY interesting story to tell about this one guy, his one movie, and his friendship with co-star Greg Sestero, which the wannabe auteur himself James Franco has opted to do by adapting Greg’s book The Disaster Artist into a motion picture; one that he directs, produces, and stars in of course.  Will this examination of one of Hollywood’s biggest oddities be a worthwhile exploration of the creative process and what it truly means to be an artist, or are we just desperately trying to milk a novelty that had lost its luster many years ago?  Let’s find out!!

The movie follows the journey of two men; aspiring actor Greg Sestero (Dave Franco) and… I guess aspiring actor as well Tommy Wiseau (James Franco).  The two meet in an acting class where Greg finds the eccentric weirdo with bad hair and a worse accent rather endearing for his utter fearlessness and ability to throw himself out there in ways that Greg is still struggling to do despite his hopes of becoming an actor.  Because of Greg’s admiration for Tommy and Tommy’s love of being admired, the two move in together and work their way through Hollywood; getting small gigs here and there but nothing that will truly set them apart from the thousands of other working actors cluttering the streets of LA.  After a particularly rough string of bad luck, Tommy eventually starts writing his own movie and wants none other than Greg himself to be the co-star.  The Room is what he titles his masterpiece and he funds it himself with his seemingly unlimited supply of money but things go from awkward to unsustainable as Tommy’s ego and complete inexperience with the process starts escalating tensions with the cast and crew and even with his best friend Greg who’s trying to stick by him but is finding it hard and harder to deal with Tommy’s unpredictable behavior.  Can Tommy find it within himself to get past his issues and foster a good working environment for the only people in the world who are helping him achieve his dreams?  Will Greg stand by his best friend, or will he realize just how much Tommy is holding him back?  WILL THE WORLD EVER UNDERSTAND THE BRILLIANCE OF THIS ONE MAN’S VISION!?

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GENIUS!!

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Cinema Dispatch: Snatched

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Snatched and all the images you see in this review are owned by 20th Century Fox

Directed by Jonathan Levine

Despite being one of the big up and coming comedians for the past few years, I’ve never had any real exposure to Amy Schumer’s work.  Whether it’s her stand-up, her show Central, or even her previous movies like Trainwreck, she just never managed to come into my radar and I haven’t had much inclination to seek her stuff out.  As far as this movie, I GUESS I’m interested to see how it turns out, not just so I can finally get in the loop with someone worth keeping an eye on, but because she also managed to get Goldie Hawn to costar who hasn’t been active in quite some time!  That said, it looks to be another raunchy comedy (and not a particularly interesting one) which we certainly have plenty of already, but then again it’s never easy to tell just how well the jokes will land or how strong the interplay is between the leads just from trailers alone.  Does this manage to be a standout film starring one of Hollywood’s rising star next to one of Hollywood’s best, or will this turn out just as bad as Dirty Grandpa?  Let’s find out!!

The movie begins with Emily Middleton (Amy Schumer) getting dumped by her longtime boyfriend (Randall Park) just before they take their non-refundable trip to Ecuador; leaving her with a broken heart as well as an extra ticket that none of her friends (or even her landlord) wants to take her up on.  While visiting her overbearing and obsessively cautious mother Linda (Goldie Hawn), she finds an old photo album that shows what an exciting life she led before having kids and she decides to take her on the trip.  It takes a bit of cajoling, but Linda finally agrees and they head to South America where Emily meets some suave mother fucker (Tom Bateman) that gives her the perfect vacation experience and promises to take her AND her mother out for even more fun the next day.  Turns out that he’s the bait for a kidnapping ring which puts a HUGE damper on their vacation and they now have to find a way to not only escape but find a way back to the American embassy before they get into even MORE trouble.  While this is going on, Emily’s brother Jeffrey (Ike Barinholtz) is doing what he can to get the State Department to Seal Team 6 their asses out of there, but with his agoraphobia and poor social skills, he may not be up to the task despite everything that’s at stake… or is he?  Can these two survive not only the harsh jungle environment but survive having to deal with each other for that long?  What wacky supporting characters will they manage to run into along the way?  Wait, is this seriously from the same person who wrote Ghostbusters!?

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“I saw Taken.  If we just keep our heads down and don’t rock the boat, someone will come and save us.”     Mom, our Liam Neeson is your thirty year old son who can’t even face the neighborhood dog.  We are screwed!”     “Now why do you have to talk about your brother that way?”

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Cinema Dispatch: Suicide Squad

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Suicide Squad and all the images you see in this review are owned by Warner Bros Pictures

Directed by David Ayer

After Batman v Superman, I can’t imagine how everyone behind this movie wasn’t shaking in their boots now that the ENTIRE franchise is resting on their should to right the course and bring audiences back around before the Justice League and Wonder Woman movies have a chance to kick this cinematic universe into high gear.  In fact, the heavily publicized reshoots of this movie were probably due almost entirely those expectations being thrust upon this after Batman v Superman fell flat on its face.  Still, even when that movie was running its course, there was always the hope that this one would be the fun alternative to the somber and serious Snyder film and the marketing at least was leaning heavily on that idea to sell it to the masses.  Does this succeed in distinguishing itself from the rest of the DCCU which includes a maybe a third of a good movie and a really awful one, or were DC and WB playing us all for fools by convincing us this one would be different?  Let’s find out!!

