Tag: Horror

Cinema Dispatch: A Cure for Wellness

~ Matt Vetrano ~ Leave a comment

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A Cure for Wellness and all the images you see in this review are owned by 20th Century Fox

Directed by Gore Verbinski

You know, Gore Verbinski is a much more versatile director than I think he gets credit for.  Sure, he made three Pirates movies and then that Pirates movie in the old west, but he’s also got The Ring, The Weatherman, and Rango under his belt too; all really solid movies.  Hell, even his big blockbuster films are at least interesting if not always good!  Okay, The Lone Ranger isn’t even that much, but I’ll give credit to those Pirates movies for being fantastically well-crafted even if the story wasn’t always there to back up the designs.  Now he seems to be going back to his roots in a way as this is the lowest budget he’s had to work with since The Weatherman, and he’s also heading back to the horror genre which seems like a pretty good idea considering how well that Ring remake turned out.  Is this a new benchmark in horror that all others will be compared to, or will this be a catastrophic failure the likes of which we haven’t seen since The Lone Ranger?  Or you know, it COULD be somewhere in between those two.  Anyway, let’s find out!!

The movie follows an up and coming… business man of some sort named Lockhart (Dane DeHaan) who’s sent to some faraway Wellness Center somewhere in the Swiss Alps to retrieve the owner of the company he works for.  You see, the board of directors got a strange letter from their boss Mr. Pembroke (Harry Groener) that he’s found the cure for what ails him at this facility and that he’s never coming back.  Of course, if he REALLY didn’t want to be bothered anymore, he would have included official documents removing himself from the company to go along with that letter, but if he did that then Lockhart wouldn’t have a reason to go and we wouldn’t have a movie, now would we?  It also helps that Lockhart did some illegal… business stuff I guess that he thought he had kept secret but the board knows ALL about it and is holding that over his head to get him to go to Switzerland.  Once Lockhart gets there, its IMMEDIATELY clear that something just isn’t right about this place.  Is it the creepy staff that acts like condescending zombie vampires?  Is it the strange girl named Hannah (Mia Goth) who’s comes and goes with seemingly little understanding about the world around her?  Maybe it’s the fact that the head of the facility is named Dr. Heinreich Volmer (Jason Isaacs) which is probably in the top ten villain names of all time!  I’m guessing it’s that.  Well any normal person would just bolt it to the airport at this point, but Lockhart JUST SO HAPPENS to get in a nasty car accident on the way back from the Wellness Center and wakes up back at the facility a few days later with a cast on his leg.  Well since he isn’t GOING anywhere for now, he might as well try to find Pembroke and see if there’s some shady shit going down in this Wellness Center that puts a little too much emphasis on water and for some reason uses REALLY outdated medical equipment.  Will Lockhart get what he needs from Pembroke and save his job?  Just what is going on in this creepy facility with so many creepy people and creepy equipment?  Is the cure that everyone is looking for… love!?

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“I don’t remember them covering THIS is sex ed!”     “Hey, which one of us is the doctor here?”

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Cinema Dispatch: Resident Evil: The Final Chapter

~ Matt Vetrano ~ Leave a comment

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Resident Evil: The Final Chapter and all the images you see in this review are owned by Screen Gems

Directed by Paul WS Anderson

It has been quite a ride, hasn’t it?  I’ve always been a fan of Paul WS Anderson and his work, especially considering that he’s the only director other than Uwe Bowl who’s attempted to make more than one video game movie and is the one who ACTUALLY made it work.  People STILL say that we don’t have any good video game movies, but what they really mean is that there hasn’t been one that’s been critically acclaimed, and even THAT criterion is rather nebulous.  So what if Resident Evil or Mortal Kombat didn’t win Oscars?  Neither did Taxi Driver or Dr Strangelove!  It truly is the end of an era though considering how few franchises from the early years of the new millennium are still around, recent revivals like xXx non-withstanding, and there really isn’t anything like it to take its place now that it’s over.  Hell, this series DARED to be different from the source material which I can’t imagine ANY film getting away with now considering everything is about franchise management nowadays!  It’s kind of a sad day to see this series go, though it will be doubly so if this final chapter turns out to be a poor note to end things on.  Does Mr. Anderson manage to give us one hell of a sendoff to this beloved series, or has this franchise finally run out of steam right as it was about to reach the finish line?  Let’s find out!!

