Tag Archives: Horror

Cinema Dispatch: The Lighthouse

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The Lighthouse and all the images you see in this review are owned by A24

Directed by Robert Eggers

The director’s last film The Witch was a PHENOMENAL film that is easily one of the best horror films in the last decade (certainly better than Hereditary), so I was excited to see what he was going to do next.  Lo and behold, his next movie starts two of the best character actors working today, is presented in Black and White, and is about something relatively mundane but will no doubt lead to horror and intrigue!  Jeez, you might as well have wrapped it up, put a nice bow on it, and put it on a drone to crash into my house!  Does Robert Eggers’s second film exceed the high bar he set with his first outing, or is a talent as great as his still not immune to the dread Sophomore Slump?  Let’s find out!!

Ephraim Winslow (Robert Pattison) is the new assistant lighthouse keeper watching over a crappy little light house on a crappy little rock not too far from shore but far enough that you wouldn’t survive an attempt to swim towards it.  His supervisor Thomas Wake (Willem Dafoe) is an old sea captain with the accent, peg leg, and pipe to back it up, and his task is to whip this young whipper snapper into ship shape if he’s to one day maintain a lighthouse of his very own.  Seems simple enough, and they certainly have more than enough work to do maintaining this house and the light therein, but over time it starts to become clear that maybe Captain Wake isn’t all he claims to be and that maybe Winslow isn’t as cut out for this work as he initially thought.  Oh well, it’s not like he’s gonna be there FOREVER, right?  He’s only there for a month before being moved somewhere else… oh what’s that?  There’s a big storm coming that’ll make it impossible for his ship to come anytime soon?  Well then!  That’s… unfortunate for everyone involved.  So Ephraim is stuck there for a while and with each passing day it seems that little bit of his sanity has gone with it as things get weirder and weirder around here; not the least of which being Captain Wake who REALLY seems to like the light at the top of the tower.  I mean… he REALLY likes that light!  So much so that Ephraim hasn’t had a chance to maintain it despite that being part of his training because Wake wants to keep it all to himself… for some reason.  Can Ephraim keep his head down, focus on his work, and stay out of trouble long enough for the lighthouse company to send him another boat?  What is going on up there at the top of the tower, and is that just the tip of the iceberg as far as strange happenings on this unassuming island?  After seeing Pattinson brood his way through this, is there anyone else who COULD be Batman!?

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People are starring miserably at the camera.  Of COURSE it’s yours!

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Cinema Dispatch: Doctor Sleep

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Doctor Sleep and all the images you see in this review are owned by Warner Bros Pictures

Directed by Mike Flanagan

Now that we’re a good few years into the Stephen King revival that was kicked off by IT (actually Stranger Things if we’re being honest) it was about time we start calling back to OTHER Stephen King adaptations, and not just that brief shot of the original Pennywise in IT or the numerous random callbacks in The Dark Tower.  This is a sequel not only to Stephen King’s original Shining novel, but is the sequel to Stanley Kubrick’s film adaptation, so describing the making of this movie as Quixotic is not that much of a stretch.  Then again, there’s no reason not to swing for the fences if you’ve got the chance, and the director has proven time and time again with films like Gerald’s Game and Ouija: Origin of Evil that he’s capable of making very good horror films, so perhaps the untouchable triumph that was The Shining is not so out of reach after all!  Is this a worthy sequel to the original film and a great movie in its own right?  Let’s find out!!

Dan Torrance (Ewan McGregor) has had a rough time of it since he and his mother managed to escape from the Overlook Hotel where his dad tried to murder the two of them before dying in the snow.  It seems that he took after his father in the second worst way possible as he may not be an axe murderer, but he is an alcoholic who’s using his addiction to avoid dealing with his own problems as well as the powers that seem to have done nothing but cause him trouble as the ghosts from the Overlook Hotel try to haunt him to this day.  He manages to find a bit of stability though in the town of True Knot where he meets a friend named Billy (Cliff Curtis), manages to give up the booze, and even gets a job as an orderly in a hospice care facility where he uses his power to sooth those who are about to die with those gifts that have given him nothing but heartache for the past thirty years.  He also seems to have made a connection with another psychic user as they communicate with each other anonymously, but circumstances are about to change that will force them to finally meet one another.  It turns out that there is a cult of other psychic users who have found out that eating the souls of psychically powerful people will give them everlasting life and so they roam the country looking for people to eat (mostly children as they are the most potent) and are ostensibly led by Rose the Hat (Rebecca Ferguson) who’s powers are among the strongest out there.  Our mysterious pen pal to Dan whose a young girl named Abra (Kyliegh Curran) catches psychic wind of these monsters as they feast upon a child, and Rose the Hat catches a glimpse of her as well, so now that both parties know of the other’s existence there will surely be some serious X-Men like conflict coming soon and Abra could use all the help she can get to bring these fiends to justice.  Will Dan be willing to help his friend Abra with her little problem of cannibal psychics trying to hunt her down?  Who exactly are these murderous psychics, and why is one of them wearing such a distinctive hat?  Will they find an excuse for going back to the Outlook Hotel so they can sell this movie on Shining nostalgia?  Well of course they will, but will it be a GOOD excuse!?

