Tag Archives: Denis O’Hare

Cinema Dispatch: The Goldfinch

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The Goldfinch and all the images you see in this review are owned by Warner Bros. Pictures

Directed by John Crowley

So based on the trailers, this has to do with a heist gone wrong to steal a painting?  Or maybe the kid knocked it off the wall which triggered a series of Rube Goldberg zaniness that led to the museum exploding?  Okay, it’s probably not going to be THAT wacky considering the solemnity with which the trailers show the main character struggling with his guilt for… something, but apparently this is based on a book and I haven’t read it yet.  Thankfully BASED ON THE BEST SELLING NOVEL doesn’t send a chill of dread down my spine the same way BASED ON A TRUE STORY does since a book is already supposed to have a beginning, middle, and end unlike someone’s life normally does, but I might be a bit out of my depth here because I hadn’t even HEARD of the freaking thing before the trailers started to come out and it clearly looks to be pure Oscar Bait, but I’ve seen enough of these kind of movies by now to hopefully tell a good one from a bad one.  Then again, I was bored senseless in The Phantom Thread, so maybe I don’t know what I’m talking about in the first place.  Is this the kind of awards contender that’ll appeal to all audiences instead of the very few who will be voting on said awards this year, or is all the pretense simply there to prop up a mediocre slog?  Let’s find out!!

Theo Decker (Ansel Elgort and Oakes Fegley) hasn’t had the best like in his short thirteen years so far.  He got blamed for smoking at school, his dad left his mom several months ago, and oh yeah his mother died in some sort of terrorist attack at the Metropolitan Museum of Art.  He manages to survive somehow, but with nowhere else to go he ends up living with a school friend’s family which is led by the regal Samantha Barbour (Nicole Kidman) who seems sympathy towards Theo but not much more than that.  He eventually finds someone to open up to about the incident when he finds the partner of a man who died in the explosion along with the man’s granddaughter Pippa (Ashleigh Cummings and Aimee Laurence) who DID survive the explosion but suffered some serious trauma because of it.  Theo and his new friend Hobie (Jeffrey Wright) do manage to lean on each other somewhat to deal with their grief, but at some point Theo’s crappy dad Larry (Luke Wilson) comes back to take him away to Arizona with his younger girlfriend Xandra (Sarah Paulson) where he meets a kid named Boris (Aneurin Barnard and Finn Wolfhard) who he soon becomes friends with as well.  The movie goes between flashbacks to his childhood and the life he has today which seems to be rather miserable and it becomes clearer and clearer why as we learn more about his past; the continued trauma he had to go through even after his mother’s death as well as the brief moments of joy he managed to find despite his lousy circumstances.  Oh, and there was this painting that Theo took from the museum for some reason after the explosion, but I’m sure that’s not too important.  It had a bird on it I think.  Will Theo find peace in his life after having to suffer so much?  Is there anything in his fractured past that will hold the answer to him coming to terms with what happened to him and maybe some serendipitous turn of events will finally bring him the closure he needs?  Seriously, what does he need that bird picture for in the first place?  I mean it’s fine, but it’s no Rembrandt or Jim Davis.

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“Oh Garfield!  You truly capture the pain in my soul with your utter loathing of Mondays!”

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Cinema Dispatch: Late Night

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Late Night and all the images you see in this review are owned by Amazon Studios

Directed by Nisha Ganatra

I’m fairly certain that my usual theater had a poster for this and then just decided not to actually screen it so this is yet another trip to the far away theater (i.e. thirty minutes away) which honestly is usually a good sign.  Not always, in fact this is the exact same story that preceded The Green Inferno, but the movies that aren’t wide enough for my local theater to get are usually have a lot more going for them; for good or ill.  I hadn’t heard much about this movie and only have a vague idea of the premise, but the cast is very talented and I’m always intrigued by entertainment that’s ABOUT the making of entertainment which is always a journey in its own right.  Does this glimpse into the world of late night television give us a funny and insightful look at the behind the scenes action, or will this end up being as boring as… I don’t know whichever one of those shows is the worst?  Let’s find out!!

Katherine Newbury (Emma Thompson) is the host of a late night show that has been running for over twenty years, yet despite such a phenomenal legacy and a small army of Emmy awards behind her, the new network President Caroline Morton (Amy Ryan) tells her that the show will be cancelled in a few months and that she’ll be replaced with a hip young talent that gets those pesky millennials!  With basically nothing left to lose, she starts to do the one thing she has come to fear in the last ten years; actually try.  I know, truly a fate worse than death.  Part of her initiate to revitalize the show includes hiring someone in the writers room whose only qualification is to NOT BE A WHITE GUY, and as luck would have it Molly (Mindy Kaling) is interviewing that day and meets those very stringent qualifications!  Sure, she’s never written for a comedy show ever, but why should that stop her from filling up space and shielding the show from further criticisms of being too old and too white?  AH HA!  It’s not as simple as that however!  For you see, Molly is not JUST a blatant diversity hire!  She actually has good ideas, some decent writing chops, and may just be what this crusty old talk show needs in order to genuinely appeal to today’s audience instead of whatever crap Katherine and the other writers were gonna try to fake their way into relevance!  Can Molly learn to thrive in this dinosaur of a work place and find the right balance between respecting its legacy and changing it for the better?  Will Katherine realize what she’s been doing wrong all this time and genuinely change for the better before losing the best thing she has in her life?  Well I mean she has her husband (John Lithgow), but is he paying the bills around here!?  I DON’T THINK SO!!

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Not EVERYONE can go to TBS, alright!?

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Living on Netflix: American Horror Story (Episode 1)

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I’ve heard a lot of good things about this show.  It’s supposed to be a mash up of many kinds of horror elements into one series, and each season is its own self-contained story.  With a 12 episode season to explain what is going on, I think it has real potential to go in depth with what is going bump in the night, which is a pretty unique angle in horror.  Not often do we spend a lot of time with the person or entity terrorizing the heroes.  Sure, we have characters like Hannibal Lecture, Norman Bates, and even Freddy Kruger to an extent, but going into how the monster was made is something that a television show can deliver that an hour and a half movie can’t.  With that in mind, let’s get this started.

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