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Do any of you even know who The Banana Splits are? Of course not! They were on the lower tier of Hanna-Barbera creations and because they were live action characters they never got that extra bump of popularity that many of their other creations did when they started randomly pairing them up on shows like Yogi’s Gang where they flew around in a giant flying ark. Yeah, Hanna-Barbera is weird like that, but the thing about The Banana Splits is… I actually really like them! I remember watching a marathon of episode back when you had to actually watch TV on a TV, and I thought it was a fun little slice of sixties nonsense! A bunch of dudes in animal costumes playing bubblegum pop and doing slapstick? What’s not to like!? And guess what? THEY’RE MAKING A MOVIE ABOUT THEM!! OH BOY! It looks like someone has finally realized how groovy these cats (and dogs and monkeys and elephants) are and are giving them the big screen treatment they deserve, right? RIGHT!?
So it turns out that SOMEONE thought it would be brilliant and edgy to take lovable characters aimed at children… and turn them into monsters in a horror movie; straight up. I mean yeah, they’re clearly playing up the absurdity of it but it just looks like a miserable experience outside of how senseless its UNIQUE SELLING POINT is. Actually, even more blatant than the simple “shock” value of taking character aimed at kids and making them creepy (congratulations; you’re where Creepy Pasta was twenty years ago) is that they are only doing this to beat the Five Nights at Freddy movie to the punch. I mean they weren’t robots in the original series either within the fiction of the show (they were anthropomorphic animals in a band) or the reality of its production which was done by people in costumes which is CLEARLY the case here as well.
“WHAT IS MY PRIMARY DIRECTIVE!?” “Okay, try to be like this video game, but NOT like this video game at the same time.” “DOES NOT COMPUTE!!”
Ma and all the images you see in this review are owned by Universal Pictures and Blumhouse Productions
Directed by Tate Taylor
The only reason this movie has gotten on anyone’s radar is because of Octavia Spencer, and frankly it did its job quite well. Sure, sometimes a horror film will pick up some serious talent like the new IT movie coming up or when Helen Mirren was in that crappy Winchester movie, but somehow this feels even MORE of a surprise and a genuine selling point. IT’s gonna sell itself no matter what, but by having one of the most popular actors of the moment (and in the prime of their career) showing up and starring in your crappy horror movie is a coup that very few films can boast, and yet somehow there she is; on all the posters, in all the trailers, and even having an Executive Producer credit to boot! What was it about this movie that convinced such a great actor to whole heartedly come on board, and was worth her immense talent and valuable time to do so? Let’s find out!!
Sue Ann Ellington (Octavia Spencer) is just your typical small town citizen. She works as a vet, she walks her dog, and on occasion it seems that she can be convinced to buy alcohol for the local high school kids. At least that’s what Maggie (Diana Silvers) finds out when she asks her to do it as she walks by the liquor store, and being the new kid in town she needs to deliver on the goods if she wants to get in with the popular kids. One of the popular kids is Andy (Corey Fogelmanis) who Sue Ann seems to recognize, and after a moment’s consideration decides to get them the booze they need. Not only that, she ends up opening her basement to them and other kids in the neighborhood as a safe and secluded area to drink where they won’t have to worry about cops and where Sue Ann will make sure no one gets their keys back if they can’t drive. In fact, everyone seems to be so enamored with her that they start to call her Ma and everyone wants to hang out at her house! However, things are not as rosy as they seem which Maggie picks up on after a while and she seems to have a dark side to her that’s just barely hidden beneath the surface. Perhaps it has to do with Andy’s dad (Luke Evans) who she knows from years ago? Maybe even Maggie’s mom (Juliette Lewis) who used to live here but moved away many years ago before returning? Well they’re all gonna find out eventually because Ma’s house seems to slowly turned from party central to a house of horrors! Will these kids learn of the terrible secrets lurking in Ma’s house as well as her tragic backstory? What is Ma planning now that she has the children of this town wrapped around her finger, and can she somehow realize what she’s doing is wrong before it’s too late? Okay, seriously. Did Octavia Spencer lose a bet or something to be in this movie?