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“Look, I know it’s haunted as well as the birthplace of most of my trauma, but I’ve got a forty percent discount from Hotels.com and it’s the ONLY place in the area it applies to.”

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Cinema Dispatch: IT Chapter 2

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IT Chapter 2 and all the images you see in this review are owned by Warner Bros Pictures

Directed by Andy Muschietti

Alright, so we’re all in agreement that the first film was amazing, right?  I mean it had a few issues here and there, but dang it if Chapter One wasn’t a horror masterpiece with great performances, a terrifying villain, and the brilliant idea of taking the GOOD parts of a Stephen King book and leaving out all the stuff that doesn’t work.  Heck, I’m pretty sure the last time that happened was when Kubrick made The Shining which Stephen King really doesn’t like for some reason.  Now we’ve got the sequel which has the neigh impossible task of capturing lightening in a bottle twice; especially since most of what made the first one so memorable will necessarily have to be either absent or pushed to the side.  Can the filmmakers pull off the impossible by making the notoriously unworkable ending to the book into something not just comprehensible but just as good as the film that came before it?  Let’s find out!!

The movie picks up twenty seven years after the events of the first film where the mysterious murders in Derry have started up once again and Michael (Isaiah Mustafa) as the only member of the Losers Club left in town has to bring the gang back together to fight the evil Pennywise (Bill Skarsgård) once again.  Bill, Richie, Beverly, Ben, Eddie, and Stanley (James McAvoy, Bill Hader, Jessica Chastain, Jay Ryan, James Ransone, and Andy Bean) have all gone their separate ways and can’t even seem to remember their time in Derry or the monster they fought all those years ago, but after a phone call from Mike they all start to remember (some take the news harder than others) and travel back home to take care of what IT is once and for all.  In the process they will have to confront their pasts, face their fears, and do all sorts of weird stuff in the vein attempt of trying to destroy a monster that has lived for hundreds of years while they’re a bunch of middle aged writers, comedians, and risk analysists, who might be able to throw a punch but not much else.  Can the monster known alternatively as IT, Pennywise, and WHAT THE HECK IS THAT THING!? be defeated by these friends brought together once again by the pact they made long ago?  What is the clown planning for them as revenge for the defeat that he suffered back in the eighties?  Maybe he can defeat them by trying to explain the ending of the book and just wait until their brains explode.

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“I WANT A FIVE HUNDRED WORD ESSAY ABOUT THE ENDING ON MY DESK TOMORROW MORNING!!”

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Cinema Dispatch: The Banana Splits Movie

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The Banana Splits Movie and all the images you see in this review are owned by Warner Bros Home Entertainment

Directed by Danishka Esterhazy

Well… I guess we’re finally here.  After months of speculation and a couple of pieces by yours truly, we finally find out if this horror themed Banana Splits movie can justify its ludicrous premise.  I’ve made no bones about the fact that I’m not looking forward to this, especially when it’s so blatantly trying to jump on the Five Nights at Freddy’s bandwagon with a property that isn’t even REMOTELY applicable (a Country Bear Jamboree horror film would make WAY more sense), but maybe the filmmakers know something I don’t and have found an angle to tell this story from that will make it an interesting examination of these characters and their place in popular culture instead of just a cheap attention grabbing cash in.  Yeah, it’s probably the latter but let’s find out!!