The movie begins with the world having ended for at least the second time and Alice (Milla Jovovich)  is all alone in the wastelands of what the world once was.  Of course, being the savior of all humanity that she is, someone eventually comes a-knocking for her to be the big hero once again.  This time, it’s… THE RED QUEEN!?  Yes!  The AI from the other films (played this time by Ever Gabo Anderson) that has been trying to kill her apparently wants to help her because Wesker (oh, spoiler alert: Wesker’s a bad guy again and is still played by Shawn Roberts) is just forty eight hours away from wiping out ALL of humanity and Alice has to stop him before then!  How?  Well apparently Umbrella developed an antidote for the T-Virus that no one bothered to mention up to this point and if she can release it into the world in time, all the zombies will die and humanity will be saved!  Of course, the antidote (along with Wesker) is all the way back in Raccoon City so she has to travel back there, go back to the secret underground Umbrella base, and punch as many zombies as possible in the process!  Can Alice save the world one last time before it’s too late, by which I mean the Resident Evil film rights expire?  What exactly brought upon this change of heart from the Red Queen, and could this all be one giant trap to finally destroy her one true enemy?  So wait, did she get her powers back or is she still human Alice?

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Practical?  Not really.   Awesome?  ABSOLUTELY!

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Cinema Dispatch: The Bye Bye Man

~ Matt Vetrano ~ 2 Comments

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The Bye Bye Man and all the images you see in this review are owned by STX Entertainment

Directed by Stacy Title

See, I thought I wouldn’t have to talk about STX Entertainment again until that damn Mars YA movie finally came out (ENOUGH WITH THE TRAILER ALREADY!) but it looks like they’re here to fill the January Horror Movie quota which was met in previous years by gems such as The Forest, The Devil Inside, and Texas Chainsaw 3D.  Then again, The Boy came out in January of last year, and that was ALSO a film from STX Entertainment, so maybe there’s just a TINY bit of hope here.  Can STX pull off the impossible yet again and give us a January horror film that won’t embarrass the genre, or is this movie just as stupid as its title suggests?  Let’s find out!!

The movie begins in the late sixties where a guy (Jonathan Penner) shoots a bunch of people because they had heard of THE BYE BYE MAN, which I’m sure was the most sensible solution to that problem.  Jump ahead five decades and we find ourselves in modern times where three college students, Elliot, John, and Sasha (Douglas Smith, Lucien Laviscount, and Cressida Bonas), just moved into a new house off of campus and are cleaning up all the crappy furniture that the landlord left them.  Of course, one of the tables has something crudely etched on it that Elliot ends up reading.  Of course it’s the words THE BYE BYE MAN, and in doing so he… I guess invites The Bye Bye man to take permanent residence in his brain.  You know, at least when they summoned the deadites in Evil Dead, they had to read a WHOLE passage from an ancient Sumerian text instead of just a dumb name!  Anyway, the name eventually reaches his two roommates as well as some sort of psychic who is obvious slasher fodder (Jenna Kanell) and so The Bye Bye Man just starts messing with all their heads; making them see things that aren’t there and driving them more and more insane in the process.  Will the three of them find a way to get past this monster’s illusions before it makes them do something they’ll regret?  Why did that dude in the sixties end up shooting everyone who had heard of this… ghost, I guess?  Did anyone stop to read the script before filming this, or were they winging it the whole time?

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“Just watch it, don’t question it.  I wonder what that means…”

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Cinema Dispatch: Underworld: Blood Wars

~ Matt Vetrano ~ 1 Comment

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Underworld: Blood Wars and all the images you see in this review are owned by Screen Gems

Directed by Anna Foerster

They managed to fit both an Underworld sequel and the final Resident Evil movie in the same month!?  I mean sure, we’ve got a crappy horror movie and that Monster Trucks things as well, but way to step it up for January!  Okay so NEITHER franchise is what you’d call paragons of cinematic exceptionalism, but they’re both fun in their own right and I remember the last Underworld movie being the best so far which this is a direct sequel to.  Then again, the LAST direct sequel (Underworld Evolution) wasn’t a bright spot for the franchise, but maybe they’ve learned their lesson since then and can elevate this franchise to heights comparable to the MCU!  Okay, MAYBE that’s a bit hyperbolic, but at least it’ll probably be better than the DCCU.  Does this monster mash continue to kick ass and take names, or is this fifth entry the final stake through the heart that will finally kill this franchise?  Let’s find out!!

