We’re back with a few more movie reviews, and I’ve got to say that I’m starting to enjoy this format! I still get to watch the movies I want to, but now I can watch them on my own schedule and I keep things nice and succinct. The only problem is that I’m not getting these out in a timely manner, but relevance is overrated, am I right!? Anyway, let’s take a look at three movies that I’m sure you saw a while ago but are still interested to hear what some guy on the internet has to say about them! Let’s get started!!
Bullet Train is owned by Sony Pictures Releasing
Directed by David Leitch
A hapless assassin given the codename Ladybug (Brad Pitt) is on a very simple mission to retrieve a briefcase on a train heading to Kyoto. Naturally, these kinds of things never are that easy and he laments his bad luck while dodging other assassins on the train, and is haphazardly embroiled in a plot that is bigger than he could possibly imagine and seems to be heading in one very bloody direction.
I’m not a guy who will turn his nose up at over-the-top action spectacles or something that is intentionally cheesy and a movie like this should have been my jam by default, but even the best ingredients will go to waste if given to an untalented chef, and I just found this whole thing to be insufferable. It’s convoluted without being clever, smarmy without the charm to make up for it, and artificial to the point that nothing seems to actually matter. The only part of the movie that resonated with me was the relationship between Lemon and Tangerine as Brian Tyree Henry and Aaron Taylor-Johnson had great chemistry and added some genuine heart to an otherwise insincere story, and while I feel like this is one of the most Monkeys’ Paw wishes imaginable, I’d kind of like to see what could be done with a spinoff focusing on them specifically. Andrew Koji also stands out from everything else with a very angry and desperate performance that’s still about as one-note as everything else in the movie, but at least it’s a different note being played and does a great job playing it. Everything else though is just laden with insufferable dialogue and compounding coincidences that just drain any investment you can have in the characters or the plot itself; especially our protagonist who is just in the wrong place at the wrong time. For that kind of story to work, it has to ultimately circle back around to them actually being the right person to be there, but that would require a level of emotional investment that this movie is just unwilling to extend and so Brad Pitt feels like as distant to the story as those of us sitting in the theater watching him awkwardly stumble his way through a place he doesn’t belong; like an uninvited party guest asking everyone where the bathroom is. With the threadbare story, the quip-tastic dialogue, and the general lack of impact or weight from any of the narrative beats, it falls somewhere between a Rick and Morty episode and one of those award show skits with a bunch of celebrities are comically inserted into another movie. If we take it on these terms, as little more than entertainment fluff with a bunch of famous people in it, does it manage to work? Sort of, I guess. It’s competent in its action and the actors are fine for what they’re asked to do, but it’s also not that inspiring or clever in its shallowness and I had my fill of everything it had to offer well before it got to its big cameos at the end. At best it’s a misguided attempt from Hollywood to recapture the lightning-in-a-bottle magic of early Tarantino as well as the director’s own early success with John Wick, and at worst it’s the cinematic equivalent of Steve Buscemi in a backwards baseball cap asking his fellow kids how they are doing. It’s not without its charms, but why settle for the smoothed-over corporate version of stylized action shlock when the genuine article is easier to find than ever?
The Hunt and all the images you see in this review are owned by Universal Pictures
Directed by Craig Zobel
Boy does this movie want us to think it has a chip on its shoulder! I haven’t seen negative review quotes used this liberally since Freddy Got Fingered, which… okay, that might actually be a good sign because I do like that movie purely on its utter absurdity (THIS IS A FANCY RESTAURANT!!), but is not the usual calling card of studio confident in a film on its own merits. Then again I can’t imagine Universal having any other bright ideas after the thing got pulled from theaters and certain segments of the media decided that THIS was the thing that’s going to destroy the fabric of our society. Personally, I think we already got that film with London Has Fallen, but whatever it is that hyped this movie up so much, is there any way that it can live up to those expectations? Let’s find out!!