The Williams Family wanted nothing more than for little Harley’s birthday (Finlay Wotjak-Hissong) to go perfectly and the best way to do that would be to take him to see a live taping of his FAVORITE show; The Banana Splits; a quartet of singing animals made up of Fleegle the beagle, Bingo the ape, Drooper the lion, and Snorky the elephant (voiced by Eric Bauza).  In this universe however, I guess the Banana Splits are the entire half hour instead of the bumper between cartoons and they use a retro-sixties aesthetic… ironically maybe?  Well whatever the case may be, his mother Beth (Dani Kind) managed to score five tickets to take the both of them along with his dad Mitch (Steve Lund) and his step brother Austin (Romeo Carere) along with a friend from school Zoe (Maria Nash) who’s too cool for the Splits but has to go anyway.  Once they get to the studio where it’s filmed which is located WAY in the back of the lot, we learn that The Banana Splits, while successful (somehow) is a production of many frustrations.  The stage manager Rebecca (Sara Canning) has to manage the incompetent staff as well as the overly dramatic Stevie (Richard White) who’s the only human in the cast and drinks his sorrows away on a daily basis.  Fortunately The Splits themselves aren’t as troublesome as they are LITERALLY ADVANCED ROBOTIC ENTERTAINERS that this studio can somehow afford and are regularly maintained by the overly enthusiastic programmer Karl (Lionel Newton), and most everything else is managed by the page Paige (Naledi Majola) who is way sicker of that joke than you are.  Well in case you weren’t sure what movie we were watching, the robotic Splits end up getting a crappy firmware update and start to go on a murdering rampage as soon as the taping is over and the only ones left in the studio are a few employees and the lucky few who were chosen to meet The Splits in person; including the Williams family.  Will anyone be left alive after The Splits enact whatever horrifying machinations they are dead set on enacting?  Are the true Splits still somewhere within those cold metal shells, and is there a way that Harley can reach them?   Even if he could though, who would WANT to reach them?  Bunch of dead eyed Chuck-E-Cheese rejects.  Back in my day, The Banana Splits had life and personality; not circuits and microchips con-sarn-it!

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“NOT PROGRAMMED FOR AFFECTION!  HUG PROTOCOLS ARE IN BETA!!”     “Aww… I love you to Bingo!”

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Cinema Dispatch: Crawl

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Crawl and all the images you see in this review are owned by Paramount Pictures

Directed by Alexandre Aja

You know, I don’t think I’ve ever seen an alligator (or crocodile movie) before.  Heck, we can probably throw snakes in there too now that I think about it.  Not even Snakes on a plane!  It’s an entire sub genre of horror that just kind of passed me by, but I guess now is as good a time as any; especially considering how lackluster my year for horror has been.  What; were expecting a review from ANOTHER film by the guy who made Hereditary?  Yeah, I’m good actually!  Don’t need any more of… whatever that is in my life, but you all enjoy!  I’ve got a movie about a crocodile in a basement to watch instead!  Does this horror film manage to bring the scares and the fun with its nifty little premise while ALSO giving me a valid excuse to avoid Midsommar?  Let’s find out!!

Haley (Kaya Scodelario) is a swimmer in college who’s been having trouble outperforming here peers which is bad news for her scholarship, but even WORSE is the fact that she now has to drive to the south of Florida to check on her dad (Barry Pepper) who for whatever reason isn’t answering his phone and is right in the path of a category 5 hurricane.  She just barely manages to get to her childhood home before the storm kicks into high gear and also manages to find her father, but it turns out that he’s stuck in the basement with a bite mark on his leg and at least one alligator that’s feeling rather smug about it.  So now they’re BOTH stuck in the basement in a small area where the pipes make it impossible for the gators to get to them, but the rain keeps on pouring and the basement keeps on filling which means they have to find a way out before they both drown; and even THEN they’re in the middle of a hurricane that could knock the house over given enough time so they have to find a way to make it through that as well!  Can Haley save her dad and use her amazing swimming skills to outsmart these vicious predators who seem particularly cross with them for some reason?  Why are there alligators in the basement in the first place, and could this basement situation just be the tip of the ice burg?  Is this all just an elaborate adaptation of that app game Where’s My Water!?

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Darn you, Swampy!  You have all the water now, what more do you want!?

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Cinema Dispatch: Child’s Play

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Child’s Play and all the images you see in this review are owned by United Artists Releasing

Directed by Lars Klevberg

I’m gonna say it right now.  Even though the movie gets quite a bit of praise, Child’s Play is still underrated.  It’s one of those series where the later films defined the look and tone that stuck in the popular consciousness to the point that the merits of the original can still be somewhat overlooked.  It’s a lot like with the first Friday the 13th which is mostly known for the non-Jason killer and the sorta-Jason jump scare.  The first Child’s Play really does have a lot going for it even if the more recognizable elements like the campiness and Jennifer Tilly’s Tiffany are absent.  In a way that kind of makes it perfect for a remake as the finer points of the original can feel fresh to newer audiences who only know of the franchise in the broadest of terms.  Then again, turning Chucky from a possessed doll to a bad robot doesn’t feel particularly inspired, but I guess we can’t begrudge a remake for trying something new, right?  Does this manage to capture the spirit of the original film while telling it in a new and interesting way, or is this yet another mess of a movie to throw on the pile with The Nightmare on Elm Street remake, The Black Christmas remake, and whatever the heck that Rings movie was supposed to be?  Let’s find out!!

