Tag: Carrie Coon

Cinema Dispatch: Ghostbusters: Afterlife

~ Matt Vetrano ~ Leave a comment

Ghostbusters: Afterlife and all the images you see in this review are owned by Sony Pictures Releasing

Directed by Jason Reitman

I was a pretty big fan of the 2016 Ghostbusters reboot and am still a bit salty that we never got a sequel to it, so seeing the trailers and just how much the studio was backtracking to safe and familiar nostalgia was pretty demoralizing to see and left me with a bad feeling about this.  A Stranger Things knockoff that revels in the legacy of the first two films while grabbing a mostly indie director who just so happens to be the son of the original films’ director just felt like too many ideas on how to make this a MARKETABLE Ghostbusters movie instead of a GOOD one.  Still, Reitman is a good director and the buzz so far has been good for the movie, so perhaps I’m being a bit overly critical before even seeing the darn thing.  Did my low expectations set me up for a pleasant surprise that finds the balance between mining nostalgia and finding new ideas, or is this a cynical paycheck from a guy whose complicated history with this franchise landed him in the director’s chair long before he ever picked up a camera?  Let’s find out!!

Many years after the events of the first movie (and the second presumably), Egon Spengler has made a new life of sorts in a total nothing town somewhere in the Midwest, and while it’s probably not much of a spoiler considering that the actor is no longer with us, he has recently died under mysterious circumstances, and his estranged daughter Callie (Carrie Coon) has come to settle his affairs as well as start a new life for her and her two kids Phoebe and Trevor (Mckenna Grace and Finn Wolfhard).  While packing up his things though, Phoebe finds the PKE Meter as well as Egon’s ghostbusting Batcave, and Trevor starts to see some strange things around town; especially while hanging out with Lucky (Celeste O’Connor) at the nearby mine, which is… a thing kids do I guess?  In any case, Phoebe starts to investigate the strange occurrences in the town with her paranormal podcasting friend named Podcast (Logan Kim), but more importantly starts to learn more about her grandfather and, by extension, herself.  That, and her Summer School teacher (Paul Rudd) is a total nerd who was obsessed with the Ghostbusters when he was a kid, and so the stage is set for the next generation to take up the mantel once these strange things around town turn into STRANGER things!  What was Egon doing in this Podunk town in the first place, and is there more than just his old eighties crap that he’s left behind for his family?  How will Phoebe and Trevor deal with their newly discovered legacy, and why was their mother hiding it from them all this time?  Do you think in thirty years someone will try to do one of these for the 2016 Ghostbusters movie?  I mean how ELSE are we supposed to get a sequel!?

“Is this thing environmentally friendly?” “I don’t know, maybe we should check with the EPA.” “Yeah, they may not be perfect but it’s not like they’re full petty jerks who just want to disrupt small businesses.” “Hashtag Green New Deal!!”
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Cinema Dispatch: Widows

~ Matt Vetrano ~ Leave a comment

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Widows and all the images you see in this review are owned by 20th Century Fox

Directed by Steve McQueen

Is it time for another cinematic confession?  Alright, so I’ve never actually seen a Steve McQueen movie all the way through.  I’ve seen bits and pieces of Shame and I haven’t seen 12 Years a Slave, but based on those films and what we’ve been shown of this one I get the feeling that I’m not gonna be the biggest fan of his work.  What can I say?  I’m not the biggest fan of overly oppressive mood pieces even if the subject matter justifies that tone, but unlike other kinds of movies of filmmakers that I’m not too fond of I’m rather open to what this guy has to say here because even if I don’t like what I see on screen at least I’m fairly confident that the director is trying to ENGAGE with their audience instead of completely alienating them (*cough* Eli Roth *cough*).  Will this film be the perfect introduction to the director’s body of work, or did he already reach his peak and nothing else will quite measure up to it?  Let’s find out!!