When we last left our fearless hero Selene (Kate Beckinsale) she had stopped some sort of plot by werewolves to kill all the vampires.  Standard stuff for this series, but the added twist was that Selene had a daughter… while she was in some sort of cryo-chamber or something.  Well this one picks up some time later where Selene has sent off her daughter to someplace that even SHE doesn’t know where so that she can be protected if the werewolves or the vampires want to use her super blood.  If you’ve been following these movies (or listen to the opening monologue that catches everyone up in this one), Selene and her one true love Michael (Sir Not Appearing In This Movie) are super special monsters; the latter because he’s half vampire half werewolf, and the former because… I honestly don’t recall.  I THINK it had to do with Evolution, but whatever.  The point is that Eve is the combination of a super vampire and a hybrid, so HER blood is AMAZING and everyone either wants a piece of Selene to get to her or they want her head on a stick because of all the super heroics she’s done previously, and this includes the vampires who are still salty about her cutting off half of Bill Nighy’s head that one time.  That said, even though I don’t remember the exact reason WHY that happened, I assume it was justified because it was Bill Nighy.  Alright, so that’s all the backstory leading into this movie, now what is the movie actually about?  Selene is given a chance to earn forgiveness from the vampires if she comes back and works as some sort of trainer for their raw recruits in their army which is of the utmost concern considering this damn war between the werewolves and vampires is starting to turn against them and they are desperate for anything that will help them turn the tide; even if it’s from the one who cut off Bill Nighy’s head.  The reason for this change of fortunes seems to be the werewolves’ new leader Marius (Tobias Menzies) who’s managed to corral them into an effective fighting force and also seems to be the primary one after Selene or Eve’s blood… for some reason.  Like I said, she’s a SUPER vampire now, so I’m sure the werewolves can figure out a good use for it!  Now with all that working against the vampires, including the fact that their basically down to two covens, you’d think they’d ACTUALLY work together, but unfortunately there are some bad apples there who are hoping to not only seize control of the coven, but frame Selene for awful crimes in the process.  Could it be returning characters David and Thomas (Theo James and Charles Dance), newcomers to the series Semira and Varga (Lara Pulver and Bradley James) or someone else that I won’t even name!?  What about those albino vampires that look like they’re stuck on top of a snowy mountain?  Where do they fit into all this?  The real question though is does ANY of this matter when you’ve got VAMPIRES SHOOTING MACHINE GUNS!?

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BANG-BANG-BANG!!

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Cinema Dispatch: Top 10 Worst Movies of 2016

~ Matt Vetrano ~ 3 Comments

Alright, well we got through all the GOOD stuff, so now it’s time to remember 2016 the way it SHOULD be; as one never ending nightmare of awfulness and broken dreams.  There were no shortage of bad films this year which admittedly is true of ANY year, but the yearly ritual of remembering the worst of the worst must be maintained, and so I present the worst of what I had to sit through in the hopes that I can spare some of you the anguish that these films have caused me.  Well there’s no point in dragging it out.  Let’s get this over with.

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Dishonorable Mention: The Do-Over

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How bad is this movie?  It is so blisteringly awful that I couldn’t even finish the damn thing.  At one point (when I was truly naïve), I had decided to review all four of the Adam Sandler Netflix films as they came out and I managed to get through The Ridiculous 6 mostly unscathed.  This proved to be quite the fool’s errand however as the film they did AFTER that is so much worse.  I’ve got two thousand words already written about the movie, and I just abandoned that shit when we got to the part where Adam Sandler was fucking a blow up doll for no reason.  I managed to see MAYBE ten minutes or so after that where David Spade was creepily (and successfully) macking on the window of the guy who’s identity he stole before realizing that there’s no way in hell I’m finishing the rest of this even for the purposes of a review.  Neither of the main actors, Adam Sandler and David Spade, give the smallest of shits about this movie (the latter is straight up smiling during an emotionally distressing moment), the film is shot like a REALLY bad porno (Stormy Daniels is clearly a far better director than Steven Brill considering how flat and under lit everything is in here), and the film is just so unbearably mean spirited without the tiniest bit of legitimate humor to back it up… unless of course you think that Luis Luis Guzmán’s ball sweat dripping on David Spade’s forehead is the height of comic genius.  Adam Sandler is just going to continue regressing further and further into his own comfort zone; not unlike someone else on this list, but we’ll get to them soon enough.  Look, everyone knows better by this point than to take Adam Sandler seriously ever again, so you don’t need me to tell you that he’s made another crappy movie.  If you’ve already managed to avoid this one, then keep on doing so; especially considering how much great content Netflix produces that you can be watching instead of this garbage fire from a bunch of lazy hacks.

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Cinema Dispatch: Top 10 Best Movies of 2016

~ Matt Vetrano ~ 2 Comments

So who else is ready for this year to be over?  I’m pretty sure I’m not the only one who felt that things got pretty rough over the last twelve months, but we’ll get to the Bad list soon enough.  For now, let’s try to focus on the things that were GOOD about 2016; namely the movies that you all should have gone out to see when they were still in theaters.  Unlike last year, I did manage to see quite a bit more movies which has led to a somewhat more well-rounded list, even if you can probably guess which genres got a lot of love from me this year.

Without further ado, LET’S START COUNTING!!