The movie follows the first undertaking of The Suicide Squad which is a group of SUPER criminals that the US government plans to use in order to fight meta-human or otherwise extremely dangerous threats.  The project is being pushed forward by the tough as nails Amanda Waller (Viola Davis) and is comprised of Deadshot (Will Smith) who is a perfect shot, Harley Quinn (Margot Robbie) who… I guess is good with a baseball bat, El Diablo (Jay Hernandez) who’s actually doing this under duress as he’s given up his fire spewing ways, Killer Croc (Adewale Akinnouye-Agabaje) who’s… half man half crocodile I think, Captain Boomerang (Jai Courtney) who is pretty good at throwing boomerangs, and of course Slipknot (Adam Beach) who doesn’t do shit.  Along with the squad is Col Rick Flagg (Joel Kinnaman) who’s basically serving as their babysitter and also has the power to blow their heads off if they step out of line (NOTHING at all like Battle Royale) and Katana (Karen Fukuhara) who I think is supposed to be a good guy at least compared to the other members (as far as I can tell, she’s NOT actually in jail and volunteered for the mission) and she’s got a magic sword.  Not what I’d call the best team to send out when a city gets very nearly leveled by an evil witch called The Enchantress that is inhabiting the body of Dr June Moone (Cara Delvingne) who JUST SO HAPPENS to be Flagg’s girlfriend, but at least the government won’t have to pay for their funeral expenses when they surely get obliterated by dark and unimaginable forces.  Can the Suicide Squad manage to infiltrate the city that’s crawling with monsters summoned by the witch and save a highly valuable target inside?  What about the Joker?  Isn’t he supposed to be in this too?  Does the fate of the world REALLY need to rest on the shoulders of Captain Boomerang!?

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“Deadshot!  Secure the perimeter!  Harley!  Keep an eye on the door!  Boomerang!”     “WHAT IS IT BOSS!?  I’M READY FOR ANYTHING!!”     “Go get me a coffee.”

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Cinema Dispatch: Neighbors 2: Sorority Rising

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Neighbors 2: Sorority Rising and all the images you see in this review are owned by Universal Pictures

Directed by Nicholas Stoller

They just couldn’t resist the urge, could they?  I guess there was just too much money lying on the table to NOT make another one of these.  Sequels to unexpected hits (especially comedies) are almost always underwhelming as it’s like trying to capture lightening in a bottle twice.  Caddyshack 2, Ghostbusters 2, Horrible Bosses 2, you could make a neigh infinite list of them.  Now the first film was a pretty solid movie that had a bit more to it than you would expect from a movie that’s essentially a prank war.  Not only that, but they’re coming into this one with a decent enough idea in regards to how Sororities are viewed by the education system, even if it is a bit ridiculous that the SAME THING happens to these people twice in a row.  Can this manage to be the few comedy sequels to NOT be the worst thing imaginable, or is this movie destined to be the worst thing imaginable?  Let’s find out!!

The movie begins a few years after the first one ended with Teddy Sanders (Zac Efron) still wasting his life away but now doing so as Pete’s roommate (Dave Franco) and Mac and Kelly Radner (Seth Rogen and Rose Byrne) planning to sell their house so that they can move to the suburb.  There’s a small roadblock though to their plan which is that they ALREADY bought the house in the suburb, but the house they just sold is in escrow which the movie thankfully explains is a thirty day waiting period where the buyers can back out of the deal if something were to change.  That couldn’t POSSIBLY happen though, right?  Well back on the college campus (what college is it anyway?) the new female freshmen are trying to get into Sorrorities, but three of them (Chloë Grace Moretz, Kiersey Clemons, and Beanie Feldstein) find the guidelines about not being able to party too restrictive, so they decide to start their own independent Sorority.  Well SURELY they won’t end up at the EXACT same house that Teddy’s frat was at, right?  Well speaking of Teddy, Pete just got engaged so Teddy has to move out which means he’s lost once again and needs to find not only a new place to stay, but some meaning in his life.  Oh look!  The house he used to live at!  And look!  The girls are touring it to see if it works for their needs!  An unholy (and tenuous) alliance is born between the girls of the new Sorority (Kappa Nu) and the frat boy looking to relive his glory day, so they rent out the house to the terror of Mac and Kelly who just want to sell their place and move on with their lives.  And so the war is on once again as the girls refuse to keep things quite for thirty days and the old people try to keep them from exercising their right to party!  Can Mac and Kelly once again destroy the young people who are trying to fuck up their lives?  Will the sisters fail in their endeavor to bring about a new kind of Sorority that’s empowering those who want to have fun but don’t want to be objectified?  Things can’t get any crazier here than they did in the LAST movie… right?

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“My painted on abs give me strength!!”     “KILL THE FAT GUY!!”

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