A bunch of people wake up in the middle of a field with no idea where they are or how they go there. They start to slowly move towards the center of this big field with a giant crate right in the middle that contains a whole lot of weapons and a pig for some reasons; the implications of which they don’t have long to ponder because they are immediately beset by gunfire, booby traps, and all manner of lethal armaments! Some of them seem to carry themselves well enough (Betty Gilpin) while others are showing themselves to be MASSIVE jerks (Ike Barinholtz) who may or may not have it coming for various reasons; the least of which being that they’re in a horror movie and that’s usually the way things go. Eventually though, it’s revealed that their attackers are a bunch of liberal yuppie yahoos (including but not limited to Glenn Howerton and Hillary Swank) who seem to be taking their 2016 frustrations out on a bunch of red necks and scumbags through a game facilitated by their massive wealth. Is this all just one big excuse for that whole class warfare thing I’ve been hearing about to become literal, or is there more going on than what we’re initially led to believe? Is this like Saw where the main villain has justifiable reasons for taking these people prisoner, or is it like Saw 4 where things just get ridiculous and asinine for no good reason? Seriously, is it POSSIBLE for Ike Barinholtz to not be a scumbag in everything he plays? I’d give fifty-fifty odds on some rich fool actually BELIEVING this guy to be monster and throw him in one these death games for real!
Late Night and all the images you see in this review are owned by Amazon Studios
Directed by Nisha Ganatra
I’m fairly certain that my usual theater had a poster for this and then just decided not to actually screen it so this is yet another trip to the far away theater (i.e. thirty minutes away) which honestly is usually a good sign. Not always, in fact this is the exact same story that preceded The Green Inferno, but the movies that aren’t wide enough for my local theater to get are usually have a lot more going for them; for good or ill. I hadn’t heard much about this movie and only have a vague idea of the premise, but the cast is very talented and I’m always intrigued by entertainment that’s ABOUT the making of entertainment which is always a journey in its own right. Does this glimpse into the world of late night television give us a funny and insightful look at the behind the scenes action, or will this end up being as boring as… I don’t know whichever one of those shows is the worst? Let’s find out!!
Katherine Newbury (Emma Thompson) is the host of a late night show that has been running for over twenty years, yet despite such a phenomenal legacy and a small army of Emmy awards behind her, the new network President Caroline Morton (Amy Ryan) tells her that the show will be cancelled in a few months and that she’ll be replaced with a hip young talent that gets those pesky millennials! With basically nothing left to lose, she starts to do the one thing she has come to fear in the last ten years; actually try. I know, truly a fate worse than death. Part of her initiate to revitalize the show includes hiring someone in the writers room whose only qualification is to NOT BE A WHITE GUY, and as luck would have it Molly (Mindy Kaling) is interviewing that day and meets those very stringent qualifications! Sure, she’s never written for a comedy show ever, but why should that stop her from filling up space and shielding the show from further criticisms of being too old and too white? AH HA! It’s not as simple as that however! For you see, Molly is not JUST a blatant diversity hire! She actually has good ideas, some decent writing chops, and may just be what this crusty old talk show needs in order to genuinely appeal to today’s audience instead of whatever crap Katherine and the other writers were gonna try to fake their way into relevance! Can Molly learn to thrive in this dinosaur of a work place and find the right balance between respecting its legacy and changing it for the better? Will Katherine realize what she’s been doing wrong all this time and genuinely change for the better before losing the best thing she has in her life? Well I mean she has her husband (John Lithgow), but is he paying the bills around here!? I DON’T THINK SO!!
The LEGO Movie 2: The Second Part and all the images you see in this review are owned by Warner Bros. Pictures
Directed by Mike Mitchell
Everyone loved The LEGO movie, right!? And then most people loved LEGO Batman, right!? And then LEGO Ninjago was… okay, right? Well now it’s time for the return of the one that started it all and it’ll be JUST as good as the original… right? Sigh… okay, so the trailers for this film haven’t filled me with a whole lot of confidence that it’ll be on the same level as the original film. It looks FINE if nothing else, but this is THE LEGO MOVIE! We don’t just want fine, we want PHENOMENAL! Then again, maybe that’s putting too much pressure on this film which doesn’t have the benefit of being such an out of the blue surprise, and while the trailers aren’t inspiring me with a lot of hope, maybe they’ll find a new angle to take it in that’ll make up for not being able to put the genie back in the bottle! Can this sequel be Justas good if not better than the first film, or has the LEGO phenomenon finally run its course? Let’s find out!!