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Honorable Mention: Skiptrace

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Now last year I needed an extra spot just to fit an indie film on my list as most of what my local theater got was just the mainstream fare and therefore those kinds of films completely dominated my Best Of list.  This time I actually went through the effort of seeing the smaller stuff, and while most of them still didn’t make it on my list, at least there’s SOME representation this time around to help fill things out.  Because of that, I figured I’d be less serious with my unofficial eleven spot and would choose a movie that wasn’t exactly GOOD but a hell of a lot of fun.  It was a tossup between Skiptrace and Huntsman: Winter’s War, but I’m gonna give it to the Jackie Chan flick just out of sheer nostalgia.  It’s a Renny Harlin action comedy starring Jackie Chan and Johnny Knoxville; basically making this the greatest thing imaginable for the ONE GUY out there that loves Jackie Chan buddy films but also thinks that Die Hard 2 is the best in the series and that Johnny Knoxville is an underrated actor.  So basically it was made for me and no one else (Die Hard 2 is criminally underrated).  Look, this movie is really sloppy, especially on the production side (why the hell is Jackie Chan subbed, dubbed, and ACTUALLY speaking English all in the same movie!?), but it’s got so many joyful and delightfully stupid moments like Johnny Knoxville being rolled down a hill in a garbage can or Jackie Chan getting in a fist fight while using a Russian Nesting Doll as a shield that it makes up for the cliché ridden script and lack of any real structure.  Even the stuff that’s straight up incompetent is hilarious like how the script puts these two on a train for no other reason than to jump off of it two minutes later, or how a woman gets shot three times and there’s ZERO blood to show for it.  It all adds to the goofy charm that makes it hard to stop watching even knowing just how bad the plot is that revolves around Jackie and Johnny needing to cross all of China looking for a damn cell phone charger.  In the end, none of that ends up mattering all that much when you’ve got Johnny Knoxville trying to dodge bowling balls or when we get to see drunk ass Jackie Chan singing Rolling in the Deep while hanging out in a Mongolian village.  If you’re looking for something incredibly silly and nonsensical with just enough sincerity and heart to avoid coming off as too cynically made just on Jackie’s star power, then you’ll definitely have a good time here.  Also, if you like watching Johnny Knoxville get the crap beat out of him because that happens constantly!

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Cinema Dispatch: Incarnate

~ Matt Vetrano ~ 4 Comments

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Incarnate and all the images you see in this review are owned by Blumhouse Tilt, High Top Releasing, and Universal Pictures

Directed by Brad Peyton

I go to see a lot of movies, and I don’t think I saw a single trailer for this at any of them; not even other horror films or Blumhouse productions.  That seems pretty strange though considering they’ve got a well-known actor in here with Aaron Eckhart who may not be quite A list, but should be enough to sell a movie like this, and yet it seems to have slipped completely under the radar.  That’s usually a bad sign, but it’s not always the case as films like last year’s We Are Your Friends was a movie I never heard of until I went to the theater to see it, and that turned out to be pretty solid; especially compared to other Zac Effron outings like Dirty Grandpa and Mike and Dave Need Wedding Dates.  Maybe the same is true for this little horror flick.  I mean… it’s possible… right?  Either way, let’s find out!!

The movie begins as most demon possession movies do with a young child getting his soul hijacked from some horrifying hell spawn with the victim here being Cameron (David Mazouz) who seems to catch it from this homeless woman as the demons here apparently jump from host to host.  Naturally, the Vatican is all over this and sends out one of their representatives (Catalina Sandino Moreno) to keep an eye on things, but it soon becomes clear that conventional methods are gonna take care of it this time.  Instead, she calls upon… Dr. Seth Ember (Aaron Eckhart)!  Who is he?  Well he’s some guy who looks to have watched Inception a few too many times and has come up with a new exorcism technique where he goes into the mind of those possessed and convince their subconscious or whatever to reject the monster that is feeding off of their soul.  Of course, Dr. Ember isn’t some bright eyed idealist who’s doing this for the good of mankind!  He has a DARK PAST full of TRAGEDY and WOE, and the techniques he’s developed were all in service of killing ONE DEMON SPECIFICALLY who has something to do with said tragic past.  Of course, it JUST SO HAPPENS (or maybe not?) that the kid is being possessed by that ONE SPECIFIC DEMON, so Dr. Ember begrudgingly takes the case along with his two hipster tech brats Riley and Oliver (Emily Jackson and Keir O’Donnell).  Will Dr. Ember finally gets the vengeance that has eluded him all these years?  Will he be able to save Cameron in the process, or will Ember see him as expendable in the pursuit of a greater goal?  What… exactly did I just sit though?

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“Maybe I will do that I, Frankenstein sequel after all.  It wasn’t THAT bad, was it?”

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