Tag Archives: Caleb Landry Jones

Cinema Dispatch: Three Billboards Outside Ebbing, Missouri

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Three Billboards Outside Ebbing, Missouri and all the images you see in this review are owned by Fox Searchlight Pictures

Directed by Martin McDonagh

To tell you the truth, I never really liked In Bruges.  It was fine I guess, but I never found it all that compelling and the ending is just a contrived mess that’s about as bad as sixty percent of the twists Shyamalan has come up with.  And yet, there are a lot of people out there that like that movie as well as McDonagh’s other work, so naturally the buzz around this film was huge right off the bat which only grew once the trailers started coming out and we got to see some of Frances McDormand’s acting.  At the very least, it manages to grab your attention with its unorthodox title (A COMMA!?) and even more unorthodox premise that will hopefully take advantage of the ideas that seem baked right into this material.  Does this manage to live up to the hype that its beloved director and solid marketing campaign has built up for it, or will this end up a huge stumble for everyone involved?  Let’s find out!!

The movie begins with Mildred Hayes (Frances McDormand) driving down the same road she’s driven down for years and years; heading home after a long day at work and trying hard to deal with the grief over her daughter’s death.  Not just any death too!  She was raped, murdered, and burnt to a crisp, so forgetting about that is proving to be a bit difficult, especially since the cops never found the guy who did it.  That’s when Mildred comes up with an idea.  On this road she’s traveled many times before are three billboards that no one has used in decades, so she decides to purchase the ad space and put up signs reminding the denizens of this small town that the police still haven’t caught the murderer.  Now obviously this ruffles some feathers down at the station, particularly Officer Dixon (Sam Rockwell) who’s about as dumb and racist of a cop that you’d expect from a story like this and to a much lesser extent Sherriff Willoughby (Woody Harrelson) who’s leading the stalled investigation and is the primary target of Mildred’s ire.  Things begin to get much more heated around town as several people begin to question (and stupidly try to attack) Mildred and her decision to put this spotlight on something that everyone would rather not think about and leave up to the cops.  Mildred is having NONE of this and starts kicking ass and taking names at everyone who looks at her sideways which only escalates tensions further in this ticking time bomb of a standoff with her on one side and the rest of the world on the other.  Will Mildred finally get justice for the death of her daughter whose killer roams free while the police do nothing?  Just how far will Mildred go in order to get what she wants, and will she lose touch between what can and cannot be justified in her righteous quest?  Just how much saltier will Frances McDormand get in this role before she wins that Oscar gold!?

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“I’d like to tell the Academy that they can kindly fuck off and die, even if I win for Best Performance by an Actress in a Leading Role.  No wait, ESPECIALLY if I win for Best Performance by an Actress in a Leading Role.”

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Cinema Dispatch: American Made

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American Made and all the images you see in this review are owned by Universal Pictures

Directed by Doug Liman

Hollywood?  We need to talk.  I know that you love to make movies about people (usually white dudes) who catch a lucky break or have one useful skill that pays off which launches them into fame, fortune, and eventual ruin, but I think it’s time to stop.  Look, Wolf of Wall Street was wonderful and so was that Nicolas Cage movie from 2005, but these are starting to get stale and repetitive; especially with this film that looks so paint by numbers and generic that even Tom Cruise can barely seem to bring anything to the material.  Still, bad trailers and a tired premise don’t ALWAYS spell doom for a movie, and Tom Cruise can really be THAT good in a movie so as to keep it engaging even if everything else is working against it.  Does this film manage to avoid the pitfalls that so many films before it have fallen into, or are we scraping the bottom of the barrel to find just ONE more interesting story about a dude who found an odd way to strike it rich?  Let’s find out!!

