Thor: Ragnarok and all the images you see in this review are owned by Walt Disney Studios Motion Pictures
Directed by Taika Waititi
After the rather disappointing Thor: The Dark World (HOW DO YOU WASTE THE BEST DOCTOR WHO IN SUCH A BLAND VILLAIN ROLE!?) I wasn’t really looking forward to what they’d do with this character in his solo films and was more interested to see if he’d show up in a bunch of the other movies instead. Once those initial trailers hit with the heavy emphasis on fantastical Jack Kirby inspired designs and the rocking Led Zeppelin soundtrack, there seemed to be hope in this franchise digging itself out of the pit the sequel left it in. At the very least, it LOOKED a lot pretty with much more vibrant colors, and it even manages to drag Jeff Goldblum into the MCU which in and of itself would make this movie worthy of existing even if everything else ends up being awful. Does Thor’s third chance at the plate end up being one of the best films in the entire MCU, or did they just throw a lot of flash and money at a franchise that is just unable to find its place after telling the origin story? Let’s find out!!
The movie begins with Thor (Chris Hemsworth) trying to find out what the heck Ragnarok is which was hinted at ALL the way back in Avengers: Age of Ultron. Remember when he left the team to take a bath and saw some visions? Yeah, apparently it was all foreshadowing of the destruction of Asgard in a calamity known as Ragnarok, so Thor is basically trying to find a way to stop it… whatever it may be. In the meantime though, he manages to find out that Loki (Tom Hiddleston) has taken the place of Odin (Anthony Hopkins) who is actually alright as Loki basically stuck his ass in a retirement home on Earth, but when Thor goes down there to bring him back to the throne it turns out that he’s all out of time and disappears in a cloud of energy or something. If that wasn’t bad enough, it turns out that one of the things he was doing when he was alive was keeping a hereto unknown daughter of his named Hela (Cate Blanchett) in some sort of magic prison which breaks as soon as he’s dead and so she’s come back for revenge against her family and all of Asgard. Both Loki and Thor are dealt with rather quickly with the latter losing his famed hammer Mjolnir and landing on some mystery planet where he is captured by a mysterious woman (Tessa Thompson) and dragged to the planet’s ruler known as THE GRANDMASTER (Jeff Goldblum). The once mighty God of Thunder and son of Odin is now put in chains and is forced to fight in gladiatorial matches in order to somehow earn his freedom and eventually find his way back home before Hela puts it inextricably under her vengeful thumb. Can Thor find a way to escape the barbaric society run by the most fabulous of dictators? What familiar faces will he find on this planet that can hopefully help him on his journey home? How the heck is Thor gonna get around now that he doesn’t have his magic propeller hammer!?
“THE GOD OF THUNDER DOESN’T NEED A HAMMER! I JUST NEED TO FLAP MY ARMS REALLY FAST!!” “Okay… well good luck with that!”
Like any decent film critic, I’ve had a couple of movies that I promised myself I would eventually get to, but then they ended up slipping through the cracks for so long that I had given up hope on ever getting back to them. Well no more I say! Not only am I catching up on two movies I saw in 2015 that I never got to talk about, I have just recently had the chance to watch two other films from 2015 that are definitely worth discussing! So without procrastinating another second, here are four movies from the past year that I now have the chance to review!!
Rock the Kasbah and all the images you see in this review are owned by Open Road Films
Directed by Barry Levinson
Ah yes. The one where Bill Murray saves Afghanistan. See, THIS movie got a bit crowded out because it came to theaters the same week as Jem and the Holograms and The Last Witch Hunter. CLEARLY I was very busy at the time writing reviews for two of the worst movies of the year and things just snowballed after that to the point that I never got my thoughts down on this movie. It may have been the best movie of that week by a long shot, but that’s not saying a hell of a whole lot considering the not so stiff competition it was up against. Is it any good without the direct comparison to the garbage it was surrounded by when it was at the box office? Let’s find out!!
Richie Lanz (Bill Murray) is a guy who will try to get you to fall for anything, and probably believes half the bullshit that he’s spewing. At one time he was a somewhat successful manager to some big acts, but nowadays he just hangs out in his hotel room/office scamming wannabe singers out of some cash while trying to promote one of his clients Ronnie (Zooey Deschanel) who might actually have a bit of talent if he can just get her a break. Opportunity comes a knocking one night where a military man sees her perform and suggest that Richie take her on a USO tour in Afghanistan which is supposed to pay very well with only a slight chance of death in the process. Richie’s all on board but Ronnie eventually reveals that she’s not into being somewhere that rough and not long after arriving in Kabul, she robs him of all his money as well as his passport; leaving him without any identification and in debt to the mercenary (Bruce Willis) who got Ronnie out of the country and was only given half his fee in the process with promises that Richie had the rest. Will he be able to scramble up enough money to pay back the mercenary and get his ass out of the country? Well that actually becomes pretty moot as the REAL plot involves a young woman in a nearby village named Salima Khan (Leem Lubany) who can sing like an angel but will be killed if anyone in her fundamentalist village (and almost anyone her in her fundamentalist country apparently) hears her do it. Richie though sees fame and fortune in the story and eventually convinces her to join an American Idol like competition (Afghan Star) which has never had a female singer on before, and the rest of the movie is basically the fallout of that with Richie learning some lessons about himself along the way!
“I co-wrote this one from Stevie Nicks back in 1990. She didn’t like the lyrics, but we got a top 100 hit out of it. SOMETIMES IT’S A BITCH!! SOMETIMES IT’S A BREEZE!!!!”