Cinema Dispatch: Before I Fall

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Before I Fall and all the images you see in this review are owned by Open Road Films

Directed by Ry Russo-Young

Oh look!  It’s that movie that looks like that one movie that came out two decades ago!  Okay, so maybe it’s not a TOTALLY original concept, but it at least looks more interesting than other YA novel adaptations like Divergent or The 5th Wave, and it does so without having to be set in the apocalypse!  The trailers seem to be leaning into the central conceit of the movie, and while it still has that YA aesthetics that look more drab and cheap than anything else, there seems like there’s some more effort thrown into this one than you’d typically expect.  Does this manage to rise above its peers and be one of the better examples of the genre, or are they just getting better at marketing these kinds of films to the general public?  Let’s find out!!

The movie begins with Samantha Kingston (Zoey Deutch) waking up on CUPID DAY which is NOT Valentine’s Day because these super hip and cool teenagers say so… even though it’s celebrated exactly the same way; down to the roses being handed out which I’m sure by any other name would still make this Valentine’s Day.  Anyway, she’s going through her day like it was any other; hanging out with her friends Lindsay, Ally, and Elody (Halston Sage, Cynthy Wu, and Medalion Rahimi), dodging the creepy kid who’s been pining after her for years (Logan Miller) and making out with her boyfriend (Kian Lawley) who’s honestly not much of a prize considering the dude wears his baseball cap backwards AT ALL TIMES.  Still, thing seem to be going fine in their lives and the four of them go to a party that night at the creepy kids place in celebration of Love Day or whatever the hell this is.  Hey, say what you will about his social skills; the dude has an awesome house!  The party however turns out to be less awesome because the creepy girl at school Juliet (Elena Kampouris) starts some beef with Samantha’s friend and is swiftly run out of the party by everyone there.  Feeling deflated, the four of them leave the party and WHAM!  They get in a car crash which… I THINK kills them?  Either way, Samantha wakes up the next day… EXCEPT IT’S NOT THE NEXT DAY!  She’s stuck in a time loop where she wakes up on the same morning each day and has no idea what it would take to break out of it; if that’s even an option.  Can Samantha find a way to escape the purgatory that she’s found herself in?  What can she learn by having to repeat the same day over and over again, and is this a wake-up call for her to become a better person?  I feel like I’ve seen this in a movie before.  Have they done this in a movie before?

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She’s not the only one feeling Déjà vu!

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Cinema Dispatch: The Bye Bye Man

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The Bye Bye Man and all the images you see in this review are owned by STX Entertainment

Directed by Stacy Title

See, I thought I wouldn’t have to talk about STX Entertainment again until that damn Mars YA movie finally came out (ENOUGH WITH THE TRAILER ALREADY!) but it looks like they’re here to fill the January Horror Movie quota which was met in previous years by gems such as The Forest, The Devil Inside, and Texas Chainsaw 3D.  Then again, The Boy came out in January of last year, and that was ALSO a film from STX Entertainment, so maybe there’s just a TINY bit of hope here.  Can STX pull off the impossible yet again and give us a January horror film that won’t embarrass the genre, or is this movie just as stupid as its title suggests?  Let’s find out!!

The movie begins in the late sixties where a guy (Jonathan Penner) shoots a bunch of people because they had heard of THE BYE BYE MAN, which I’m sure was the most sensible solution to that problem.  Jump ahead five decades and we find ourselves in modern times where three college students, Elliot, John, and Sasha (Douglas Smith, Lucien Laviscount, and Cressida Bonas), just moved into a new house off of campus and are cleaning up all the crappy furniture that the landlord left them.  Of course, one of the tables has something crudely etched on it that Elliot ends up reading.  Of course it’s the words THE BYE BYE MAN, and in doing so he… I guess invites The Bye Bye man to take permanent residence in his brain.  You know, at least when they summoned the deadites in Evil Dead, they had to read a WHOLE passage from an ancient Sumerian text instead of just a dumb name!  Anyway, the name eventually reaches his two roommates as well as some sort of psychic who is obvious slasher fodder (Jenna Kanell) and so The Bye Bye Man just starts messing with all their heads; making them see things that aren’t there and driving them more and more insane in the process.  Will the three of them find a way to get past this monster’s illusions before it makes them do something they’ll regret?  Why did that dude in the sixties end up shooting everyone who had heard of this… ghost, I guess?  Did anyone stop to read the script before filming this, or were they winging it the whole time?

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“Just watch it, don’t question it.  I wonder what that means…”

Continue reading “Cinema Dispatch: The Bye Bye Man”