Judy and all the images you see in this review are owned by LD Entertainment
Directed by Rupert Goold
Yeah, I know I’m late on this one and on a LOT of things! October was busy for me, alright!? Well it’s time to get back on track and we’re starting with this movie I saw SEVERAL weeks ago and can hopefully give a worthwhile critique on; at least the parts that I can remember! It probably doesn’t help either that I know absolutely nothing about the person in question as the only movie I’ve seen of hers is the one we’ve ALL seen, and I had no idea what her story was before and after that famous role. Will this be the movie that’ll teach me everything I should have known and turn me into a Judy Stan, or will this biopic get lost in the shuffle; right next to those Tupac and Mötley Crüe biopics that you’ve already forgotten about? Let’s find out!!
Judy Garland (Renée Zellweger) has had a rough go of it throughout the sixties with all her money drying up and her two young kids living out of hotel rooms and working nights with her mother on small stages for peanuts. With no money, no house, and two kids who need stability and an education, she makes a very difficult decision to have them stay with her ex-husband while she goes to London for an extended stint at a nightclub where she’ll make a strong stable income as long as she can keep her demons in check. Said demons by the way were born in flashbacks that we see throughout the movie as a young Judy (Darci Shaw) struggles in a terrifyingly oppressive Hollywood system that controls her every move and doesn’t bat an eye at giving her various drugs to keep her awake and focused. Will Miss Garland be able to give the performances of a lifetime and finally secure a bit of stability for herself as well as her family back home? Will her handlers in London be able to curb her more destructive behaviors, and are they doing it for her sake or just because the show must go on? Is she gonna do that song about Rainbows? Man, what was that one called…
The Big Short and all the images you see in this review are owned by Paramount Pictures
Directed by Adam McKay
So the guy who directed both Anchorman Movies, Step Brothers, and The Other Guys is gonna sit here and try to tell us about the housing crisis? Yeah right! Who’s gonna take THAT seriously!? Wait, they’ve got Christian Bale, Brad Pitt, AND Ryan Gosling? It’s also written by the writer of Moneyball? Well I certainly didn’t see THAT coming. Then again, it’s not like he hasn’t taken on relevant targets in the past. Just look at Anchorman 2! That took a lot of pot shots at Fox News and the media in general, even if it was surrounded by a lot of stupid. So can the guy who brought us four Will Farrell man-child movies manage to make something a bit more mature while still giving it a proper sense of humor, or will this be just another painful example of someone who is WAY out of his depth and has no idea what the hell their doing and go back to his old shtick to give us Step Brothers 2: Now There’s Three of Them or Something? Let’s find out!!
The movie follows several people in the years leading up to the big financial crisis of 2008 brought about by the crash of the housing market. As we interweave between these stories of people who saw it coming, it’s slowly dawns on them (and the audience) just how absolutely unattainable the market was at the time and just how corrupt the system got which is what led to everything going to hell. That’s really about it as most of the characters serve as either audience avatars or exposition machines to keep the audience in the loop as to what’s going on. It’s definitely more about giving the us an idea of the scope of the problem rather than telling personal stories within them, but a couple of the character eek out an arc here and there like the young investors Charlie Geller and Jamie Shipley (John Magaro and Finn Wittrock) who are new to all this and get caught right in the god damn middle or even Mark Baum (Steve Carell) who’s already got it out for the big banks and at first sees this as just another thing to call them out on until he realizes how dep the rabbit hole goes in all of this.
“You ever see that movie Basket Case? Imagine that America is Duane Bradley and everyone in this room is fucking Belial.”