Tag Archives: Christoph Waltz

Cinema Dispatch: Downsizing

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Downsizing and all the images you see in this review are owned by Paramount Pictures

Directed by Alexander Payne

Every year, there’s usually one movie that starts off getting quite a bit of Awards buzz (mostly due to its cast and filmmakers) that eventually pivots all the way back to being an absolute train wreck once the critics get a chance to see it, and it’s usually not due to a genuine lack of talent on anyone’s part.  More often than not, it’s misguided or something happened in the production that forced corners to be cut, so the badness of these kind of movies tend to be UNIQUE compared to the drivel that usually comes out during the rest of the year.  Last year the winner of this prize was Collateral Beauty that tried SO hard to be a heartfelt and charming tale despite ostensibly being about people acting like total monsters towards someone with emotional issues, and word has been circulating that this is gonna be that film for 2017.  I thought the trailers looked good as does its interesting premise, but I’ve been burned by good trailers before (*cough* Mother *cough*), so I’m hoping for the best but will keep my guard up just in case.  Are the critics right about this film being wholly unable to live up to its lofty ambitions, or is this one of those few instances where the popular consensus will shift once it gets screened for the masses?  Let’s find out!!

The movie follows the adventures of Paul (Matt Damon) who’s a simple man with a ho-hum job living a ho-hum life with his ho-hum wife (Kristen Wiig) in his ho-hum town of Nowhere-ville.  He’s looking for something to spice up his life and to give him a renewed sense of meaning (by which I mean he wants to buy more stuff), so he starts to entertain the idea of him and his wife Downsizing.  What is Downsizing you may ask?  Well it’s a process by which a human can be permanently shrunken down to a fraction of their normal height and then move to a community of similarly shrunken people.  Since things cost less when they are smaller, that means that Paul’s meager life savings can let them live as kings for the rest of their lives in one of these communities, so he eventually makes the leap.  However, his wife doesn’t go with him (balking at the last second) and he’s basically back where he was before; miserable and looking for ways to be happy.  Through his ongoing life in Tiny Town (also known as Leisureland) he meets with a goods trader Dusan Mirkovic (Christoph Waltz) as well as a Vietnamese protestor who was Downsized against her will named Ngoc Lan Tran (Hong Chau) that seem to be much happier than him and might just hold the secrets to helping Paul find what he’s been looking for.  Can Paul find a shred of happiness in his sad pathetic life?  What doors with Dusan and even Ngoc open for Paul that will help him on his journey?  Wait, so we have this HUGE premise about people being shrunk down and living in corporate run micro-communities… and we’re focusing on some sad white dude the whole time!?

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HE’S NOT EVEN THE MATT DAMON THAT PUNCHES PEOPLE!

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Cinema Dispatch: Tulip Fever

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Tulip Fever and all the images you see in this review are owned by The Weinstein Company

Directed by Justin Chadwick

Now THESE are the movies I live for!  What makes a good or bad movie even better is if there’s a good story behind it, and this looks like a disaster waiting to happen; what with its troubled production (it’s earliest incarnation was supposed to be filmed in 2004) and the fact that it’s been sitting on Harvey Weinstein’s shelf for almost three years now.  Not only that, the premise itself sounds completely absurd (a steamy period romance AND ALSO the explosion of the Dutch tulip market) and the trailers made it look like a muddled mess; probably due to that whole “sitting around for three years” thing.  Sometimes a film can rise above a nightmarish film shoot with films like Apocalypse now and even The Shining being great examples of that (even if Shelly Duvall’s treatment on set was pretty freaking grotesque), but other times we get stuff like Waterworld, The Super Mario Bros Movie, or even Food Fight.  Does this film manage to come out of all this turmoil as an intact and extremely entertaining film, or should they have never bothered dusting this off in the first place?  Let’s find out!!

