Baby Driver and all the images you see in this review are owned by TriStar Pictures
Directed by Edgar Wright
Summer is in full swing and they’re bringing out the big guns! No, not Transformers surprisingly enough which is floundering at the box office. We’re talking about this latest Edgar Wright feature that every film critic has been waiting for! Everything about this movie looks great, from the trailers and casting all the way down to the soundtrack that brings to mind Scott Pilgrim in how it’s integrated into the narrative. Does this manage to be yet another entry in Wright’s sterling career, or is this car chase film a huge wreck waiting to happen? Let’s find out!!
The movie begins with the titular Baby (Ansel Elgort) waiting in a car and listening to his music while three bandits named Buddy, Griff, and Darling (Jon Hamm, Jon Bernthal, and Eiza González) are robbing a bank. Once the trio get back to the car, Baby proceeds to put The Transporter to shame by driving with as much skill and wacky collateral damage as the Blues Brothers could in their heyday; somehow managing to avoid the cops and get away scot free! It turns out that Baby’s been doing these kind of jobs for a while now as he’s under the thumb of a local mobster named Doc (Kevin Spacey) who recognized the kid’s skills and has been putting them to good use for some time now. Luckily for Baby, he’s just about to pay off whatever debt he owes to Doc and is ready to start his new life that will be free of crime and will hopefully involve a waitress at a local diner named Debora (Lily James) who he’s had his eye on for a while. Of course, nothing goes as well as Baby hopes it does and his chance to get out ends up digging himself even further in doing more jobs with even more erratic and dangerous criminals such as Bats (Jamie Foxx) who has it out for Baby right from the start. Can Baby find a way to break free whatever it is that Doc is continuing to hold over him? Will this next heist be the one that breaks his perfect driving record? Wait, did I just hear Handsome Boy Modeling School!?
Ant-Man and all the images you see in this review are owned by Walt Disney Studios Motion Pictures
Directed by Peyton Reed
Marvel films have gotten quite a bit of criticism recently which is to be expected with a studio that has become so omnipresent in popular culture. When something gets this big, it’s only natural that a lot more voices enter the conversation which means that the overall discussion turns into a diverse mix of varying opinions, and not all of them are going to be positive. Still, it seems that with Ant-Man, Marvel is trying to expand what these movies can be with this one primarily being a heist film rather than what we usually get from this studio, though it hasn’t been a smooth ride what with the original director (Edgar Wright) leaving production partway through. Does this movie succeed in tweaking the formula that made the other films a success, or has the shaky production surrounding this film led to a sub-par outing for a studio trying desperately to convince us that they’re totally going to keep up this track record of excellence for the next decade? Let’s find out!!
The movie begins with a flashback to that most infamous of decades, the eighties. Hank Pym (played by Michael Douglas) is at the height of his career and is respected by all his peers. Unfortunately, it turns out to be 1889 and just like Michael Douglas, Hank’s career is about to take a turn for the worse. He’s working for Shield (which is actually Hydra but whatever) and is the discoverer of what is known as the Pym Particle. Essentially, he made super science goo that makes things shrink which makes aid goo super valuable. Valuable enough that Shield is going behind his back and trying to recreate the formula which is enough for him to quit his job and he vows to let the secret formula die with him.