“RELEASE ME!!” “Not until we make thirty million on opening weekend.”
Us and all the images you see in this review are owned by Universal Pictures
Directed by Jordan Peele
After Get Out, it was almost a certainty that Jordan Peele would become one of the predominate voices in the industry, but as is the case with any director who comes out the gate that strongly there’s always the question of how they’re gonna follow it up; hence the term Sophomore Slump. Michael Cimino, Richard Kelly, Joe Cornish, they’ve all had underwhelming second films and it’s not that hard to see why. Bigger budgets and more creative freedom means that a lot of filmmakers will pursue their passion project which may or may not appeal to as many people (or let’s be honest, aren’t as good ideas as they think they are) which rubs up against the very high expectations to follow up their first film with something even better. Will that be the fate of Jordan Peele’s follow up to Get Out, or is he destined to buck the trend and give us a new experience that’s just as fantastic? Let’s find out!!
Adelaide Wilson (Lupita Nyong’o) is your average middle class woman with the perfect family consisting of her husband Gabe (Winston Duke) and her children Zora and Jason (Shahadi Wright and Evan Alex) who head to their summer home for a much needed vacation. Said vacation however is somewhat bittersweet as it used to belong to Adelaide’s mother before she died and on top of that Adelaide has some less than perfect memories of the place. You see, back when she was a child she and her parents took a visit to the boardwalk where she wandered off and ran into a little girl who looked EXACTLY like her. What happened next is something of a mystery, but the point is that it was a very traumatizing moment and the memory of it has put her on edge the entire time they’re there. It turns out she was RIGHT to be fearful however because in the middle of the night a family of four who look just like them (played by the same actors) and refer to themselves as THE TETHERED break in and start being SUPER creepy around the family with some sort of deadly scheme in mind. I think it goes Step 1: Murder, Step 2: … , and Step 3: Profit, but whatever the end goal may be the Wilson family is gonna need to find a way to fight back and survive this horrid night by any means necessary. Can Adelaide and face her greatest fear in the form of the doppelganger she saw so long ago? What exactly are THE TETHERED after, and do their ambitions extend beyond just torturing this one family for funsies? What if Thanos’s plan wasn’t just to wipe out half of humanity, but to replace them with evil versions of the other half!? JORDAN PEELE IS NOW CONFIRMED FOR THE MCU!!
“I didn’t survive the attack on Wakanda just for this crap! Wait, did I survive?”
Greta and all the images you see in this review are owned by Focus Features
Directed by Neil Jordan
Is it just me, or are we about to get a tidal wave of horror movies? Sure, we’ve already had stuff like Escape Room and The Prodigy wasting space at the multiplex, but we’re just coming off of Happy Death Day 2U before getting this film, and we’ve still got Us and Pet Semetary coming out soon, not to mention that EVIL Superman movie and the one where Octavia Spencer kills a bunch of bratty teenagers just over the horizon! Can this movie about the perils of making friends with Isabelle Huppert prove to be the standout horror movie in an already crowded field, or will this be lost in the shuffle like so many other movies trying to grab onto this popular (and affordable) genre? Let’s find out!!