Veronica Rawlings (Viola Davis) is just having a TERRIBLE week!  Not only did her husband (Liam Neeson) die in a horrible fiery explosion, two million dollars went completely up in smoke which she is now being held responsible for since said two million was STOLEN by Liam Neeson and his crew of crooks (Manuel Garcia-Rulfo, Jon Bernthal, and Coburn Goss) from a local gangster who’s the slightest bit miffed about all this.  It’s made especially bad because said gangster Jamal Manning (Brian Tyree Henry) is also running for local office against the golden boy Jack Mulligan (Colin Farrell) and could have used all that ill-gotten gain to fund his campaign; presumably through shady 501(c) groups considering where the money came from.  Thanks, Citizens United!  Anyway, him and his brother Jatemme (Daniel Kaluuya) have given Veronica a week to pay him back which is PROBABLY not all that feasible, but as luck would have it her husband left her a notebook that had detailed plans for their next heist; one that could not only pay back Jamal but will give her a nice payday to keep her afloat while she figures out what to do next with her life.  She enlists the help of two of the widows, Linda and Alice (Michelle Rodriguez and Elizabeth Debicki) as well as Bell who is another person in need of some fast cash (Cynthia Erivo) to hopefully pull off this heist, though without any actual experience committing crimes, pulling guns, and breaking into places, their success seems dubious at best.  Will Veronica and her slapdash crew of desperate widows manage to pull off such a dangerous heist?  What exactly happened the night their husbands died, and could it have had anything to do with this plan that was left behind?  Is it just me, or could this easily be an Amanda Waller prequel?

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“If I can get these women to pull off this heist, imagine what I can do with super villains!”     “I don’t know, that STILL seems like a bad idea.”

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Cinema Dispatch: KIN

~ Matt Vetrano ~ Leave a comment

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KIN and all the images you see in this review are owned by Lionsgate

Directed by Jonathan Baker and Josh Baker

Oh goody!  Another film I literally knew nothing about before I went to go see it!  It doesn’t necessarily bode well that I had never even seen a poster for it, let alone a trailer, before heading to the theater to see it, but I like being surprised by something that I have no expectations for going in.  It doesn’t ALWAYS work out as the recent Alpha and A.X.L have proven, but a kid with a space gun sounds like a great place to start; especially if this is gonna be anything like Laser Blast from 1978!  Admittedly there’s not much chance that a movie like THAT would be made nowadays (especially starring a kid) or given a wide release, but I can dream, right!?  Does this manage to be an excellent gem that no one bothered to give the time of day, or was this ultimately buried in late August for a darn good reason?  Let’s find out!!

Elijah Solinski (Myles Truitt) is your average fourteen year old boy stuck in a crappy situation.  His mom’s dead, his brother’s in jail, and he lives in Detroit with no Robocop in sight to make things better.  Well at least one of those things is about to change (no, not Robocop) as his brother Jimmy (Jack Reynor) has been released from prison and is gonna stay with him and their dad (Dennis Quaid) until he can find a stable job and get his life back on track.  This is proving to be a very difficult thing however as he apparently owes sixty thousand dollars to a local gangster (James Franco) for protecting him while in jail and he wants the money back NOW.  He doesn’t wait until Jimmy can get a decent job to garnish his salary, he doesn’t even have some dangerous job for him to do as a way of paying down the debt.  He expects Jimmy to pull 60K out of his behind right away, which I guess makes James Franco “quirky” instead of “very bad at his job”.  Despite how foolish his business model is, Jimmy DOES actually pull through for the guy as the two of them along with Franco’s brother (no, not Dave) rob the safe at his father’s construction site.  As fate would have it though, dear old dad walks in on the crime and gets killed by Franco which means that Jimmy in turn kills his brother and runs to find Elijah alone in the car.  Thinking fast, Jimmy spins a tale about a road trip where their dad will meet them later and the two of them rush off with whatever money Jimmy could scrounge up and not much more than the clothes on their backs.  Needless to say that Franco is a bit peeved about the whole “you murdered my brother” thing, and so he follows in hot pursuit looking for Jimmy and the one thing left in his life that he cares about.  Oh!  I almost forgot!  Apparently Elijah found a space rife or something and is carrying it around in secret while aliens in Space Marine armor are trying to find it.  For some reason the SPACE GUN managed to get kind of lost in the shuffle here.  ANYWAY, will Jimmy and Elijah be able to start a new life together and escape the wrath of James Franco?  How long can Jimmy keep up this ruse and what’s his plan once they DO find a place to settle down?  Seriously, HOW DO YOU MAKE A MOVIE ABOUT A SPACE GUN THAT’S ABOUT ALMOST EVERYTHING ELSE EXCEPT THE SPACE GUN!?

