Tag Archives: Cailee Spaeny

Cinema Dispatch: On the Basis of Sex

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On the Basis of Sex and all the images you see in this review are owned by Focus Features

Directed by Mimi Leder

Wait, didn’t we get this movie last year?  Oh right!  That was a documentary!  Well I guess since we got that we need a fictionalized version of the story to make a double feature out of, but at the very least this IS an individual whose story is worth getting the BIG HOLLYWOOD treatment and it’s not like we couldn’t use a GOOD biopic to balance the scales after last year’s big mistake.  Look, it was a pretty rough start to the year and the movies haven’t been doing much for me, so maybe the inspirational story of one of America’s most celebrated judicial figures could help me get out of this poor mood!  Or it could be another disappointment in a year that seems all too willing to hand those out left and right; especially since this was originally screened in 2018 but got pushed back into the 2109 dead zone for the rest of us.  In any case, let’s find out!!

Ruth Bader Ginsburg (Felicity Jones) has had to deal with quite a lot in her life!  She managed to go to Harvard at a time when few women were able to, and got her law degree there as well as at Columbia; all the while taking care of her daughter as well as her husband Martin Ginsburg (Armie Hammer) who had some serious health issues while they were in school.  It was all worth it though because now they both have their law degrees and they can live out their dreams of being lawyers!  At least that’s the plan as Ruth, who managed to navigate the harsh male dominated world of academia, still hasn’t managed to land a job in the harsh male dominated world of law firms.  Oh well.  At least she got a teaching job which she excelled at for quite a few years, but one day Martin comes across a case that may just be the one the two of them have been looking for.  You see, they became lawyers because they wanted to do good in this world and fight for equality, and one of the things that has always a bugbear of theirs is how Men and Women are defined differently under the law and are therefore treated differently like in regards to workers’ rights and inherence.  The case that Martin found though is an instance where the laws negatively affect a man because Charles Moritz (Chris Mulkey) cannot claim a tax credit despite meeting all the qualifications for it… except for the fact that he is a male bachelor.  I know, it sounds UTTERLY RIVETING to hear people talk about tax laws, but this is the kind of thing that can really take a pickaxe to the existing status quo and a ruling in Charles’s favor could be the rallying point for other similar laws to be overturned!  With the case of a lifetime in their laps, the Ginsburgs begin to work the case with the help of the ACLU run by Mel Wulf (Justin Theroux) as well as a personal hero of Ruth’s Dorothy Kenyon (Kathy Bates) who’s resistant at first due to a lifetime of learned cynicism, but might just be willing to give them the push they need to be taken seriously.  Can Ruth and Martin successfully overturn this law and get Charles that sought after tax credit?  What kind of resistance will they face from the government that has a vested interest in keeping things the way they are?   FOOLISH MORTALS!  NO ONE CAN STOP THE RBG!!

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Ruth Bader Ginsburg, or Really Badass Gal?  YOU DECIDE!!

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Cinema Dispatch: Bad Times at the El Royale

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Bad Times at the El Royale and all the images you see in this review are owned by 20th Century Fox

Directed by Drew Goddard

Oh hey!  I know this guy!  Yeah, didn’t he do that movie that everyone else liked but I was pretty nonplussed about?  Okay, probably have to be more specific there.  This is the guy who made The Cabin in the Woods (no not that guy, the guy who ACTUALLY directed it) which was an interesting idea but for me it suffered from a somewhat oblivious tone and an ending that soured me from ever really enjoying the film again.  Well after a few years doing quite a bit of writing, he’s back in the director’s chair with this film that looks to be a mishmash of noir tropes as opposed to horror ones, though he managed to keep Chris Hemsworth around.  Will this be the movie that sells me on the brilliance of this director after a somewhat disappointing opening salvo, or is this another guy who I’m just not gonna get and be a sourpuss about while everyone else is enjoying themselves?  Let’s find out!!

