Tulip Fever and all the images you see in this review are owned by The Weinstein Company
Directed by Justin Chadwick
Now THESE are the movies I live for! What makes a good or bad movie even better is if there’s a good story behind it, and this looks like a disaster waiting to happen; what with its troubled production (it’s earliest incarnation was supposed to be filmed in 2004) and the fact that it’s been sitting on Harvey Weinstein’s shelf for almost three years now. Not only that, the premise itself sounds completely absurd (a steamy period romance AND ALSO the explosion of the Dutch tulip market) and the trailers made it look like a muddled mess; probably due to that whole “sitting around for three years” thing. Sometimes a film can rise above a nightmarish film shoot with films like Apocalypse now and even The Shining being great examples of that (even if Shelly Duvall’s treatment on set was pretty freaking grotesque), but other times we get stuff like Waterworld, The Super Mario Bros Movie, or even Food Fight. Does this film manage to come out of all this turmoil as an intact and extremely entertaining film, or should they have never bothered dusting this off in the first place? Let’s find out!!
The movie follows Sophia (Alicia Vikander) who’s agreed to marry Cornellis Sandvoort (Christoph Waltz) in exchange for her younger sister getting a free trip to American and her getting out of the orphanage. All she has to do is sire him an heir and live a happy domesticated life; provided the dude who more or less bought her doesn’t get bored and throw her out on the streets. Still, even if a baby would have kept him from doing such a thing (at least not right away) she seems completely unable to get pregnant which puts a strain on their “relationship” which I guess you can call it. In walks Jan van Loos (Dane DeHaan) who is painting a portrait for them but manages to fall madly in love with Sophia who eventually reciprocates his feelings. After more than a few bangings behind Sandvoort’s back, trouble starts to brew when Sophia’s maid Maria (Holiday Grainger) gets married and the father (Jack O’Connell) disappears due to some contrived misunderstanding. Now her being pregnant and unmarried is a problem while Sophia being NOT pregnant is a problem as well. I wonder if the two things could somehow come together to come up with a solution! Oh and there’s a Tulip Market bubble that’s going on in the background that I’m sure means something important. Will Sophia be able to give Sandvoort what he wants while also finding a way to escape his clutches? What will happen to their brilliant plan if the REAL father comes back at the WORST POSSIBLE TIME? Are we SURE that Dane Dehaan isn’t just playing Valerian again and this is one of his Time Travel stories?
I don’t think this is EXACTLY how Laureline entered the series…
The Bye Bye Man and all the images you see in this review are owned by STX Entertainment
Directed by Stacy Title
See, I thought I wouldn’t have to talk about STX Entertainment again until that damn Mars YA movie finally came out (ENOUGH WITH THE TRAILER ALREADY!) but it looks like they’re here to fill the January Horror Movie quota which was met in previous years by gems such as The Forest, The Devil Inside, and Texas Chainsaw 3D. Then again, The Boy came out in January of last year, and that was ALSO a film from STX Entertainment, so maybe there’s just a TINY bit of hope here. Can STX pull off the impossible yet again and give us a January horror film that won’t embarrass the genre, or is this movie just as stupid as its title suggests? Let’s find out!!
The movie begins in the late sixties where a guy (Jonathan Penner) shoots a bunch of people because they had heard of THE BYE BYE MAN, which I’m sure was the most sensible solution to that problem. Jump ahead five decades and we find ourselves in modern times where three college students, Elliot, John, and Sasha (Douglas Smith, Lucien Laviscount, and Cressida Bonas), just moved into a new house off of campus and are cleaning up all the crappy furniture that the landlord left them. Of course, one of the tables has something crudely etched on it that Elliot ends up reading. Of course it’s the words THE BYE BYE MAN, and in doing so he… I guess invites The Bye Bye man to take permanent residence in his brain. You know, at least when they summoned the deadites in Evil Dead, they had to read a WHOLE passage from an ancient Sumerian text instead of just a dumb name! Anyway, the name eventually reaches his two roommates as well as some sort of psychic who is obvious slasher fodder (Jenna Kanell) and so The Bye Bye Man just starts messing with all their heads; making them see things that aren’t there and driving them more and more insane in the process. Will the three of them find a way to get past this monster’s illusions before it makes them do something they’ll regret? Why did that dude in the sixties end up shooting everyone who had heard of this… ghost, I guess? Did anyone stop to read the script before filming this, or were they winging it the whole time?
“Just watch it, don’t question it. I wonder what that means…”