The movie follows Sophia (Alicia Vikander) who’s agreed to marry Cornellis Sandvoort (Christoph Waltz) in exchange for her younger sister getting a free trip to American and her getting out of the orphanage.  All she has to do is sire him an heir and live a happy domesticated life; provided the dude who more or less bought her doesn’t get bored and throw her out on the streets.  Still, even if a baby would have kept him from doing such a thing (at least not right away) she seems completely unable to get pregnant which puts a strain on their “relationship” which I guess you can call it.  In walks Jan van Loos (Dane DeHaan) who is painting a portrait for them but manages to fall madly in love with Sophia who eventually reciprocates his feelings.  After more than a few bangings behind Sandvoort’s back, trouble starts to brew when Sophia’s maid Maria (Holiday Grainger) gets married and the father (Jack O’Connell) disappears due to some contrived misunderstanding.  Now her being pregnant and unmarried is a problem while Sophia being NOT pregnant is a problem as well.  I wonder if the two things could somehow come together to come up with a solution!  Oh and there’s a Tulip Market bubble that’s going on in the background that I’m sure means something important.  Will Sophia be able to give Sandvoort what he wants while also finding a way to escape his clutches?  What will happen to their brilliant plan if the REAL father comes back at the WORST POSSIBLE TIME?  Are we SURE that Dane Dehaan isn’t just playing Valerian again and this is one of his Time Travel stories?

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I don’t think this is EXACTLY how Laureline entered the series…

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Cinema Dispatch: The Legend of Tarzan

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The Legend of Tarzan and all the images you see in this review are owned by Warner Bros Pictures

Directed by David Yates

I had no idea this movie was even coming out until maybe a month or two ago, and it seems like the studio wants it that way.  They’ve been trying to get a live action Tarzan movie out since AT LEAST 2003 (probably to capitalize on the Disney film) and you can really tell that this shit was cobbled together from a production that’s been willed into existence by sheer stubbornness at the refusal to let a bad idea (or at least a good idea with no good way to bring it to life) just go away and to work on something else.  Still, the Disney movie WAS pretty good and he’s a character that’s endured for over a hundred years now as he was a creation of Edgar Rice Burroughs; the king of badass genre stories.  Do they manage to eke out an enjoyable action flick from this timeless source material, or will this suffer the same fate as the Conan remake and John Carter which were the last two Burroughs adaptations?  Let’s find out!!

A quick refresher on the story of Tarzan that we all know (as told by Phil Collins).  AHEM!  A paradise untouched by man; a simple life, the apes lived in peace.  But dangers are in fact no stranger here!  The son of man known as Tarzan is taken in by the apes after his parents are killed, but in this version it’s actually the apes that killed his dad… so I guess that makes things a bit awkward here.  Despite that; the power to be strong, the wisdom to be wise, all these things came to him in time during his journey from boy to man!  But in time he ALSO wanted to know about these strangers like him.  One stranger in particular was Jane Porter whose every gesture and every move she made in turn made Tarzan feel like never before, and soon he had this growing need to be beside her.  Now if you only know the story from the Disney Movie (pretty much anyone born after 1990 and are HOPEFULLY getting all these clever jokes I’m making), you all know that his story ends with Jane staying with him in the jungle.  Not true here (and in pretty much every other version of the story from my understanding) as he goes to some other world far beyond that place; namely England.  Thankfully this brings me to the ACTUAL movie I’m talking about (also meaning I can stop quoting Phil Collins lyrics) which involves a domesticated Tarzan (Alexander Skarsgård) who’s being asked by the British government to go to back to his home (The Congo) for… some reason.  Actually, I’m not sure why Jim Broadbent (playing A British PersonTM) wants him there so badly, but I do get why Samuel L Jackson wants him there who’s playing George Washington Williams; an ambassador for the US who wants to see if the rumors about the Belgians enslaving people in their colony is actually true so he can report it back to his government.  Tarzan (also known as John Clayton) begrudgingly accepts the assignment and also begrudgingly accepts that Jane (Margot Robbie) is gonna go along with him.  Waiting for him in The Congo though is Christoph Waltz playing Captain Léon Rom who is assigned by the King of Belgium to get some damn diamonds out of that colony by any means necessary, and Tarzan is the key to getting them.  How?  Well there’s a tribe there whose leader is SUPER pissed at Tarzan and has agreed to help Waltz get the diamonds if he will deliver Tarzan.  Needless to say that Rom goes about this in the most dickish way possible which includes kidnapping Jane, and so Tarzan must go after them to save his wife and stop them from doing any more evil shit in his home country; all of this with the help of Samuel L Jackson of course.  Can the two find out what Léon Rom is up to and save Jane before it’s too late?  Just what is Christoph Waltz up to other than to pillage the country of all its natural resources?  Wait, this movie is somehow less than two hours!?  Well it certainly FEELS a lot longer, that’s for sure.

