Rough Night and all the images you see in this review are owned by Columbia Pictures
Directed by Lucia Aniello
Out of all the movies to come out this year… this is certainly one of them. Honestly, I think I only saw one trailer for this thing and it seemed just fine, but nothing all that inspired. Sure, the cast is REALLY solid with a bunch of extremely talented comedians, but we just go through Baywatch which no one but me liked and honestly Raunchy comedies WITHOUT such a high concept as a beach movie starring God’s Gift to Humanity (we mortals have deemed him THE ROCK) aren’t usually my cup of tea as they tend to prefer pushing buttons than be genuinely funny. Does this movie manage to be an exception to the rule when it comes to telling dirty jokes, or are we in for a long night of sub par genital jokes and bottom of the barrel toilet humor? Let’s find out!!
The movie follows the exploits of five friends who are Jess (Scarlett Johnansson), Alice (Jillian Bell), Frankie (Ilana Glazer), Blair (Zoë Kravitz), and the relative newcomer to the group Pippa (Kate McKinnon). The first four were all friends in college but have started to drift apart now that life and responsibilities keep getting in the way and are off to reconnect in Miami, along with Pippa who met Jess in Australia, for a bachelorette party. Jess, the bride to be, is hesitant at first but gets into the spirt of things… right at the point where a stripper they hired (a SUSPICIOUS looking stripper!) is accidently murdered by Alice. With so much going on in their lives none of them can afford to go to jail, so they start coming up with increasingly ridiculous and desperate ways to get rid of the body and try to forget this whole thing ever happened. Will these five friends find some way to heal the rift that has built up between them despite there being a dead body in the room? What will Jess’s soon to be husband Peter (Paul W Downs) think when he gets a panicked phone call that doesn’t explain what’s going on? Will this AT LEAST be better than the Hangover sequels!?
Collateral Beauty and all the images you see in this review are owned by Warner Bros Pictures
Directed by David Frankel
Is it that time again for Will Smith to try and win that Oscar he’s been so desperately seeking for some time now!? Hey, since DiCaprio got his we need another underdog to root for, and Will Smith is as good a candidate as any. Well… except that HIS Oscar bait films tend to be stuff like Concussion where he’s a boring scientist while Leo jumped off mountains and did massive amounts of drugs trying to get his. This movie, just from the awkward title, doesn’t inspire much hope that The Fresh Prince is ready to put himself out there in something fun and risky to win his Academy Award, but then maybe this movie doesn’t need any of that and is a truly moving film in its own right. We can only hope…
The movie begins with Howard (Will Smith) and Whit (Edward Norton) as two best buddies as the heads of some advertising company that seems to get motivational Howard Speeches on a daily basis. That is… until the tragedy. We jump straight to three years later where Howard has gone from The Fresh to Hancock (well… Hancock without the fun) and is now spending his days building up elaborate domino sets instead of working. Not only that, but he’s so preoccupied with the grief of what happened (it doesn’t take long before we find out his daughter died) that he’s letting the company gone down the tubes financially and can’t even be bothered to sign the company over to Whit as well as Simon (Michael Peña) and Claire (Kate Winslet) who could save the company if Howard would just give them the authority to do so, though I’m not sure what the law is about letting someone literally sit on his ass all day while all his employees are left to watch things crumble. Eventually, our trio of good buddies decide that Howard needs to either lose his fucking mind or get better (it’s never quite clear which one they’re going for) and decide to Christmas Carol his ass using actors (Keira Knightley, Jacob Latimore, and Helen Mirren) who will play Love, Time, and Death; all three of which are concepts that Howard has been writing letters to as a way of expressing his internal frustration and rage. Will this strange plan to convince Howard he’s seeing his delusions come to life make him deal with his problems, or drive him further into his unhealthy state of mind? Will he eventually seek help from a local support group led by Madeleine (Naomie Harris) which seems like a less risky way for him to deal with his daughter’s death? Seriously, isn’t there like a MILLION ways this plan could go horribly wrong!?