Maleficent: Mistress of Evil and all the images you see in this review are owned by Walt Disney Studios Motion Pictures
Directed by Joachim Rønning
If I was reviewing movies when the first Maleficient came out, it probably would have been in my top ten of that year; THAT’S how much I genuinely loved that movie, and I don’t think I’m in TOO big of a minority on this one! It didn’t get the BEST reviews, but I think it still managed to connect with a lot of people and certainly made quite a bit of money even with its enormous budget. Doing a sequel though, eh… that doesn’t sound like THE GREATEST IDEA EVER, but I’m willing to throw myself into it and hope for the best considering how good the first one was and Jolie’s continued involvement with the series since she was the best thing about that movie. Do they find an interesting way to continue the story after its revisionist Happily Ever After, or should they have left well enough alone after managing to catch lightening in a bottle already? Let’s find out!!
Queen Aurora (Elle Fanning) has been running the magic forest known as The Moors since her adoptive mother killed her biological father in the first movie. It’s cool though; the dude was a HUGE jerk and was played by Sharlto Copley, so he pretty much HAD to die! Someone who DIDN’T die though was Prince Philip (Harris Dickinson) who’s been dating Aurora for some time now (ACTUALLY dating; not rescuing her from a castle and getting a bride as a reward), but now is the time for him to pop the question and join their kingdoms under one big happy family. This is cause for celebration for just about everyone in The Moors… except for one woman who finds this arrangement utterly dreadful. Actually two women, but we’ll get to that soon enough; we’re of course talking about Maleficent (Angelina Jolie) at the moment who has obvious reservations because of the whole Sharlto Copley thing, but agrees meet Phillips parents for dinner which will SURELY go off without a hitch, right!? Well… that OTHER woman who’s not too please about all this is Phillip’s mother Queen Ingrith (Michelle Pfeiffer) who has a clear bias against all things magical and is not about to let those ghastly creatures crash on her kingdom’s metaphorical couch, and so she sets into motion her diabolical scheme to ruin the forest and turn Maleficent into a fearsome monster once again. At first it seems to succeed as Maleficent is more or less banished from the kingdom after being a particularly unpleasant dinner guest, but things take an unexpected turn when she learns that there are OTHER creatures just like her that call themselves Dark Feys and have lived in hiding all this time, but Queen Ingrith’s plans may just put an end to all that. Will Maleficent unmask Queen Ingrith’s evil plans and restore her place as a good guy once more, or will she embrace her outsider status and become the worst nightmare that Ingrith and the rest of the humans could ever face? What will the Dark Fey do to protect themselves, and will it be in the best interest of everyone else in this conflict; even Maleficent herself? Can we maybe get a movie where Queen Ingrith meets Queen Ravenna from Snow White and the Huntsman? I’m pretty sure that the combined efforts of Jolie and Thor wouldn’t be able to overcome THAT level of concentrated ham-tastic villainy.
The Darkest Minds and all the images you see in this review are owned by 20th Century Fox
Directed by Jennifer Yuh Nelson
Can we just take a moment and remind ourselves that YA adaptations (and even movies aimed at a YA audience) are NOT the worst thing to happen to the world of cinema? That would be Eli Roth, but in any case, I think we’re well past the days of Twilight Hate (at least we SHOULD be and anyone still carrying that torch would be kind of sad) and we even got some bug critical success stories like The Hunger Games; none of which I’ve ever seen but I hear are supposed to be good! In the last few years though, things haven’t really looked great for the genre as they still make money, but none of them have had much critical success or frankly leave much of an impact despite earning so much money. Even GOOD ones like A Wrinkle in Time still languished with critics and didn’t really find the audience it needed to. Now we have this movie which stepping up to the plate to take its swing at the box office. Does this manage to be another high point for a genre that should get a bit more respect, or is this the kind of poorly made tripe that (along with misogyny if we’re being frank) made these films such an easy target in the first place? Let’s find out!!
Ruby Daly (Lidya Jewett) is your typical elementary school student in a run of the mill suburb living her normal life when tragedy strikes as the world basically turns into an even MORE proactive version of Children of Men. Not only are people not having babies anymore, but children start to drop like flies from some mysterious disease, and worse yet the ones who survive get super powers. Now sure there’s a certain amount of… let’s say VOLATILITY in kids having the ability to move things with their mind and conduct electricity (as well as have super smarts and fire bending powers because… reasons), but things go a BIT further than some updated Health and PE classes to straight up generational genocide as ANY child exhibiting any sort of powers (I couldn’t quite tell if it was ALL children or just some of them) are brought to military run internment camps for classification, separation, and manual labor. Ruby ends up getting sent to one of them as she apparently has the ability to read minds I think which makes her the MOST DANGEROUS AND SPECIAL ONE EVER, but she manages to somehow keep it under wraps by mind wiping the doctor (you’d think they’d check for that) and getting classified as a lower tiered super person. Years go by and Ruby goes from a young girl to a teenager (Amandla Stenberg) but things come to a head as she seemingly gets discovered as one of the SUPER SPECIAL AWESOME kids and subsequently whisked away from the camp by a mysterious freedom fighter of sorts (Mandy Moore) who then wants her to join her group known as the Children’s League which seems like a good idea considering she’s got nowhere else to go and they’re for the liberation of children from government persecution… but then she gets a weird vibe from the dude she’s with (Mark O’Brien) and she manages to run away from them to find a van full of super powered teens (Harris Dickinson, Skylan Brooks, and Miya Cech) who agree to take her in as they travel to some sort of children haven known as East River where they can… I guess live free? Of course it won’t be an easy trip as there are children hunting bounty hunters (Gwendoline Christie) roaming the streets as well as the military who aren’t about to let one of their kids go; especially if they’re one of the SUPER SPECIAL AWESOME kids! Will Ruby find a new home with her fellow super powered misfits? Just what does the Children League want from her, and are they truly fighting to save these persecuted children? Okay, seriously Fox? Did you just dust off an old X-Men script to make this movie?