The movie is supposedly based on the real life story of Barry Seal (Tom Cruise) who was your run of the mill airline pilot who was making some extra cash by smuggling in Cuban Cigars.  His actions don’t go unnoticed by the mysterious Schafer (Domhnall Gleeson) who is a CIA agent looking to make his mark and believes he has found it in this pilot that he easily convinces to quit his job and start working for the US Government.  His patriotic duty turns out to be driving a plane with a camera on it so he can take pictures of Central American communist freedom fighters that the US has an interest in repressing and these pictures prove to be invaluable to that cause.  Eventually he gets bigger missions such as delivering intel to Manuel Noriega, running guns to the Contra fighters in Nicaragua, and even running cocaine for the cartel which isn’t QUITE what the CIA had in mind but they certainly aren’t gonna stop him from doing it.  Of course, with the CIA apparently doing all this on the down low, Barry not only starts catching the ire of other government organizations like the FBI and DEA, but also runs the risk of losing his sweetheart deals with the Cartel which is led up by Pablo Escobar (Maunicio Mejia).  Throw in some family drama with his wife (Sarah Wright) who is kept in the dark for a lot of this and his brother in law (Caleb Landry Jones) who’s a total fuck up that knows too much and you’re looking at a powder keg ready to explode right in Barry’s handsome face!  Will Barry find a way to keep the balancing act going indefinitely?  How far will the US Government under Reagan go to get what it wants and what will that eventually mean for Barry?  Wait, is this what the Top Gun sequel will be about!?

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“Without Goose, things just kinda went downhill for me…”

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Cinema Dispatch: Get Out

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Get Out and all the images you see in this review are owned by Universal Pictures

Directed by Jordan Peele

2016 turned out to be a fantastic year for horror movies; not just for the ones that ended up on my best of the year list, but also the ones that aimed to be middle of the road seemed to step up their game and try harder than you’d normally expect from the genre. Now sure, 2017 started with The Bye Bye Man, but even 2016 had some low points with The Forest and Incarnate.  Plus, we’ve also gotten the excellent, if problematic, Split not too long ago which is already one of the better films this year; horror or otherwise.  Now we’ve finally gotten to the BIG one which is Jordan Peele’s directorial debut that’s been getting a lot of positive buzz from when it was first announced all the way up to now with those Fancy Schmancy “professional” critics who are raving about it after they saw the “Critics Screenings”.  Well I had to drive thirty miles in the rain AND hail to see this damn thing, so it BETTER be as good as everyone is saying it is!  Is this thoughtful and well-crafted horror film that everyone says it is and that we desperately need right now, or did the hype machine get out of control with this movie which admittedly can sometimes happen with horror films?  Heck, I wasn’t the biggest fan of You’re Next, and that movie was instantly touted as a classic of the genre!  Anyway, let’s find out!!

The movie begins with Chris Washington (Daniel Kaluuya) and his girlfriend Rose (Allison Williams) heading off to meet her family for the first time in what is sure to be a painfully awkward experience for everyone.  Sure enough, Mr. and Mrs. Armitage (Bradley Whitford and Catherine Keener) are just as “down” and “hip with the youngsters” as you’d imagine from older white people, but Chris seems to know what he as getting into and is just taking everything in stride until he get back home after the weekend is over.  Of course, things only get worse as Rose’s brother Jeremy (Caleb Landry Jones) enters the picture is an obnoxious dweeb as well as a bunch of the Armitage’s other white friends who are VERY excited to meet Chris.  On top of that the Armitage’s have two black servants, Georgina and Walter (Betty Gabriel and Marcus Henderson), who look to have gotten the Stepford Wives treatment, though only Chris seems to be noticing this.  Tensions mount higher and higher as more clues are uncovered by Chris and it’s starting to seem that he may be in more danger than he initially realized.  Can he get out before he becomes the victim of whatever these white people have planned?  What happened to Georgina and Walter that has them acting so strange?  Did we SERIOUSLY get one of the best movies of the year from the guy who co-wrote Keanu?  That wasn’t a BAD movie, but god DAMN is this a step up!!

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Fucking white people.  Not only are we pulling this crazy shit, but we’re doing it in the rumpus room!?

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