1917 and all the images you see in this review are owned by Universal Pictures
Directed by Sam Mendes
Is it a 2019 movie or a 2020 movie? I mean I guess it’s the former as I doubt Universal wants to wait until NEXT February for it to win a bunch of Oscars, but while some critics may have gotten to see it back in December I only have the chance to see it now right alongside other sterling January releases like The Grudge and the upcoming Dolittle. Well now that they finally let the general public see this, does it live up to the hype it’s been building up over the last few weeks, or is there a reason they held it off until the dumping ground month despite the pedigree behind it? Let’s find out!!
Will Schofield and Tom Blake (George MacKay and Dean-Charles Chapman) are just two dudes in the British Army milling around France during World War I with the rest of their unit as they try to wait out the German army who are on the other side of No Man’s Land on whatever battlefield they’re on. That’s all about to change however as the general Colin Firth has given them a critical mission to deliver new battlefield orders to a company several miles away that as it turns out has Blake’s brother serving in it. It seems that recent changes in the German Army’s movements have given the impression that the company can secure victory with one final push that they’ve scheduled for the morning, but new information has confirmed this to be a trap that will no doubt lead to most if not all of the sixteen hundred men in that company to their untimely deaths. If these two can get this information to the commanding officer in time, the attack will be stooped and all those men will be saved (or at least die a much more timely death), but it is not an easy undertaking as German soldiers are still scattered across the region; not to mention the environmental hazards like traps, rain, mud, and both sunlight AND darkness coming with their own troubles as well. Can they makes it in time so that these soldiers can live to fight another day? What hardships will they encounter on this journey, and are both of them ultimately up to the task? Did Sam Mendes actually make a 007 prequel without telling us!? I mean they’re making a Kingsman prequel, so why not?
Considering how much this dude runs, maybe it’s a Mission Impossible prequel.
Blinded by the Light and all the images you see in this review are owned by Warner Bros. Pictures
Directed by Gurinder Chadha
See, I was confused about this movie when I first heard about it because of the title. Blinded by the Light is a Manfred Mann song, right? I’m not the only one who thought this? Well apparently it WAS a Springsteen song first which either goes to show my utter lack of musical knowledge or just how much THE BETTER VERSION has overshadowed the original. Seriously, they play the Springsteen version at one point, and I was pretty much meh on it. The song NEEDS those chopsticks! ANYWAY! Since Boomer Music is all the rage these days we were surely going to get the Springsteen movie at some point, and for someone like me who barely knows anything about the guy (Baby We Were Born to Run, Born in the USA, and… well that’s about it), this might be the perfect way to educate me about his place is musical history while also telling a compelling narrative about an immigrant family in Thatcher’s Britain since this is apparently based on a true story about a guy I’ve never heard of. A movie about a musician I know nothing about told through the life story of a person I know nothing about. Probably should have done some homework ahead of time, but regardless of all that; is this a good movie about the music that inspired a man to live out his dreams? Let’s find out!
Javed Khan (Viveik Kalra) is your typical Pakistani teenager living in Britain in the late 1980s; facing discrimination from skinheads in the neighborhood and barely getting along with his family at home. His father expects him to get a high paying (and very boring) job once he graduates from college and until then he studies, he works lousy jobs, and he stays away from all the white kids having parties and premarital sex; the only solace from the drudgery being the poems and essays he writes every day. Not for mass consumption of course since his father would never approve, but it’s at least SOMETHING that makes him a little bit happier. If only there was someone out there who can open his eyes to the world he’s missing out on! If only there was a… musical artist let’s say, who understands his plight and can reach him on an emotional level that nothing else has before! Well luckily for Javed, he meets someone at school named Roops (Aaron Phagura) who tells him about… The Boss. Have you heard the good word about The Boss? Well in case you hadn’t heard, The Boss is Bruce Springsteen and he writes music that transcends generation, nationality, and race; so much so that this sad Pakistani teenager gets a new lease on life after two cassettes worth of rock and roll goodness! Can Javed turn his life around and start to follow his dreams instead of living up to the expectations of his father? How will his family react to his new taste in music and the rebellious attitude that comes along with it? Can he REALLY pull off the sleeveless flannel look? Then again, can any of us?
“Look at my hair, and know that I am judging you.” “Whatevs. I look GOOD!”
Sometimes you see a movie that will just not leave your brain as questions keep running through your head about what it all meant and what it was trying to say. I guess this is TECHNICALLY one of those movies, but certainly not for the reasons the filmmakers hoped for because I have nothing but contempt for the asinine questions that I’m left with after watching the damn thing which is made even worse because there ARE no answers. This was just a super sloppy movie PRETENDING it knew what the hell it was doing and it utterly failed to convince me otherwise. Since keeping things bottled up is not a particularly healthy way to deal with something, I decided to let YOU all know what questions I was pondering while watching this silly film and how the movie fails to address them in any adequate or satisfying way! Before that though, let’s have a full rundown of the plot so that you all have a better idea of where I’m coming from if you haven’t seen the movie. Trust me, I’d rather spend my time recounting it here than make ANYONE feel like they’d have to sit through this drivel just to understand what the heck I’m talking about! FULL SPOILERS AHEAD!!
The Commuter and all the images you see in this review are owned by Lionsgate
Directed by Jaume Collet-Serra
Now that the end of year hold overs are finishing up their rounds at the box office, it’s time for the TRUE January releases to show themselves which are becoming less associated with absolutely dreadful movies with each successive year, but can still be considered a dumping ground for stuff the studios felt couldn’t hack it in more competitive months. I guess a Liam Neeson action flick isn’t the WORST way to herald in the New Year, but then I’m pretty sure there are people who still wake up in a cold sweat thinking about Taken 3 and the infamous fourteen cut fence jump. Will this movie be another strike against the increasingly fragile belief that January films tend to be terrible, or will this only reinforce those notions for yet another year? Let’s find out!!
The movie begins with exceedingly average older white dude Michael MacCauley (Liam Neeson) going about his daily routine and living the exceedingly average older white dude life. That is until he gets fired from his exceedingly average older white dude job for lousy capitalist reasons, and is now facing the prospect of financial ruin; right before his son heads off to college too! Things seem rather for the guy as he boards the train with nothing to look forward to other than telling his family the devastating news, but fortune seems to be in his favor as a mysterious woman (Vera Farmiga) offers him twenty-five grand now and seventy-five grand later if he can just do one small insignificant thing. Find a person on this train that has something of value in their bag, is traveling to Cold Spring, and goes by the name “Prynne”. The woman gets off at the next stop and while Michael is more than happy to hold onto that twenty-five grand she gave him up front, he feels a bit hesitant about finding this person to claim the other seventy-five. Fortunately for THE BAD GUYSTM that the mysterious woman is forking for, as well as the audience I guess, they kidnapped his family anyway so he has no choice but to find the passenger known as “Prynne” before anything happens to them! Will Michael not only find “Prynne” but figure out what THE BAD GUYSTM are planning to do once they find them? What can Michael do when every move he makes is being watched by THE BAD GUYSTM… somehow? How many non-Taken Taken movies is Liam Neeson gonna have to make before they give him one that doesn’t suck!?
“I have a particular set of skills, but stopping a freaking train isn’t one of them!”