Resident Evil: Welcome to Raccoon City and all the images you see in this review are owned by Sony Pictures Releasing
Directed by Johannes Roberts
Say what you will about the Paul WS Anderson Resident Evil movies, they were popular, there were at least a few good entries in it, and Milla Jovovich carried them; an impressive feat as I believe she was the first woman to be the lead of a billion-dollar film franchise. It was kind of the MCU before the MCU was really a thing; a series that came out almost every year and made a boatload of cash based on a property that most in the mainstream had dismissed as juvenile and (cheap?). Now that Jovovich has finished her run as Alice and Anderson is stepping back to a producing role, it’s time to see if the franchise can be brought back to life so that Sony doesn’t have to rely on Spider-Man movies to stay profitable! Does this capture the essence of the games in a way the Anderson films never quite did, or will we be begging him to come back to the series by the time someone does a Jill Sandwich joke? Let’s find out!!
Claire Redfield (Kaya Scodelario) left Raccoon City a long time ago and it’s the last place she ever wanted to return to, but she has some information from the INTER-WEB that is compelling her to return and see her brother. Of course, since this is a more faithful adaptation, the whole thing is set in the nineties which means she can’t just text him to get out of the city; instead he has to hitch a ride there and show him a VHS tape of someone who claims that the Umbrella Corporation has poisoned the city’s water supply and that something big is going to happen very soon! Her brother Chris (Robbie Amell) is not impressed and has to go to work on the dreariest and rainiest night imaginable which of course is also the night that all heck breaks loose in the city! There are officers at the nearby Spencer Mansion who haven’t reported in so Chris, Jill Valentine (Hannah John-Kamen), Albert Wesker (Tom Hooper), and a guy who ISN’T Barry (Chad Rook) head there to find out what’s going on, which leaves the new guy Leon Kennedy (Avan Jogia) alone to watch the police station with the crotchety captain (Donald Logue). It probably doesn’t come as a shock to you that both groups find zombies roaming around, and the city is put on lockdown by Umbrella soldiers who intend to keep this all a secret while one of their scientists (Neal McDonough) collects whatever research he can before extracting him and his family from this nightmare. Will the Redfields and all their buddies find a way to escape the city that is slowly rotting away around them? How does Umbrella plan to sweep this catastrophe under the rug, and is there someone among the survivors who knows more than they’re letting on? They set the movie in the nineties, but can they truly recreate the feeling of playing the original game for the first time all over again? Well not if they’re shooting this with HD cameras!
Ant-Man and the Wasp and all the images you see in this review are owned by Walt Disney Studios Motion Pictures
Directed by Peyton Reed
The first Ant-Man is easily one of my favorite Marvel films and has always felt like an outlier in the MCU because (incoming pun VERY much intended) it knew the value of going small. The fate of the world wasn’t at stake, it didn’t involve Gods, Kings, or vast armies of convenient cannon fodder; rather it was a heist film about a guy who basically just needed a job and got wrapped up in a while bunch of sci-fi nonsense! It was fun, it was light, and it didn’t have the weight of a dozen other films dragging it down which, given my lukewarm reception to the more recent BIG TEAM UP MOVIES, is just the kind of Marvel film I could really use right about now. Seriously, I couldn’t IMAGINE a better time to make a goofy palate cleanser than in the wake of Infinity Bore which I’m STILL feeling rather grumpy about and could certainly use something like this to take my mind off of it. Does this manage to be the perfect antidote to the overly serious and bombastic Avengers film that preceded it, or does the specter of that film loom large enough over the MCU that even THIS series cannot escape from its massive shadow? Let’s find out!!
The movie begins in that period between Civil War and Infinity War where The Avengers are basically split up but no one is all that freaked out about it. Spider-Man is doing his thing on the East Coast, Black Panther is dealing with his kingly duties in Wakanda, and it turns out that Scott Lang (Paul Rudd) has been doing… nothing. Yeah, it turns out that after helping Captain America in Civil War and taking a plea deal with the US government, he’s under house arrest and hasn’t been doing his Ant-Man thing in a while; especially since the Sokovia Accords (ugh…) have an odd stipulation that the people who MADE the tech he used are JUST as responsible as he is and need to face similar punishments. Well jeez, I kinda wish we ACTUALLY had that with gun manufacturers, but what it means here is that Hank Pym and Hope van Dyne (Michael Douglas and Evangeline Lilly) are on the run and decidedly not talking to Scott for putting them in this situation in the first place… not that they could considering he’s under house arrest. Jeez, kind of a downer way to start the movie, BUT things get better once Scott starts having night terrors about the Quantum Realm and Janet van Dyne (Michelle Pfeiffer) who is the mother of Hope and the wife of Hank, and manages to get this message to those two who swiftly kidnap him MERE DAYS BEFORE HIS HOUSE ARREST IS UP! It turns out that the two of them have been continuing their research while running from the law (pretty easy to do when you have the ability to shrink) and they’re VERY close to making a tunnel to the Quantum Realm (that place you go to if you shrink TOO SMALL and where Janet ended up after doing so on a mission) but apparently Scott has some connection to it and potentially to Janet due to him somehow escaping it in the first film. Okay, so Scott helps them with the Tunnel and with any clues he may have about Janet from his dreams, and then they just drop him off at his house before the cops realize he’s gone! Easy enough, right!? Well… not exactly. Throw in some wannabe gangsters looking to snag their research for profit (led by professional scumbag Walton Goggins), a mysterious woman who has bad ass phasing powers (Hanna John-Kamen) trying to steal their research for reasons OTHER than profit, and all of a sudden it looks like Scott might end up going to jail for twenty years because he got caught up in some giant caper yet again and could get caught out of the house at any moment by FBI agent Jimmy Woo (Randall Park) who is just itching to put him away for good! Can Scott, Hope, and Hank find out what happened to Janet and maybe save her from the Quantum Realm? What exactly is the mystery phasing lady after, and just how far will she go to get her hands on their research? When they get that glove away from Thanos, can we use the Time Stone to go back and make EVERY Marvel movie about Ant-Man and The Wasp?