Immediately following the events of the first movie, the Duplo aliens of the Systar System have waged an all-out war with the people of LEGO city for five whole years and have left it a Mad Max style barren wasteland with no more bright and shiny blocks. ONLY DARKNESS AND NO PARENTS!! Well except for Emmet (Chris Pratt) whose upbeat attitude cannot be damped even in the face of utter annihilation! That turns out to be a problem though as the nice house he built has attracted the Duplos once again and now they’ve taken all his friends from the first movie which includes Lucy AKA Wyldstyle, Batman, Benny, Princess Unikitty, and MetalBeard (Elizabeth Banks, Will Arnett, Charlie Day, Alison Brie, and Nick Offerman) back to their home planet for their own nefarious purposes that we soon learn to be a shotgun wedding between Queen Watevra Wa-Nabi of the Systar System (Tiffany Haddish) and a very reluctant Batman. Clearly something has to be done to save them, but the only one of the LEGO people willing to take the chance is Emmet who haphazardly travels through… space I guess, to find them. Along the way he is saved from an asteroid field by the dashing rouge Rex Dangervest (also Chris Pratt) and his army of super smart velociraptors who agree to help Emmet on his journey to defeat the girly Systar invaders because being a TOUGH GUY means punching things that are pink and frilly! Can Emmet save his friends from Systar invaders who want to brainwash all of his friends and put Batman through a forced marriage!? Can Lucy escape from the Queen Watevra’s cunning grasp, and does she know something about this place that she isn’t telling the others? Is it just me, or did things get REALLY complicated for a movie about plastic toys?
Blockers and all the images you see in this review are owned by Universal Pictures
Directed by Kay Cannon
Blockers? Seriously? We’re all PRETENDING that’s what the movie is called!? IT’S COCK BLOCKERS! They’re not even being subtle about it considering THEY PUT A ROOSTER ON THE POSTER!! I don’t know why, but the first time I saw the trailer and the subsequent poster for it, this one aspect REALLY annoyed me and I ended up feeling rather down on the trailer overall. What, John Cena’s gonna try to sell us on him being a comedy star by shoving stuff up his butt? Been there, done that! Sure they had Leslie Mann and Ike Barinholtz on hand to steady the ship and keep things on track, but I didn’t really see much to this movie that I hadn’t seen in a hundred other comedies before it. In the last week or so however, the early buzz for this movie started to get REALLY strong and people were praising it all over the place! Is there a chance that I was WRONG about this movie!? BUT THAT’S IMPOSSIBLE!! You all come to read this because I’m ALWAYS RIGHT ABOUT EVERYTHING, right!? Well I guess we’ll have to see if my skills at predicting movies based on trailers are top notch or if Universal was merely doing a bad job of selling a gem they had on their hands. Does this film live up to the hype, or was I right all along!? Let’s find out!!
Kayla, Julie, and Sam (Geraldine Viswanathan, Kathryn Newton, and Gideon Adlon) are the high school seniors who are ready to finally graduate but not before going to their prom which is the biggest day in a young teenager’s life, at least according to this movie. I don’t know about you, but I brought a book to my prom instead of a date, so I guess I have trouble relating to that, but it’s made clear that this is a special night to THEM and they even decided that that will be the night they’ll lose their virginity! One wants to do it then so that it would be a perfect night, another figures it’s as good a time as any to get it over with, and the last one is a closeted lesbian or wants to get in on the bonding experience and at least TRY to see if she’s maybe into the opposite sex before committing to the queer identity. Too bad that their parents get wind of this idea and have decided to… block them from getting laid that night! The parents in question include Kayla’s dad Mitchell (John Cena) as the super serious and incredibly dorky one, Julie’s mother Lisa (Leslie Mann) who’s a single parent and is afraid that her daughter is making a terrible mistake, and Sam’s father Hunter (Ike Barinholtz) who has his own reasons for going along with this that include wanting to reconnect with his daughter since he’s been more or less absent since he divorced her mother. Will they be successful in stopping their daughters from having either the best night or the worst night of their lives? What other issues have they all been hiding from that will be forced to the forefront in this wacky adventure? Can John Cena properly atone for being in the god awful Mel Gibson movie!?
The Disaster Artist and all the images you see in this review are owned by A24
Directed by James Franco
I may not be as over the moon in love with The Room as plenty of other people are, and it has admittedly lost a bit of its charm once you realize just how misogynistic the whole thing is, but it certainly has my respect as being one of the more unique examples of a GOOD BAD MOVIE due in no small part to the auteur himself, Tommy Wiseau. Now he’s far from the only ridiculously cocky creatives out there who write, direct, and star in what they perceive to be their one true masterpiece (*cough* Old Fashioned *cough*), but with Mr Wiseau there’s a genuine sense of mystery about the guy as many details of his origin are STILL unknown to this day (HOW IS THAT EVEN POSSIBLE IN THE INTERNET AGE!?) and his… shall we say UNIQUE brand of acting certainly sets him apart from many of the other low rent struggling artists out there. No doubt there is a VERY interesting story to tell about this one guy, his one movie, and his friendship with co-star Greg Sestero, which the wannabe auteur himself James Franco has opted to do by adapting Greg’s book The Disaster Artist into a motion picture; one that he directs, produces, and stars in of course. Will this examination of one of Hollywood’s biggest oddities be a worthwhile exploration of the creative process and what it truly means to be an artist, or are we just desperately trying to milk a novelty that had lost its luster many years ago? Let’s find out!!
