Tag Archives: Frances McDormand

Cinema Dispatch: Three Billboards Outside Ebbing, Missouri

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Three Billboards Outside Ebbing, Missouri and all the images you see in this review are owned by Fox Searchlight Pictures

Directed by Martin McDonagh

To tell you the truth, I never really liked In Bruges.  It was fine I guess, but I never found it all that compelling and the ending is just a contrived mess that’s about as bad as sixty percent of the twists Shyamalan has come up with.  And yet, there are a lot of people out there that like that movie as well as McDonagh’s other work, so naturally the buzz around this film was huge right off the bat which only grew once the trailers started coming out and we got to see some of Frances McDormand’s acting.  At the very least, it manages to grab your attention with its unorthodox title (A COMMA!?) and even more unorthodox premise that will hopefully take advantage of the ideas that seem baked right into this material.  Does this manage to live up to the hype that its beloved director and solid marketing campaign has built up for it, or will this end up a huge stumble for everyone involved?  Let’s find out!!

The movie begins with Mildred Hayes (Frances McDormand) driving down the same road she’s driven down for years and years; heading home after a long day at work and trying hard to deal with the grief over her daughter’s death.  Not just any death too!  She was raped, murdered, and burnt to a crisp, so forgetting about that is proving to be a bit difficult, especially since the cops never found the guy who did it.  That’s when Mildred comes up with an idea.  On this road she’s traveled many times before are three billboards that no one has used in decades, so she decides to purchase the ad space and put up signs reminding the denizens of this small town that the police still haven’t caught the murderer.  Now obviously this ruffles some feathers down at the station, particularly Officer Dixon (Sam Rockwell) who’s about as dumb and racist of a cop that you’d expect from a story like this and to a much lesser extent Sherriff Willoughby (Woody Harrelson) who’s leading the stalled investigation and is the primary target of Mildred’s ire.  Things begin to get much more heated around town as several people begin to question (and stupidly try to attack) Mildred and her decision to put this spotlight on something that everyone would rather not think about and leave up to the cops.  Mildred is having NONE of this and starts kicking ass and taking names at everyone who looks at her sideways which only escalates tensions further in this ticking time bomb of a standoff with her on one side and the rest of the world on the other.  Will Mildred finally get justice for the death of her daughter whose killer roams free while the police do nothing?  Just how far will Mildred go in order to get what she wants, and will she lose touch between what can and cannot be justified in her righteous quest?  Just how much saltier will Frances McDormand get in this role before she wins that Oscar gold!?

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“I’d like to tell the Academy that they can kindly fuck off and die, even if I win for Best Performance by an Actress in a Leading Role.  No wait, ESPECIALLY if I win for Best Performance by an Actress in a Leading Role.”

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Cinema Dispatch: Hail, Caesar!

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Hail, Caesar! and all the images you see in this review are owned by Universal Pictures

Directed by Joel & Ethan Coen

Now that January is finally out of the way, we can get to the GOOD movies, right? Well… February isn’t exactly the best month for movies EITHER what with Valentine’s day being an invitation to release terrible rom coms, but then we ARE dealing with the Coen Brothers who have a pretty damn good track record when it comes to movies. Is this going to be another classic film in their catalogue, or is way below their usual standard of excellence and just be a decent film? Let’s find out!!
The movie follows around Eddie Mannix (Josh Brolin) who is the head of Capitol Pictures and an all-around problem solver for everyone who works there. He makes sure the bills get paid and that the movies stay under budget, but he also pulls actors out of embarrassing situations, pays police to stay quiet, and that Capitol Pictures keeps a respectable image despite the chaos that is brought before him each and every day. The day that the film takes place on turns out to be an eventful one as Baird Whitlock (George Clooney) who is the star of the studio’s biggest film, Hail Caesar, has been kidnapped. Not only that, but another big star at the studio DeeAnna Moran (Scarlett Johansson) is having a baby out of wedlock which Eddie needs to find a way to cover up, and another one of the movies on the lot needs a lead actor but the only guy available is Hobie Doyle (Alden Ehrenreich) who has only starred in cowboy pictures and they need him to somehow act in a classy movie about New York socialites. Will Eddie be able to deal with these problems and more as the day goes on? Will the world finally get an idea of just how mad the movie business is, or can Eddie keep everything on the down low despite several reports prying into the studio’s affairs? Do we get to see Josh Brolin slap the shit out of George Clooney!?

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To answer one of those questions… yes.

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