The Intruder and all the images you see in this review are owned by Sony Pictures Releasing and Screen Gems
Directed by Deon Taylor
It either takes a whole lot of brains or a whole lot of nerve to try and squeeze a non-franchise thriller right between such big box office money sinks, and when talking about Screen Gems it can go either way. Yes, this is the studio that made my beloved Resident Evil movies, but also gave us the horrendous Slender Man, and frankly the rest of their filmography is just disparate; but all the credit to them for churning out low budget shlock and turning it into box office gold! They’re like the Blumhouse of the mid 2000s that’s still hanging around on the margins making ridiculous stuff like When the Bough Breaks, but also some real modern classics like last year’s Searching which you all better have seen by now! Where exactly will this movie fall in the Screen Gems canon? Well you can probably take a guess given its silly premise and wacky stunt casting, but let’s find out!!
Scott and Annie (Michael Ealy and Meagan Good) are your typical city folk who spent their entire married life in the hustle and bustle and have decided that now might be the PERFECT time to find a place a little off the beaten path and settle down to start a family. Hold your horses though! They aren’t looking for just ANY house! They want the PERFECT house that has like a bajillion rooms, a giant yard, and some real history to it! Well lucky for them that they found the one dude with the perfect house AND a strong need to sell it as soon as possible! Yes, good ol’ Charlie (Dennis Quaid) is moving to Florida to be with his daughter and has decided to sell his family home. Four generations have lived in this house, and for a rather steep price Scott and Annie can be the fifth. After some careful consideration and another look at the size of this place (they’ll have to Airbnb this mansion year round just to keep up with the payments!) they decide to purchase it and give Charlie a fat stack of cash that he can retire on! Everyone’s happy, right? Well… as it turns out there are a few loose ends here and there that Charlie needs to finish up and is still in town, but that’s not a problem, right? Well… he noticed the yard is looking a bit overgrown and thought it’d be neighborly to mow the yard, but that’s a good thing, right? Well… let’s just say that one thing leads to another, and another, and another, until Scott and Annie begin to wonder if this guy is ever gonna go to Florida, and that’s just the beginning of the weirdness that these two are being subjected to with Charlie still around! Will Scott and Annie ever get rid of this dude who CLEARLY didn’t seem ready to sell his house? What exactly does Charlie have planned, and just how far will he go to take back what he believes is rightfully his? Anyone get the feeling that this is what he did after making Movie 43? I mean sure he had money BEFORE that film, but that’s a movie so bad that it retroactively sucks away any success you may have had.
KIN and all the images you see in this review are owned by Lionsgate
Directed by Jonathan Baker and Josh Baker
Oh goody! Another film I literally knew nothing about before I went to go see it! It doesn’t necessarily bode well that I had never even seen a poster for it, let alone a trailer, before heading to the theater to see it, but I like being surprised by something that I have no expectations for going in. It doesn’t ALWAYS work out as the recent Alpha and A.X.L have proven, but a kid with a space gun sounds like a great place to start; especially if this is gonna be anything like Laser Blast from 1978! Admittedly there’s not much chance that a movie like THAT would be made nowadays (especially starring a kid) or given a wide release, but I can dream, right!? Does this manage to be an excellent gem that no one bothered to give the time of day, or was this ultimately buried in late August for a darn good reason? Let’s find out!!
Elijah Solinski (Myles Truitt) is your average fourteen year old boy stuck in a crappy situation. His mom’s dead, his brother’s in jail, and he lives in Detroit with no Robocop in sight to make things better. Well at least one of those things is about to change (no, not Robocop) as his brother Jimmy (Jack Reynor) has been released from prison and is gonna stay with him and their dad (Dennis Quaid) until he can find a stable job and get his life back on track. This is proving to be a very difficult thing however as he apparently owes sixty thousand dollars to a local gangster (James Franco) for protecting him while in jail and he wants the money back NOW. He doesn’t wait until Jimmy can get a decent job to garnish his salary, he doesn’t even have some dangerous job for him to do as a way of paying down the debt. He expects Jimmy to pull 60K out of his behind right away, which I guess makes James Franco “quirky” instead of “very bad at his job”. Despite how foolish his business model is, Jimmy DOES actually pull through for the guy as the two of them along with Franco’s brother (no, not Dave) rob the safe at his father’s construction site. As fate would have it though, dear old dad walks in on the crime and gets killed by Franco which means that Jimmy in turn kills his brother and runs to find Elijah alone in the car. Thinking fast, Jimmy spins a tale about a road trip where their dad will meet them later and the two of them rush off with whatever money Jimmy could scrounge up and not much more than the clothes on their backs. Needless to say that Franco is a bit peeved about the whole “you murdered my brother” thing, and so he follows in hot pursuit looking for Jimmy and the one thing left in his life that he cares about. Oh! I almost forgot! Apparently Elijah found a space rife or something and is carrying it around in secret while aliens in Space Marine armor are trying to find it. For some reason the SPACE GUN managed to get kind of lost in the shuffle here. ANYWAY, will Jimmy and Elijah be able to start a new life together and escape the wrath of James Franco? How long can Jimmy keep up this ruse and what’s his plan once they DO find a place to settle down? Seriously, HOW DO YOU MAKE A MOVIE ABOUT A SPACE GUN THAT’S ABOUT ALMOST EVERYTHING ELSE EXCEPT THE SPACE GUN!?