House of Gucci and all the images you see in this review are owned by United Artists Releasing
Directed by Ridley Scott
It’s that time of year where the big performances come out, the A-List directors strut their stuff, and the biopics are as far as the eye can see! Oscar season is in full swing and Ridley Scott is doubling down this year with two prestige films; both of which star Adam Driver, funnily enough. Now I don’t know the first thing about Gucci or the story behind the family, and the closest I’ve ever been to designer clothes is seeing them in shop windows. Still, stories about the grimy underbelly of powerful families and giant corporations can be very entertaining (provided they aren’t poisoning the planet or something like that), and while Scott can be hit or miss with a lot of his projects, the good ones can REALLY stand out in an otherwise crowded and lukewarm award season. Does this movie capture the whirlwind drama around one of the most recognizable brands in the world and the eccentric family that built it, or is the only interesting thing about this family the name they carry? Let’s find out!!
Our story begins with Patrizia Reggiani (Lady Gaga) as a young up-and-coming socialite who may not come from a truly wealthy family, but she’s ambitious and wants to prove herself as a woman to take seriously! Well, she’s in luck because one of the parties she goes to is where she meets Maurizio Gucci (Adam Driver), the son of Rodolfo Gucci (Jeremy Irons) who is the current head of the Gucci business along with his brother Aldo (Al Pacino). Whether or not she truly had feelings for him is ultimately secondary as her Prince Charming was in her sights and she was not about to let this opportunity go! Over time the two get close and Maurizio agrees to marry her, but it’s clear her wants very little to do with the family business as he’s seen how it has turned his family bitter and cold; including his cousin Paolo (Jared Leto) who may be jovial on the outside but is nursing some serious resentments that threaten to bubble up in unpredictable and inopportune ways. Patrizia is having none of that wishy-washy nonsense from her husband however, and pushes him to get more and more involved. In fairness, was more than likely to happen with or without Patrizia’s involvement, but with her at his side, he’s poised to not just be A Gucci, but to become THE Gucci! Does this tale of power, wealth, family drama, and high-end clothing have a happy ending for the ambitious Patrizia? What makes Maurizio different from the rest of the family, and will this aggressive push from her wife make him the very thing he didn’t want to become? I know we got a MacBeth movie pretty recently, but any chance we can get another one so Gaga can be in it?
Allied and all the images you see in this review are owned by Paramount Pictures
Directed by Robert Zemeckis
Oh hey! I remember that guy! Didn’t he do that one movie no one saw last year? Sure, Zemeckis hasn’t had the best track record since Cast Away (mostly due to his obsession with CG animated films for a while there), but The Walk was a pretty solid film that just didn’t get much attention for some reason. Sure, it wasn’t full of explosions or even A list actors (Joseph Gordon Levitt still has a ways to go), but it still a really well made little caper that kept things light and fun. Now it seems that Zemeckis is going in the opposite direction with this sizably budgeted war thriller with two super stars in the cast and a much more intense feel to it. Not to say that any of that is a BAD thing; it’s just interesting that his new film seems to be so diametrically opposed to what he did just last year. Is this movie not only another stellar outing for Zemeckis but the big hit that The Walk just couldn’t manage to be, or will we be wishing to see Philippe Petit walk across another tightrope before this film is over? Let’s find out!!
The movie begins with Canadian Super Spy Max Vatan (Brad Pitt) arriving in Casablanca Morocco to meet up with French Resistance Fighter Marianne Beausejour (Marion Cotillard) to do the one thing you’re supposed to do Casablanca during World War 2; kill some damn Nazis! Say what you will about the greatest generation; at least they knew not to VOTE for them! Of course, during the course of this mission they end up falling in love and Max manages to get Marianne passage to England so that they can get married and he can take a desk job in British Intelligence. Things seem to be going well for some time (they even have a kid together), but then one day some dude who’s like fifty pay grades above Max that they suspect Marianne to be a German Spy. Not only that, but if they find OUT she’s a spy then he’ll have to kill her with his own hands; lest he get charged with treason hang from a noose. Okay… I’m pretty sure that’s still murder even if some dude in the government tells you to do it, but whatever. Needless to say that Max doesn’t buy this for a second and then proceeds to break every rule in the book to try and prove his wife’s innocence despite the evidence this government dude is laying out for him. Will Max find the truth and is it the truth he’s hoping for? Where exactly did the higher ups get all this evidence, and why are they coming to Max like this while they’re still investigating? If she’s REALLY a Nazi what the hell could she POSSIBLY hope to get by going THIS deep under cover for THIS long when she’s hooking up with THIS pencil pusher!?