Fighting with My Family and all the images you see in this review are owned by United Artists Releasing
Directed by Stephen Merchant
There really should be more wrestling movies! Not movies starring wrestlers because… well after forty years we’ve managed about three good actors out of it, but movies ABOUT wrestling! Beyond the Mat? Good documentary! The Wrestler? Great movie! With those two examples, I rest my case! In the hopes of rectifying this situation, we’ve got WWE Studios along with Dwayne THE ROCK Johnson producing a biopic of sorts that tells the life story of one of its more recent superstars Saraya-Jade Bevis, known by her ring name Paige! Can the combined efforts of The WWE, Dwayneson The Rockson Johnson, and even the talents of Stephen Merchant who they roped in to write and direct this thing, bring us an entertaining and heartfelt movie about one of the world’s most popular sports, or are we in for another low rent outing from the studio known for mediocre horror movies, straight to DVD action flicks, and Hannah-Barbara crossovers? Let’s find out!!
Saraya (Florence Pugh) is your typical teenager girl in your typical wrestling family. Her parents (Nick Frost and Lena Headey) have trained her to be an in-ring superstar and her brother Zak (Jack Lowden) is training to be a superstar in his own right. The family owns a rather notable indie wrestling promotion in England known as the World Association of Wrestling, but even with their comparatively high profile as a company they’re still struggling in a country that doesn’t seem to care much for independent wrestling promotions. That’s why Saraya and Zak have been training in the hopes of getting the attention of the WWE which will not only propel them to the levels of fame and adulation that they’ve always wanted but will also give them a few bucks to send back home whenever WAW ticket sales fall short. Their chance does eventually come when the WWE and NXT (the training program for potential wrestlers) visit England to put on a show and field some new talent; all of whom will be tested by one of their most seasoned trainers (Vince Vaughn) to see if they have what it takes. The good news is that Saraya does indeed have what it takes! The bad news is that Zak does not and so she has to leave her family behind to pursue her dreams while has to stay behind and fail to live out his. Can Saraya survive the harsh challenges of the NXT boot camp and keep her head on straight despite being so far from home? What will Zak do now that he’s failed at the one thing he’s been training his whole life for? How intense do family dinners get when you know everyone there can power bomb you into the mashed potatoes?
Sometimes you see a movie that will just not leave your brain as questions keep running through your head about what it all meant and what it was trying to say. I guess this is TECHNICALLY one of those movies, but certainly not for the reasons the filmmakers hoped for because I have nothing but contempt for the asinine questions that I’m left with after watching the damn thing which is made even worse because there ARE no answers. This was just a super sloppy movie PRETENDING it knew what the hell it was doing and it utterly failed to convince me otherwise. Since keeping things bottled up is not a particularly healthy way to deal with something, I decided to let YOU all know what questions I was pondering while watching this silly film and how the movie fails to address them in any adequate or satisfying way! Before that though, let’s have a full rundown of the plot so that you all have a better idea of where I’m coming from if you haven’t seen the movie. Trust me, I’d rather spend my time recounting it here than make ANYONE feel like they’d have to sit through this drivel just to understand what the heck I’m talking about! FULL SPOILERS AHEAD!!
The Commuter and all the images you see in this review are owned by Lionsgate
Directed by Jaume Collet-Serra
Now that the end of year hold overs are finishing up their rounds at the box office, it’s time for the TRUE January releases to show themselves which are becoming less associated with absolutely dreadful movies with each successive year, but can still be considered a dumping ground for stuff the studios felt couldn’t hack it in more competitive months. I guess a Liam Neeson action flick isn’t the WORST way to herald in the New Year, but then I’m pretty sure there are people who still wake up in a cold sweat thinking about Taken 3 and the infamous fourteen cut fence jump. Will this movie be another strike against the increasingly fragile belief that January films tend to be terrible, or will this only reinforce those notions for yet another year? Let’s find out!!
The movie begins with exceedingly average older white dude Michael MacCauley (Liam Neeson) going about his daily routine and living the exceedingly average older white dude life. That is until he gets fired from his exceedingly average older white dude job for lousy capitalist reasons, and is now facing the prospect of financial ruin; right before his son heads off to college too! Things seem rather for the guy as he boards the train with nothing to look forward to other than telling his family the devastating news, but fortune seems to be in his favor as a mysterious woman (Vera Farmiga) offers him twenty-five grand now and seventy-five grand later if he can just do one small insignificant thing. Find a person on this train that has something of value in their bag, is traveling to Cold Spring, and goes by the name “Prynne”. The woman gets off at the next stop and while Michael is more than happy to hold onto that twenty-five grand she gave him up front, he feels a bit hesitant about finding this person to claim the other seventy-five. Fortunately for THE BAD GUYSTM that the mysterious woman is forking for, as well as the audience I guess, they kidnapped his family anyway so he has no choice but to find the passenger known as “Prynne” before anything happens to them! Will Michael not only find “Prynne” but figure out what THE BAD GUYSTM are planning to do once they find them? What can Michael do when every move he makes is being watched by THE BAD GUYSTM… somehow? How many non-Taken Taken movies is Liam Neeson gonna have to make before they give him one that doesn’t suck!?