Frances (Chloë Grace Moretz) is your typical millennial living in the city with her roommate Erica (Maik Monroe) and one day she finds a purse all by its lonesome that she decides to return it to its owner because she’s such a nice person! Said purse is owned by Great (Isabelle Huppert) who lives alone and spends her time playing the piano to drown out the neighbors who always seem to be banging on her walls, and the two become quick friends. Maybe they have genuine interests or maybe their using each other to fill a hole they have in their lives (Frances’s mother recently died and Great’s daughter is supposedly off in France), but whatever the case may be they both seem to be much more happy now that they’ve got each other as friends! Now that sounds like a fun movie on its own, but as it turns out Greta is hiding something as Frances finds a half dozen of the same purse in her one of Greta’s cupboards which means she DIDN’T lose her purse and intentionally left it for someone to find! Why would she do that!? Well the correct answer is WHO CARES because the answer is probably not a good one and so Frances decides to bail and cut all contact with Greta. Not an easy task as it turns out as she won’t stop calling her apartment, leaving lengthy voicemails, and even showing up at her place of work to try and stay in touch with her. With the police unable (or possibly unwilling) to help Frances out, she decides to take matters into her own hands and find out more about Greta which leads to even more mysteries and even a few answers she may not like. Can Frances find a way to extract Greta from her life without putting herself or her loved ones in danger? What is Greta really after, and just how far will she go to get it? Did you know Isabelle Huppert was supposed to be in the Suspiria remake back when David Gordon Green was supposed to direct it? Maybe THAT’S what this is all about!!
“Did you put in a good word for me, Chloë?” “Yeah… of course!” “YOU LIAR!!”
Happy Death Day 2U and all the images you see in this review are owned by Universal Pictures
Directed by Christopher Landon
Man, I’ve been sitting on this one for almost two weeks. I don’t know what happened! Even though I saw it right when it was released a bunch of movies came out and this went on the back burner! It certainly had a lot to live up to considering that the first movie was one of my favorite films of 2017; not to mention that a sequel seemed like the worst idea ever as the first movie felt so complete in its story. Bill Murray never made Groundhog’s Day 2, and probably for the same reason he never did a Ghostbusters 3; it would have been a terrible idea! ANYWAY, before I say something that’ll REALLY tick people off, does this pointless sequel manage to justify its own existence, or are we doomed to yet another brilliant movie made to churn out sequels until you forgot why you liked the darn thing in the first place!? Let’s find out!!
Tree Gelbman (Jessica Rothe) having discovered who it was that was trying to kill her and closing the time loop that put her in a Groundhog’s day scenario is living the good life! She woke up and it was a different day, and that guy Carter (Israel Boussard) who helped her out all those times but has no memory of it is making out with her! Yup, it looks like easy street for Ol’ Gelbman! Oh wait! Carter’s roommate Ryan (Phi Vu) seems to be stuck in a time loop of his own! How did THAT happen? Hm… maybe it has to do with quantum reactor that Ryan and his two classmates (Suraj Sharma and Sarah Yarkin) have been working on! Wait, what? So all this time, it was a giant science thingy in the basement that somehow made Tree relive that day over and over again? Huh. Well okay then! So that mystery that didn’t need solving is now solved, but what ISN’T solved is why things are still acting up in the space time continuum after she managed to close the loop? Well before she can find out, things get a LITTLE bit out of control and the quantum thingy… explodes I guess, and puts Tree back into her original loop. OR DID IT!? It turns out that she’s not just back reliving Monday the eighteenth over and over again; she’s doing it in a parallel universe where things are significantly different in ways that Tree is gonna have to discover the hard way! Can Tree and the science squad manage to figure out how to work the darn machine and send her back to her own universe? Will this universe actually have something in it that Tree desperately needs, and will she give up her old life to live here? If the killer from the first movie isn’t the killer in THIS universe, then who IS the killer!?
“OLD MAN BLUMHOUSE!?” “That’s right! I wanted to make horror movies even cheaper so I just started stabbing teenagers myself! And I would have gotten away with it if it wasn’t for SAG-AFTRA regulations!!”