The El Royale is a hotel on the border between Nevada and California, once a hotbed of celebrity debauchery but now a shell of its former self; handing out cheap rooms to unscrupulous and impoverished characters who aren’t really here for the ambiance.  On the fateful day that this movie starts, there JUST SO HAPPENS to be quite a few people there who may or may not have nefarious schemes in mind, including the vacuum salesman Seymour Sullivan (Jon Hamm), the kindly Father Flynn (Jeff Bridges), the singer Darlene Sweet (Cynthia Erivo), and the mystery woman who signs the guestbook with an obscenity (Dakota Johnson).  Now normally they would just go their separate ways and not bother one another no matter what bad stuff they’re into, but what the concierge Miles (Lewis Pullman) isn’t telling them is that this place isn’t simply a rundown hotel; rather it’s a rundown hotel WITH A SPYING ROOM!  As each one of them goes about their business, things start to unravel as some discover this place and see what the others are up to which inevitably causes their stories to intertwine in ways that will either lead to fair and equitable compromises or an utter bloodbath; especially with the Mystery Woman having some serious baggage in the form of another mystery woman with her (Cailee Spaeny) and some dude who just might be looking for them (Chris Hemsworth).  Will these lovely guests manage to finish what they came here to do with all their limbs still attached?  What is each one of them hiding, and how important will it be to the other people there?  How the heck did hotel stay open this long!?  They’ve got ONE guy running the darn place!!

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“This is NOT what I was promised on Yelp!”

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Cinema Dispatch: Pacific Rim Uprising

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Pacific Rim Uprising and all the images you see in this review are owned by Universal Pictures

Directed by Steven S DeKnight

Hey, remember when Pacific Rim was a thing?  Yeah, it REALLY feels like a long time ago at this point, doesn’t it?  I mean, it DID come out five years ago, but with The Shape of Water showing us what Guillermo del Toro is really capable of when he puts everything he’s got into a movie (and not just special effects),Pacific Rim is feeling more and more like an afterthought in his career.  That being said, it WAS a really well made movie with a great turn by Charlie Day as a befuddled super science, and it led to him and his co-star Burn Gorman teaming up again for one of the best episodes of It’s Always Sunny; Flowers for Charlie!  Now we’ve got a sequel that doesn’t have del Toro in the director’s chair and looks to be more of a big budgeted Transformers competitor instead of the more methodical and intense vibe of the first film which certainly isn’t a BAD direction to take the series in, but will they be able to pull it off?  Let’s find out!!

The movie takes place ten years after the events of the first film where Jake (John Boyega) who is the son of Idris Elba’s General Stacker Pentecost is NOT living up to his father’s legacy and is instead bumming around one of the many cities that were more or less abandoned after being hit by a Kaiju attack.  Jake doesn’t like to play by the rules and would rather spending his time ripping parts out of retired giant robots known as Jaegers than to join the Pan Pacific Defense Corps (PPDC) and continue his father’s legacy while also preparing for the next inevitable Kaiju attack.  Too bad for Jake though because he runs into a fellow street hustler named Amara (Cailee Spaeny) who’s made her own mini-Jaeger but is soon busted along with Jake for having an illegal robot which is a thing now I guess.  Anyway, Jake is faced with some serious jail time if he the cops throw the book at him, but his sister Mako (Rinko Kikuchi) who is a General in the PPDC offers him one more chance to set his life straight.  Join back up with the PPDC and train some new recruits which will include Amara whose impressive robot making skills has caught the PPDC’s attention.  So that’s it, right?  It’s basically Top Gun but with robots!  Well… not quite.  While this is going on, we ALSO have to worry about the PPDC losing their favor with the rest of the world as a tech company led up by Liwen Shao (Jing Tian) has developed Jaeger drones that can be piloted by ONE person instead of two, and can do so remotely which will pilots from having to climb into the robots themselves.  Seems like a good idea, but if you know ANYTHING about sci-fi movies, there’s always some unforeseen consequences to overly mechanizing jobs that humans are also doing; ESPECIALLY jobs which involve deadly weapons!  Not only that, but while this squabble is taking place, there are hints here and there that the Kaiju may be returning sooner than they all think!  Can the PPDC and the Shao Corporation come to an understanding before even bigger threats will tear them both apart?  Will Jake be able to finally stop running from his TORTURED BACKSTORY PAST (mostly involving Daddy Issues) in order to succeed in the one place where he truly belongs?  Any chance we can just forget about that Power Rangers movie and just let the filmmakers behind this make one that’s ACTUALLY good?

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“IT’S MORPHING TIME!!”     “The heck it is!  No way I’m wearing spandex in this thing!”

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