Tag Archives: Haley Lu Richardson

Cinema Dispatch: Operation Finale

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Operation Finale and all the images you see in this review are owned by Metro-Goldwyn-Mayer

Directed by Chris Weitz

Now that I think of it, when was the last time we got a World War 2 movie that actually tackled the events and consequences of the war?  I mean we had Dunkirk which was one big battle scene more or less divorced from the ideological conflict of the war itself, and I never got around to seeing The Darkest Hour.  Heck, the last World War 2 movie I remember before that is Allied, and I’m pretty sure that comment right there makes me the only person who’s brought it up in over a year!  Needless to say that with the current political landscape being what it is, we could probably use another World War 2 movie that actually mentions The Holocaust; especially with what we’re learning about full US citizens in Texas being denied passports due to the color of their skin which is hardly a far cry from what happened to German Jews as the Nazi party was taking over.  Does this mean that we have a fantastic film on our hands right at the start of Oscar season (I’m pretty sure I’ve been saying that for like a month now), or is this a disappointing retread of far better movies that have come before?  Let’s find out!!

The movie is a dramatization of the capture of Adolf Eichmann (Ben Kingsley) in Argentina by Israeli spies, which I don’t THINK was actually named Operation Finale, but for the purposes of this film that’s what they’re going with.  If you don’t know already, Eichmann was one of Hitler’s top official who basically orchestrated The Final Solution; organizing the prisoners, making sure the trains run on time, and ensuring there’s enough gas, bullets, and graves to go around so that the genocide of millions can be done as efficiently as possible.  Needless to say he’s not a nice dude, and our head spy Peter Malkin (Oscar Isaac) can’t wait to bring him to justice, even though he’s a loose cannon that messed up his last mission, but darn it!  He’s the best they’ve got!  The mission itself is fairly simple where Peter and a few members of his team will snatch the guy, drive him back to the safe house, and have their anesthetic specialist Hanna (Mélanie Laurent) put him to sleep so they can sneak him past Argentinian airport security and put him on a plane back to Israel to stand trial for his crimes against humanity.  Things go FAIRLY well at first, but problems start to build up and they team is basically stuck with a Nazi jerk in a house located in what seems to be the epicenter of Nazi activity in Argentina, and a rather long time to wait until they get a proper escape plan in place once the initial one goes up in smoke.  Can everyone who’s stuck in that house keep their heads down long enough for them to escape with their a Nazi war criminal AND their lives?  What will Peter do when he’s finally alone with the man responsible for not just millions of deaths, but the deaths of people very close to him whose faces still haunt him to this day?  Is it just me, or has Oscar Isaac been fighting A LOT of fascists?

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“Space Nazis.  German Nazis.  They all have one thing in common; very punchable faces.”

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Cinema Dispatch: Split

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Split and all the images you see in this review are owned by Universal Pictures

Directed by M Night Shyamalan

We all want Shyamalan to have a comeback and to find a way to make up for the last fifteen years of his career; especially when it includes such unmitigated disasters like After Earth, The Last Airbender, or even The Happening which is fun to watch but for none of the reasons he intended it to be.  Now he did manage to knock out at least one decent film recently which was The Visit, but it was also a clear sign of how far his status has fallen that he was picking up Blumhouse scraps on a dopey premise with a found footage gimmick.  Now it WAS probably the best thing he made since Signs, but even with that it still wasn’t all that great and wasn’t something that I could imagine a dozen other much less accomplished directors directing along with three other direct to video horror films that year.  With this movie though, it seems he’s making a much more earnest effort; not just a paycheck to keep his name relevant, but an honest attempt to make the next great M Night movie that we’ve been waiting for since Bush won reelection.  Does the latest M Night thriller finally bring him back into the spotlight, or is this the final curtain call for the much maligned filmmaker?  Let’s find out!!