The movie follows the journey of two men; aspiring actor Greg Sestero (Dave Franco) and… I guess aspiring actor as well Tommy Wiseau (James Franco). The two meet in an acting class where Greg finds the eccentric weirdo with bad hair and a worse accent rather endearing for his utter fearlessness and ability to throw himself out there in ways that Greg is still struggling to do despite his hopes of becoming an actor. Because of Greg’s admiration for Tommy and Tommy’s love of being admired, the two move in together and work their way through Hollywood; getting small gigs here and there but nothing that will truly set them apart from the thousands of other working actors cluttering the streets of LA. After a particularly rough string of bad luck, Tommy eventually starts writing his own movie and wants none other than Greg himself to be the co-star. The Room is what he titles his masterpiece and he funds it himself with his seemingly unlimited supply of money but things go from awkward to unsustainable as Tommy’s ego and complete inexperience with the process starts escalating tensions with the cast and crew and even with his best friend Greg who’s trying to stick by him but is finding it hard and harder to deal with Tommy’s unpredictable behavior. Can Tommy find it within himself to get past his issues and foster a good working environment for the only people in the world who are helping him achieve his dreams? Will Greg stand by his best friend, or will he realize just how much Tommy is holding him back? WILL THE WORLD EVER UNDERSTAND THE BRILLIANCE OF THIS ONE MAN’S VISION!?
Snatched and all the images you see in this review are owned by 20th Century Fox
Directed by Jonathan Levine
Despite being one of the big up and coming comedians for the past few years, I’ve never had any real exposure to Amy Schumer’s work. Whether it’s her stand-up, her show Central, or even her previous movies like Trainwreck, she just never managed to come into my radar and I haven’t had much inclination to seek her stuff out. As far as this movie, I GUESS I’m interested to see how it turns out, not just so I can finally get in the loop with someone worth keeping an eye on, but because she also managed to get Goldie Hawn to costar who hasn’t been active in quite some time! That said, it looks to be another raunchy comedy (and not a particularly interesting one) which we certainly have plenty of already, but then again it’s never easy to tell just how well the jokes will land or how strong the interplay is between the leads just from trailers alone. Does this manage to be a standout film starring one of Hollywood’s rising star next to one of Hollywood’s best, or will this turn out just as bad as Dirty Grandpa? Let’s find out!!
The movie begins with Emily Middleton (Amy Schumer) getting dumped by her longtime boyfriend (Randall Park) just before they take their non-refundable trip to Ecuador; leaving her with a broken heart as well as an extra ticket that none of her friends (or even her landlord) wants to take her up on. While visiting her overbearing and obsessively cautious mother Linda (Goldie Hawn), she finds an old photo album that shows what an exciting life she led before having kids and she decides to take her on the trip. It takes a bit of cajoling, but Linda finally agrees and they head to South America where Emily meets some suave mother fucker (Tom Bateman) that gives her the perfect vacation experience and promises to take her AND her mother out for even more fun the next day. Turns out that he’s the bait for a kidnapping ring which puts a HUGE damper on their vacation and they now have to find a way to not only escape but find a way back to the American embassy before they get into even MORE trouble. While this is going on, Emily’s brother Jeffrey (Ike Barinholtz) is doing what he can to get the State Department to Seal Team 6 their asses out of there, but with his agoraphobia and poor social skills, he may not be up to the task despite everything that’s at stake… or is he? Can these two survive not only the harsh jungle environment but survive having to deal with each other for that long? What wacky supporting characters will they manage to run into along the way? Wait, is this seriously from the same person who wrote Ghostbusters!?
Suicide Squad and all the images you see in this review are owned by Warner Bros Pictures
Directed by David Ayer
After Batman v Superman, I can’t imagine how everyone behind this movie wasn’t shaking in their boots now that the ENTIRE franchise is resting on their should to right the course and bring audiences back around before the Justice League and Wonder Woman movies have a chance to kick this cinematic universe into high gear. In fact, the heavily publicized reshoots of this movie were probably due almost entirely those expectations being thrust upon this after Batman v Superman fell flat on its face. Still, even when that movie was running its course, there was always the hope that this one would be the fun alternative to the somber and serious Snyder film and the marketing at least was leaning heavily on that idea to sell it to the masses. Does this succeed in distinguishing itself from the rest of the DCCU which includes a maybe a third of a good movie and a really awful one, or were DC and WB playing us all for fools by convincing us this one would be different? Let’s find out!!