The Prodigy and all the images you see in this review are owned by Orion Pictures
Directed by Nicholas McCarthy
You know, now that I think about it… I’m a lot more receptive to EVIL KID movies than I would have initially thought! Sure you’ve got the classics like The Exorcist and The Omen, but I still maintain that The Boy is a pretty excellent horror film and I even enjoyed The Devil’s Due as ridiculous as it was! Now clearly this movie is trying to ride the horror trend that was set by The Babdook and then buried into the ground by Hereditary, and not only is this obvious from the poster that’s blatantly ripping off the latter, you can see from the trailers that this is the horror film that has AMBITIONS! The kind of horror film that’s at least shot like something you’re supposed to take seriously, so maybe we have something GREAT on our hands! Oh wait; it’s a horror film in February. Let’s uh… dial back those expectations, even if I’m STILL pretty sure I’ll like this more than Hereditary. Is this the kind of horror film that’ll make the earlier parts of the year that much easier to get through, or is just another bump in the road as we try desperately to make it to the first Marvel film of the year? Let’s find out!!
The movie begins with… well a lot of stuff happening. Sarah (Taylor Schlling) and John (Peter Mooney) are about to give birth on the night that a woman named Margaret (Brittany Allen) manages to escape from a serial killer on the other side of town. The good news is that she escapes and makes to someone who calls the cops for her. The bad news is that she didn’t QUITE get away scot-free as the killer managed to take one of her hands before she escaped. Said killer by the way, Edward Scarka (Paul Fauteux), finds out that Margaret escaped and does the only thing he CAN do in that situation! Run out the front door naked and screaming until the cops shoot him dead! At the same time this is going on, Sarah has given birth to her son Miles and I’m SURE these two events won’t connect in some fashion! Anyway, we cut to several years later where Miles has grown to be a super smart yet social awkward eight year old (Jackson Robert Scott) and seems to be exhibiting more and more behavioral issues as the days go by. He attacks one of his classmates at the super fancy school, he starts saying inappropriate things to his parents, and he even starts to act like a total creeper which is freaking his parents out and each day the fear more and more what he is truly capable of. Is there something wrong with Miles that can be fixed with counseling and well-regulated medication, or will this problem call for more… unorthodox solutions? Will Sarah go to any lengths imaginable, and even some unimaginable, in order to protect her son even if he IS acting like a total jerk? Is it just me, or is this kid trying out to be the next Hannibal Lecter?
“Tell me about the lambs, Clarice.” “Geez, you’re parents let you watch THAT movie? No wonder you need help.”
Escape Room and all the images you see in this review are owned by Sony Pictures Releasing
Directed by Adam Robitel
Oh boy! Is it January already!? We all know that this is the BEST month for movies, am I right!? Okay, so the conventional wisdom has been that movies released in January are in a sort of deadzone where there’s next to no chance for an awards worthy movie to get recognition (especially when we’re still talking about awards for movies last year) and it’s far too early to start releasing the blockbusters since the box office is still densely packed with what came out at the tail end of last year. Whatever is coming out right now didn’t is usually doing so because there wasn’t much hope that a more valuable timeslot would have amount to much, but then that’s not necessarily the same as a movie being BAD; just not particularly marketable. After all, Proud Mary was pretty good and came out in January! Okay, so did The Commuter, but the point is that it can go either way! Will this be the rare exception of not just a good movie in January but a good HORROR movie in January!? Let’s find out!!
Six people, Zoey, Ben, Amanda, Mike, Jason, and Danny (Taylor Russell, Logan Miller, Deborah Ann Woll, Tyler Labine, Jay Ellis, and Nik Dodani) are given invitations for this super awesome Escape Room with the added incentive that if they manage to solve it they’ll get a ten grand prize! Well that sounds so good that you CAN’T pass it up, right!? Sure enough it turns out to be an elaborate trap where they have to solve the riddle of each room or die horrible deaths. Well that sounds like a poor way to spend your weekend (I’d certainly give this Escape Room Company a bad review on Yelp!) and it’s not like they have any idea why this is happening in the first place which is admittedly sort of a moot point if they can’t manage to find a way out before it’s too late. Can these six strangers work together in order to solve each room’s puzzle and make it to the very end of the game? What is it that connects these people together, and what does the Escape Room Company expect to get out of this in the first place? Who the heck is in charge here, anyway!?
“She may not be the most helpful, but at least she’s here nights and weekends.”