The movie begins with the teenagers, Claire, Marcia, and Casey (Haley Lu Richardson, Jessica Sula, and Anya Taylor-Joy), being kidnapped by a mysterious dude for clearly nefarious purposes.  Once they wake up from this… spray the guy uses (do they actually make Knock Out spray?), they find themselves in some sort of basement with two beds, a small bathroom, and a locked door.  Not long after they wake up, they are confronted by their captor Dennis (James McAvoy) who doesn’t give much details but makes it clear that he isn’t about to let them go.  Sometime later, they meet Patricia (James McAvoy) who apologizes for Dennis’s rude behavior, and eventually they meet young Hedwig (James McAvoy) who tells them they’re all screwed.  Now if you couldn’t pick up on it yet, or you haven’t seen the trailers, these are all the same person as their captor, given name Kevin, has Dissociative Identity Disorder and is said to have 23 distinct personalities, though maybe five or six are relevant to the movie.  From there, the movie just builds the tension as more time passes and the women are dreading what their captor has planned for them which, according to Hedwig, are PROBABLY not good things.  While that’s going on, Kevin’s therapist Dr. Karen Fletcher (Betty Buckley) is getting messages from one of his identities, Barry, claiming that they DESPERATLEY need to see her, but whenever he comes in, he seems perfectly fine and is sorry to be wasting her time.  Hm…  So just what does Dennis, Patricia, and Hedwig have planned for the women in his basement?  Will the good doctor find out that everything is certainly NOT fine before it’s too late?  What exactly are those other identities we don’t to see really like?

 

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“Did Igor bring you here so we can work on our experiments?  I mean, I prefer the bodies to be cold BEFORE I bring them back to life, but I can work with this.”

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Cinema Dispatch: The Edge of Seventeen

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The Edge of Seventeen and all the images you see in this review are owned by STX Entertainment

Directed by Kelly Fremon Craig

Oh hey!  It’s our good ol’ friends at STX entertainment once again!  They’ve only been around for just over a year now, yet they’ve responsible for five of the films I’ve had to review this year; all of which have been to surprisingly polarizing results with The Boy being one of the biggest surprises of the year and Free State of Jones turning out to be a major snooze fest.  Still, they are sitting pretty after Bad Moms managed to rake in almost two hundred million dollars (and I get the feeling The Space Between Us is gonna make quite a few bucks as well), so they’re gonna stick around for some time; especially if their latest film manages to find a similar audience the way Bad Moms did.  Does The Edge of Seventeen fill a niche for teenage moviegoers while also being a great film in its own right, or is this yet another lazy attempt to get the John Hughes formula to work one more time?  Let’s find out!!

The movie is all about Nadine Byrd (Hailee Steinfeld) who’s life as a middle class white girl REALLY sucks as she’s at the point in her life where nothing makes sense and everyone seems to be against her; especially when that’s compounded by the tragic loss of her father a few years back which drove a wedge between her and her mother (Kyra Sedgwick) to this very day.  Not only that, but she’s ALSO got to deal with her brother Darian (Blake Jenner) being so perfect at everything so she gets to compare her own lousy existence to a better one every single day. What could POSSIBLY make things worse!?  Her best friend Krista (Haley Lu Richardson) sleeping with her brother?  Okay, that will do it.  Clearly Nadine is on the verge of a nervous breakdown and needs to find a way to become more comfortable with her own life and the ways in which it is changing; whether it’s by hanging out with a guy who TOTALLY loves her but she’s not all that into (Hayden Szeto) or working up the nerve to talk to the dude she’s been crushing on for quite some time now (Alexander Calvert).  Will Nadine finally get her life on track after getting through this rough patch in her life?  Will the hot bad boy who works in a pet shop FINALLY notice her?  Maybe her teacher (Woody Harelson) can help sort this all out for her.

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“My professional advice to as a school teacher is to shut the hell up about this until after you graduate.”     “WHY!?”     “Because then you’re the state’s problem.  Not mine.”

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