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Sir Not Appearing In This Movie.

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Cinema Dispatch: Infinite Patience – Has Marvel Gone Too Far!?

~ Matt Vetrano ~ 1 Comment

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Avengers: Infinity War and all the images you see in this editorial are owned by Walt Disney Studios Motion Pictures

Directed by Anthony Russo and Joe Russo

So if you read my review of Avengers: Infinity War, you’d know that I had a few problems with it and that I couldn’t really discuss them in detail due to everything I found wrong with this movie containing MASSIVE SPOILERS!  Well now that it’s very likely everyone and their mom has already seen the movie (SIX HUNDRED AND FORTY MILLION IN ONE WEEKEND!?), I figured it’d be a good idea to get my thoughts written down about not just this movie but what it represents for the MCU as a whole and how they’ve run their business up to this point.  For the most part they’ve been enormously successful with even their minor missteps like Thor 2, Iron Man 2, and (the not so minor misstep) Iron Fist doing little to tarnish their sterling reputation.  There are places to improve in each film to be sure, and their overwhelming success has made it easy to take it all for granted, but when your last few films included Guardians of the Galaxy Vol. 2, Thor Ragnarok, and Black Panther, clearly they’re doing something right and should be celebrated for it.  With Infinity War however, something has changed and I am now worried about the future of the MCU; not financially as these will make money regardless, but that they might have gotten a bit too big for their own good and are taking the wrong kind of risks that could sour public opinion over time instead of the GOOD kind like hiring visionary directors such as Ryan Coogler to create memorable cinematic experiences instead of cheap popcorn fare.  So what exactly has changed?  Well let’s take an in depth look at where I felt this movie started going down the wrong path.

From here on out, we are in full on spoiler territory!

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Cinema Dispatch: Avengers: Infinity War

~ Matt Vetrano ~ Leave a comment

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Avengers: Infinity War and all the images you see in this review are owned by Walt Disney Studios Motion Pictures

Directed by Anthony Russo and Joe Russo

You know, for a while there I COMPLETELY forgot that this was supposed to be a two parter, and I don’t think I’m ENTIRELY at fault on that because PART ONE is never mentioned anywhere on the poster, on IMDb, not even on the Wikipedia page!  I don’t know, that just seems kind of curious considering they ARE for sure planning on doing another one of these (unlike what happened with Justice League PART 2), and yet they seem to want you to forget that little fact.  Either way, whether they put Part One, Part Three, or Part Sixty-Five on the poster, people will still come out to see it in droves because the brand is just THAT powerful at this point.  However, as was once said by a dude who presumably lived in this universe and died a horrible death, WITH GREAT POWER COMES GREAT RESPONSIBILITY, and with so many characters to juggle at once it is surely a responsibility not to be taken lightly.  Can Marvel pull it off once again like they’ve done pretty much every time they’ve stepped up to the plate, or is the build up to Thanos and the Infinity Stones a challenge even they aren’t truly prepared to face?  Let’s find out!!

The movie is, well basically everything we knew it was going to be leading up to it.  Thanos (Josh Brolin) is a purple alien who wants to destroy at least half of all life in the universe, and he’s finally making his big move to collect the Infinity Stones which is the only power source in existence strong enough to complete such a heinous act, and now The Avengers (as well as Avenger adjacent characters) are finally aware of what he’s up to and try to stop him from obtaining further gems.  Primarily, we’ve got three groups working together to try and stop him; The Guardians of the Galaxy (Chris Pratt, Zoe Saldana, Dave Bautista, Vin Diesel, Bradley Cooper, and Pom Kiementieff) as well as Thor (Chris Hemsworth) in space who are trying to stop him from getting that one Stone from Thor The Dark World, Iron Man (Robert Downey Jr), Doctor Strange (Benedict Cumberbatch) and Spider-Man (Tom Holland) are stuck on a spaceship heading to his home world after attempt by one of Thanos’s minions to steal the Time Stone from the Sorcerer Supreme, and basically everyone else back on Earth which includes Captain America (Chris Evans), Black Widow (Scarlett Johansson), The Falcon (Anthony Mackie), War Machine (Don Cheadle) The Scarlet Witch (Elizabeth Olsen), and Bruce Banner (Mark Ruffalo) trying to find a way to protect The Infinity Stone lodged in The Vision’s head (Paul Bettany) which involves a trip to Wakanda and everyone we remember from that movie a few months ago (Chadwick Boseman, Danai Gurira, and Letitia Wright) minus Nakia who I’m guessing was off fighting crime elsewhere.  Oh, and as much as I KNOW it will break your heart… Hawkeye is not in this.  I’m sure Jeremy Renner will find a way to cope.  ANYWAY, that’s about it.  We’ve got three stories running parallel to each other with a giant purple jerk wad right in the center of it; tearing through anyone foolish enough to get in his way!  Can The Avengers (and its loose affiliates) manage to put up enough of a resistance to stop Thanos from causing mass genocide across the MCU?  What is he truly after, and will his backstory reveal any possible weaknesses that can be used to stop the evil tyrant once and for all?  Thanos may be strong, but can he defeat the one entity stronger than himself?  Disney’s reliance on BRAND NAME RECOGNITION!?