The movie follows the first undertaking of The Suicide Squad which is a group of SUPER criminals that the US government plans to use in order to fight meta-human or otherwise extremely dangerous threats. The project is being pushed forward by the tough as nails Amanda Waller (Viola Davis) and is comprised of Deadshot (Will Smith) who is a perfect shot, Harley Quinn (Margot Robbie) who… I guess is good with a baseball bat, El Diablo (Jay Hernandez) who’s actually doing this under duress as he’s given up his fire spewing ways, Killer Croc (Adewale Akinnouye-Agabaje) who’s… half man half crocodile I think, Captain Boomerang (Jai Courtney) who is pretty good at throwing boomerangs, and of course Slipknot (Adam Beach) who doesn’t do shit. Along with the squad is Col Rick Flagg (Joel Kinnaman) who’s basically serving as their babysitter and also has the power to blow their heads off if they step out of line (NOTHING at all like Battle Royale) and Katana (Karen Fukuhara) who I think is supposed to be a good guy at least compared to the other members (as far as I can tell, she’s NOT actually in jail and volunteered for the mission) and she’s got a magic sword. Not what I’d call the best team to send out when a city gets very nearly leveled by an evil witch called The Enchantress that is inhabiting the body of Dr June Moone (Cara Delvingne) who JUST SO HAPPENS to be Flagg’s girlfriend, but at least the government won’t have to pay for their funeral expenses when they surely get obliterated by dark and unimaginable forces. Can the Suicide Squad manage to infiltrate the city that’s crawling with monsters summoned by the witch and save a highly valuable target inside? What about the Joker? Isn’t he supposed to be in this too? Does the fate of the world REALLY need to rest on the shoulders of Captain Boomerang!?
Neighbors 2: Sorority Rising and all the images you see in this review are owned by Universal Pictures
Directed by Nicholas Stoller
They just couldn’t resist the urge, could they? I guess there was just too much money lying on the table to NOT make another one of these. Sequels to unexpected hits (especially comedies) are almost always underwhelming as it’s like trying to capture lightening in a bottle twice. Caddyshack 2, Ghostbusters 2, Horrible Bosses 2, you could make a neigh infinite list of them. Now the first film was a pretty solid movie that had a bit more to it than you would expect from a movie that’s essentially a prank war. Not only that, but they’re coming into this one with a decent enough idea in regards to how Sororities are viewed by the education system, even if it is a bit ridiculous that the SAME THING happens to these people twice in a row. Can this manage to be the few comedy sequels to NOT be the worst thing imaginable, or is this movie destined to be the worst thing imaginable? Let’s find out!!
The movie begins a few years after the first one ended with Teddy Sanders (Zac Efron) still wasting his life away but now doing so as Pete’s roommate (Dave Franco) and Mac and Kelly Radner (Seth Rogen and Rose Byrne) planning to sell their house so that they can move to the suburb. There’s a small roadblock though to their plan which is that they ALREADY bought the house in the suburb, but the house they just sold is in escrow which the movie thankfully explains is a thirty day waiting period where the buyers can back out of the deal if something were to change. That couldn’t POSSIBLY happen though, right? Well back on the college campus (what college is it anyway?) the new female freshmen are trying to get into Sorrorities, but three of them (Chloë Grace Moretz, Kiersey Clemons, and Beanie Feldstein) find the guidelines about not being able to party too restrictive, so they decide to start their own independent Sorority. Well SURELY they won’t end up at the EXACT same house that Teddy’s frat was at, right? Well speaking of Teddy, Pete just got engaged so Teddy has to move out which means he’s lost once again and needs to find not only a new place to stay, but some meaning in his life. Oh look! The house he used to live at! And look! The girls are touring it to see if it works for their needs! An unholy (and tenuous) alliance is born between the girls of the new Sorority (Kappa Nu) and the frat boy looking to relive his glory day, so they rent out the house to the terror of Mac and Kelly who just want to sell their place and move on with their lives. And so the war is on once again as the girls refuse to keep things quite for thirty days and the old people try to keep them from exercising their right to party! Can Mac and Kelly once again destroy the young people who are trying to fuck up their lives? Will the sisters fail in their endeavor to bring about a new kind of Sorority that’s empowering those who want to have fun but don’t want to be objectified? Things can’t get any crazier here than they did in the LAST movie… right?