Cinema Dispatch: Scream VI

Scream VI and all the images you see in this review are owned by Paramount Pictures

Directed by Matt Bettinelli-Olpin & Tyler Gillett

The Scream franchise is certainly a unique presence in horror with a few solid entries under its belt and a premise that frankly hasn’t been replicated well by anyone else.  The blending of slasher tropes with whodunit elements feels like one of the most obvious premises imaginable, right up there with using Superheroes as the basis of big summer blockbusters, and yet nothing has really tried to put their own spin on it outside of arguably the Saw movies which itself ran out of steam the same way Scream did after the third one.  The reboot series of films which started with four has had some interesting takes on the formula and a few good ideas to keep the series relevant, but can they keep that momentum going long enough to round out the trilogy, or will it crash and burn as spectacular as Scream 3 did?  Let’s find out!!

After the events of the last movie, the survivors have decided not to stay in Woodsboro and instead move to New York City for a change of scenery.  After all, it’s not like slasher villains have a history of making New York City the one other place they go to kill people, right?  Sure enough, another Ghostface Killer makes themselves known and it’s up to Sam and Tara (Melissa Barrera and Jenna Ortega) to find out who is donning the outfit this time and to keep their friend group from becoming mincemeat.   This includes Mindy and Chad from the last movie (Jasmin Savoy Brown and Mason Gooding) as well as newcomers Quinn, Ethan, and Anika (Liana Liberato, Jack Champion, and Devyn Nekoda) who could all be the new killer because that’s how these things usually work out.  Oh, and of course, Gail Weathers shows up again (Courteney Cox) because this is a Scream movie and we can’t have one without at least one of the original survivors.  Will Sam and Tara survive yet another serial killer that’s hot on their heels, and in doing so resolve the tension that’s been building between them since the last time this happened?  Who could the killer be this time, and what new rules of horror movies need to be explored in order to stay one step ahead of Ghostface?   What exciting new ways of murdering are available to Ghostface now that he’s in the big city?  Maybe he can stab someone in an overpriced apartment instead of an oversized suburban home!

“Can you even name another horror movie that takes place in a bodega!?”     “Uh… Vampire Vs. the Bronx?”     “NO!  NETFLIX MOVIES DON’T COUNT!”     *BANG*
Continue reading “Cinema Dispatch: Scream VI”

Cinema Dispatch: Ready or Not

RONCD0

Ready or Not and all the images you see in this review are owned by Fox Searchlight and Walt Disney Studios Motion Pictures

Directed by Matt Bettinelli-Olpin and Tyler Gillett

Has it been a bad year for horror films?  There have certainly been quite a few misses like the Child’s Play remake, Ma, and whatever the heck Brightburn was supposed to be, but we also had fun stuff like The Intruder and even a genuinely great horror film like Us, so the year isn’t a TOTAL miss as far for these kinds of films.  Still, we could always use a few more quality flicks here and there since it’s becoming one of the few reliably bankable genres now that Disney Remake has become its own ginormous slice of the pie and pretty much everything else is heading towards the streaming model to stay afloat.  Wait a minute… this is a Fox Searchlight movie which means it’s STILL DISNEY!  HORROR SHOCK!!  Anyway!  Does this grotesque spin on the children’s game of Hide and Seek end up being a new classic for the genre, or will we regret ever looking for it in the first place?  Let’s find out!!

Grace (Samara Weaving), who I can only assume plays a professional Margot Robbie impersonator in this movie, is getting married to Alex Le Domas (Mark O’Brien) who is an heir to the VAST Le Domas fortune which was made through board games and other such ventures.  The family seems pleasant enough despite being a collection of old money weirdos, but things take an… interesting turn when on their wedding night at the gigantic Le Domas estate, the family requests that Grace take part in a tradition of their where the newest member of the family has to play a game at the stroke of midnight.  The head of the family Tony (Henry Czerny) explains that this MYSTERIOUS box given to his great grandfather by their original benefactor will spit out a card with a game printed on it, and they will play that game which will officially bring her into the family.  Will it be chess?  Parcheesi?  Do the Urkel?  No, the game turns out to be Hide and Seek which seems a bit childish, but Grace is up for it if it means getting along with her new family who mysteriously went quiet just now.  Anyway, she runs and hides, gets bored and starts wandering the halls, and then Alex brings her into a room to explain that the rest of those mo-fos are going to kill her if they find her because of reasons that… well he doesn’t quite explain there and I’m not about to spoil it here.  The point is that she’s got to find a way to avoid detection and even fight back if the need arises while Alex tries to find a way for them to escape, and as the night goes on the family starts to get more and more desperate as there seems to be quite a bit at stake here.  Can Grace manage to escape this house with her internal organs, as well as her marriage, intact?  What is the family hiding that could possibly explain why a game of hide and seek has turned into the home version of The Most Dangerous Game?  Is it just me, or do these rich jerks seem WOEFULLY unprepared for this?

RONCD1

Continue reading “Cinema Dispatch: Ready or Not”