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“We’ll get to the gorillas and vine swinging soon enough, but NOT before our morning tea!  What kind of barbarian do you take me for?”

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Cinema Dispatch: Spectre

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Spectre and all the images you see in this review are owned by Metro-Goldwyn-Mayer Pictures and Columbia Pictures

Directed by Sam Mendes

Has it really been three years since Skyfall!?  That movie was absolutely fantastic, wasn’t it?  Well now the same crew (minus Roger Deakins) is back to give us the next entry in the James Bond franchise!  Will they be able to make another fantastic entry in the long running franchise, or will this fail to live up to the massive expectations that Skyfall left us with?  Let’s find out!!

As expected, the movie is about the lovable spy James Bond (Daniel Craig) and his latest efforts to find the mysterious organization that’s been hunting him and causing chaos from behind the shadows!  I though they already figured out it was Quantum, but whatever.  After a VERY explosive mission in Mexico, he’s one step closer to finding this evil organization but problems arise when it turns out he went out on his own without MI6 approval.  This is particularly troubling for the organization (and M played by Ralph Fiennes) due to the government still wanting to shut them down which you may recall being a subplot in the previous film.  In its place, the government wants to establish a worldwide surveillance program that’s being headed up by Max Denbigh (Andrew Scott) who seems just a bit too eager to get Bond out the way.  Bond once again goes out on his own (has he listened to anyone since maybe Casino Royale?) to follow up on his leads to find whoever it is that’s pulling the strings behind recent events and is probably controlling Quantum, though that’s still a bit unclear.  Will Bond discover what this organization is that they spoil in the title?  Will he find the mastermind behind this (Christoph Waltz) who we’ve been told is NOT Blowfeld but who the hell else would be the head of Spectre?  Will James Bond finally get to the bottom of something without having to kill every lead he has!?  It’s probably gonna be a no on that last one.

“RUNNING!  RUNNING!  RUNNING!  RUNNING!!!!!!!!”

“RUNNING!  RUNNING!  RUNNING!  RUNNING!!!!!!!!”

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Cinema Dispatch: Trailer Talk (Spectre)

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Oh look!  Another James Bond film is coming out!  Who could have seen that coming!?  The new film, simply called Spectre, is the twenty-fourth film in the long running series and the fourth film to star Daniel Craig in the title role.  His track record has actually been pretty good so far with Casino Royale and Skyfall being great films in their own right (no one remembers Quantum of Solace so just shut up about it), but with them finally tackling the infamous organization in earnest (bringing in more of the old school features of the franchise), are they finally going to end up biting off more than they can chew?  Well we won’t know until November, but for now let’s look at the trailer!!

The trailer begins with James Bond getting lectured by the new M (if you want to know what happened to the old M, watch Skyfall) for going off on his own to Mexico for some reason.  Not sure what he was doing there, but it involved blowing up a building.

“DAMN IT JAMES!!  YOU BLEW UP TWENTY CARS AND THREE STADIUMS!!”     “Sorry Chief.”     “SORRY NOTHING!!  THE COMMISSIONER'S GONNA HAVE MY ASS!!”

“DAMN IT JAMES!!  YOU BLEW UP TWENTY CARS AND THREE STADIUMS!!”     “Sorry Chief.”     “SORRY NOTHING!!  THE COMMISSIONER’S GONNA HAVE MY ASS!!”

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