Andy Barclay and his mother Karen (Gabriel Bateman and Aubrey Plaza) have just moved to the city and are trying to start fresh with a new life, yet neither one of them seem to be doing a great job of it.  Karen is in a relationship with a huge jerk named Shane (David Lewis), Andy isn’t making any friends with the kids in his building, and to make matters worse Karen has to work the return desk at a department store which means she has to deal with angry jerks ALL day long.  You’d think she’d recognize the jerk-gene in her boyfriend considering how many of them visit her on a daily basis, but regardless of that, Andy’s birthday is coming up and she’s got nothing for him.  I mean I guess she COULD buy him a Cabbage Patch knockoff doll, but considering it’s not the late eighties and he’s thirteen, it doesn’t seem like a good fit.  Maybe she’ll “procure” one of those Buddi Dolls that one of the customers returned which I GUESS is supposed to be an A.I. assistant only MORE anthropomorphic since it’s housed inside a creepy looking robot doll.  Hey, it’s cheaper than a new phone!  Karen takes it home and Andy, while initially resistant, ends up finding a soft spot for the little bugger named Chucky (Mark Hamill), but not everything is as it should be because Chucky is not just an A.I.; it’s a LEARNING A.I. who observes things around it and jumps to the conclusion that murder might just might be the best way to solve Andy’s problems, and unfortunately for Andy this isn’t a problem that can be solved by turning it off and turning it back on again.  Can Andy teach Chucky the ways of peace before he starts leaving a lot of bloody messes in his wake?  Just how far will Chucky’s programming go to ensure Andy’s “happiness” at the exclusion of everything else?  Couldn’t we let Mark Hamill use his Joker voice and just say Andy downloaded a custom speech pack from the cloud!?

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“I think you and I are destined to do this forever.”     “Do you have to say that EVERY time we start a new game?”

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Cinema Dispatch: The Dead Don’t Die

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The Dead Don’t Die and all the images you see in this review are owned by Focus Features

Directed by Jim Jarmusch

Two things I’m not particularly well versed in are zombie movies and Jim Jarmusch movies; the former because I find many entries in the genre to be tedious and the latter because I haven’t gotten around to them yet.  Good thing I get to kill two birds with one stone here as I guess even he couldn’t resist the allure of big box office gold with yet another zombie film!  Then again, we’re kind of on the other side of the whole zombie craze, so maybe this is the PERFECT time for his indie sensibilities and surprisingly extensive connections to make the ultimate commentary on the modern interpretation of the genre!  Or maybe it’s just a goofy comedy with the dude from Star Wars and Selena Gomez.  The point is that you can never pin this guy down to just one thing, so it’s probably both at the same time.  The REAL question though is whatever it ends up being, is it any good?  Let’s find out!!

Police Chief Robertson (Bill Murray) and Officer Ronnie Peterson (Adam Driver) are living out their lives patrolling the small town of Centerville without much to worry about other than Hermit Bob (Tom Wait’s) possibly stealing chickens and the dead body in their police station that someone from the big city promises to pick up real soon.  The town is filled with lots of colorful characters like Farmer Miller (Steve Buscemi) who’s a racist jerk, Hank Thompson (Danny Glover) who’s clearly getting too old for whatever it is that he does, and Bobby Wiggins (Caleb Landry Jones) who runs a really cool gas station filled with old school horror movie merchandise, and all of them certainly have their concerns about reports of the Earth being pushed off its orbit due to arctic fracking, but it’s not something they have much control over so they just keep doing what they’re doing.  Sadly for the citizens of Centerville (except for Farmer Miller because screw that guy), the grave environmental catastrophes thousands of miles away seem to be having a global effect and the dead start to rise from their graves.  Chief Robertson and Officer Peterson, along with the third and final cop in the town Officer Morrison (Chloë Sevigny) have to figure out the best course of action for dealing with this nonsense and they could use a little help from the new undertaker in town Zelda Winston (Tilda Swinton) who seems to know her way around bladed weapons and might just have a plan for dealing with the undead rising from their graves.  Can the cops as well as the rest of the citizens of Centerville survive this literal night of the living dead?  What can be done even if they do survive it now that the Earth has changed its orbit and the moon is now glowing for some reason?  What even was the last zombie movie I saw?  Does Overlord count?

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“Look, all I’m saying is that Nazi Zombies are technically zombies if you want to get pedantic about it, but they never follow the traditional zombie formula.”     “What about Dead Snow?”     “That was INTENTIONALLY tongue in cheek about its premise!  It doesn’t count!”

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