Ready Player One and all the images you see in this review are owned by Warner Bros Pictures
Directed by Steven Spielberg
Oh! Do I finally get a chance to see this darn movie!? I swear; it feels like EVERY OTHER CRITIC IN THE WORLD got an invite to an early premiere of this while I’m sitting over here waiting for its ACTUAL release date like a total chump! Now I haven’t read the book so I won’t be going into this with much in terms of expectations, but the premise is on that could really get out of hand quickly if it’s not in the hands of the right director. Just imagine how bad Scott Pilgrim would have been if it wasn’t in the hands of Edgar Wright, or if say Adam Sandler somehow managed to make a movie about classic video games attacking us in the real world. GOOD THING THAT NEVER HAPPENED, AM I RIGHT!? Was Steven Spielberg the right one to adapt this material, or will this be a larger misstep for the venerable director than The Lost World: Jurassic Park? Let’s find out!!
The movie takes place in the year 2045 where society hasn’t really COLLAPSED, so much as it’s gotten really apathetic and there’s a whole bunch of trash everywhere. For most people, they’re way of dealing with it is to go into the most EXPANSIVE AND BAD ASS online video game ever made (right after Second Life) called THE OASIS! One such denizen of this virtual world is Wade Watts (Tye Sheridan) who lives in one of the slums of Columbus Ohio (they literally just started stacking trailer homes on top of each other) but he has big dreams for the future that will get him out of his boring miserable life! Okay, it mostly involves playing games in THE OASIS as his in-game character Parzival, but that’s proving to be more and more of a viable career path; provided he doesn’t start shouting racial slurs. Like in real life though, he’s kind of stuck at the lower tier of THE OASIS hierarchy and spends most of his time either hanging out with his friend Aech (Lena Waithe) or re-reading the history of the inventor of THE OASIS James Halliday (Mark Rylance) who died about a decade ago. Said creator by the way has stuck three hidden keys within the game that if found will get TOTAL control of his Chocolate Factory… I mean software company, but no one has been able to find even one of them so far; not even the EVIL corporation called Innovative Online Industries (IOI) which is head up by the EVIL Nolan Sorrento (Ben Mendelsohn) that plan to do EVIL things if they get control of the company! So Wade/Parzival is just going along his day to day routine… that is until he meets Art3mis (Olivia Cooke) who is one of the top players in the game, and their chance encounter ALSO leads to him figuring out the first clue that James Halliday left behind which leads him directly to the first key! Now the guy is on EVERYONE’S radar! Art3mis is trying to find the keys for herself and wants Parzival’s help doing it, Aech is stoked that they get all the cool gear that comes with finding that first key, and of course the EVIL IOI is after him to either convince him to join them or DESTROY HIM UTTERLY! Will Wade be able to resist the allures of corporate culture and embark on this noble quest to honor the memory of the greatest game developer of all time? What reasons could Art3mis have for needing to find the keys, and does it have anything to do with IOI’s EVIL schemes? Will Wade get the validation in the virtual world that he so desperate craves in his own life!? THAT’S HOW THIS WORKS, RIGHT!?
Tomb Raider and all the images you see in this review are owned by Warner Bros. Pictures
Directed by Roar Uthaug
ANOTHER video game movie!? Haven’t we tried that like forty times already!? Well that’s a bit unfair. I’ve always maintained that a good chunk of them are actually pretty good for their respective genres such as the first Mortal Kombat, and we’ve rebooted the video game franchise since the LAST time we were making films off of this series, so an updated interpretation with brand new Lara Croft could really be something if they get the right people behind it! Does this manage to be the first video game movie to be one that EVERYONE thinks is good instead of just me? Let’s find out!!
Lara Croft (Alicia Vikander) is the daughter of a world renowned… business man I guess (Dominic West) considering her family is renting that building from Iron Fist, but she doesn’t hang around much anymore since her father disappeared several years ago. Instead, she spends most of her time MMA training and working in the Gig Industry; riding her bike for fun AND profit! However, an associate of her father (Kristin Scott Thomas) has to bail her out of trouble due to a situation that REALLY wasn’t her fault (how do you get arrested for getting hit by a car!?) and she insists that Lara give up this lifestyle to finally claim her birthright and the millions of dollars that go with it. All she has to do is sign the documents confirming once and for all that her father is dead (is that a thing? Does a family member have to sign those in order for a missing person to be declared dead?) which she’s been reluctant to do as she still thinks he’s out there somewhere. She might just be right about that when she finds her father’s secret laboratory where he left a final message for Lara; telling her to burn all his research to the ground and to not look for him. Naturally she doesn’t do that because who WOULD just give up after getting some pretty solid evidence that could lead to where he is, and so she enlists the help of a fisherman (Daniel Wu) whose father was connected to Lara’s and the two set off to some MYSTERIOUS ISLAND! The good news is that it’s not Skull Island and teeming with giant monsters. The bad news? Well there are a bunch of dudes with guns looking for something on the island, and the head dude named Vogel (Walton Goggins) thinks that Lara might hold the key to finding it. Will Lara be able to find what these men are looking for as well as finding her father in the process? What are the sinister plans that Vogel has in store once he locates this mysterious artifact? You know, we keep going on about her dad, but are we SURE that her mother is dead too? All I’m saying is that if Angelina Jolie doesn’t show up in the sequel, I’m going to be VERY disappointed!