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“All your sequels have been canceled.  I made sure to it myself.”     “The HELL did he just say!?”

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Cinema Dispatch: The Post

~ Matt Vetrano ~ Leave a comment

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The Post and all the images you see in this review are owned by 20th Century Fox

Directed by Steven Spielberg

Oh good!  Now that it’s officially 2018, the rest of us can FINALLY see the best movies of 2017!  Because THAT doesn’t seem like a backwards approach to releasing critically acclaimed films; ESPECIALLY ONES BY THE MOST FAMOUS DIRECTOR OF ALL TIME!  Sigh… whatever.  My feelings about theatrical release schedules aside, there’s been a lot of buzz about this movie being yet another Awards Darling what with the big name cast, the legendary director, and the timely subject matter given the political climate we are currently and TORTUROUSLY living under.  That said, I’m not always the biggest fan of movies that seem so perfectly designed to soak up Oscars (*cough* The King’s Speech *cough*) and while I didn’t give it the most GLOWING review at the time, I do think that Spotlight is an unreasonably high bar for any film to try and reach which certainly seems to be the goal here given the topic at hand at hand the pedigree behind it.  Then again, how can you go wrong with Spielberg?  If your answer to that question is Hook by the way, you’re just flat out wrong.  HOOK IS AWESOME!!  Anyway, does Spielberg manage to eke out yet and another cinematic masterpiece to add to his collection, or is this simply relying on his name to sell it both at the box office and with critics?  Let’s find out!!

The movie follows The Washing Post during the time The Pentagon Papers (a study of the likelihood of victory in Vietnam that indicated that the government knew there was no chance of winning yet still committed forces there anyway) were being released by The New York Times and Nixon’s Justice Department was doing what they could to stop it.  Now The Washington Post wasn’t doing so well as its owner Kay Graham (Meryl Streep) is seen as an ineffective leader for reasons that CLEARLY have very little to do with her actual abilities (I WONDER WHAT ELSE IT COULD BE!?) and was in the middle of trying to find outside investment when this all started to unfold.  The editor in chief Ben Bradlee (Tom Hanks) is itching to get his hands on some of the papers that The Times had gotten and were forced to stop publishing due to a federal court injunction (COMPLETELY unprecedented in American history), but even if he WERE to find the it’d be a huge risk for everyone involved; especially Miss Graham who has the most invested in the company.  Eventually though, one of the assistant editors Ben Bagdikian (Bob Odenkirk) manages to get his hands on not just the parts The Times obtained, but more or less the WHOLE damn report straight from the source itself Daniel Ellsberg (Matthew Rhys).  With Ben having EXACTLY what he wants and a staff of likeminded reporters to back him up, it all comes down to Miss Graham to decide whether or not the risk of publishing these documents in her paper outweigh the potential good that having such documents out there will do for journalism and first amendment rights.  Even then though, if they jump the gun and the Nixon Administration wins whatever court battle would certainly lie ahead, that could lead to an even WORSE seizure of unchecked executive power.  Will Kay find a way to get the truth out there without losing everything else in the process?  What can The Justice Department and Nixon do to this newspaper and its staff if these documents are released in spite of the injunction placed on The Times?  The REAL question is, will this movie win MOST of the awards or ALL of the awards?

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“Your Oscars.  Give them to me.”     “You better do what she says.”

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