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Directed by Leigh Whannell
Well if it isn’t my good friend Blumhouse Tilt! How’ve you been, buddy!? Sure, you’ve released two of the WORST movies I’ve seen in the past few years, but let’s let bygones be bygones; especially now that you’re teaming up with Neon who’ve made one of the BEST movies I’ve seen in the past few years! Your newest movie is certainly getting a lot of buzz recently with great word of mouth and a kick ass trailer, so maybe there’s some hope for you yet, as long as you don’t work with Eli Roth ever again! Can Blumhouse’s latest film turn out to be an under the radar smash hit from a studio that’s VERY hit and miss? Let’s find out!!
The movie follows the sad tale of Grey Trace (Logan Marshall-Green) who’s living his average Cyberpunk protagonist life in a slightly cyberpunk future with his soon to be a cliché wife Asha (Melanie Vellejo) and everything is going about as well as you could expect for the first ten minutes of one of these movies! Grey fixes up old cars for rich people, Asha works at a cyber prosthetic company, and they couldn’t be happier if they tried! That is until their automatic car goes haywire, drops them off on the wrong side of the tracks, and they’re immediately assaulted by a few punks who kill her off (wow, what a surprise…) and leave poor Grey for dead! He somehow manages to survive however, though not without losing the use of his arms and legs, and he’s ready to give up on life when one of his wealthy customers Eron (Harrison Gilbertson) offers him a chance to test a medical miracle called STEM which is basically a small computer they insert into the spine that still hasn’t gone through OFFICIAL testing, but will surely give him back the use of his limbs along with a few other bells and whistles. After some initial hesitance (Grey isn’t one for all this new-fangled technology stuff), he agrees to do it and sure enough starts walking again almost immediately. Slight side effect though, there’s an AI inside the chip starts talking to him and STEM (Simon Maiden) seems more than eager to help Grey find the men who killed his wife and bring them to some sort of justice. Well Grey is certainly up for that, especially since the cop on the case (Betty Gabriel) hasn’t turned up many leads, but they have to be careful because not only does Grey need to keep the rest of the world from knowing he can walk again (he even signs a NDA about the procedure), he also has to keep his activities hidden from Eron who’s more than likely following his every move and wouldn’t be too pleased if his next step in medical science was used to rip people’s hearts out. Will Grey and STEM find the people who killed his wife and get him that sweet sweet vengeance he so desperately craves? What other side effects besides hearing voices and kicking extra amounts of ass will Grey have to deal with now that he’s got STEM sharing brain space with him? I mean, it’s not THAT bad, right? Who WOULDN’T want your operation system constantly reminding you to install critical updates right into your auditory cortex!?