The Prodigy and all the images you see in this review are owned by Orion Pictures
Directed by Nicholas McCarthy
You know, now that I think about it… I’m a lot more receptive to EVIL KID movies than I would have initially thought! Sure you’ve got the classics like The Exorcist and The Omen, but I still maintain that The Boy is a pretty excellent horror film and I even enjoyed The Devil’s Due as ridiculous as it was! Now clearly this movie is trying to ride the horror trend that was set by The Babdook and then buried into the ground by Hereditary, and not only is this obvious from the poster that’s blatantly ripping off the latter, you can see from the trailers that this is the horror film that has AMBITIONS! The kind of horror film that’s at least shot like something you’re supposed to take seriously, so maybe we have something GREAT on our hands! Oh wait; it’s a horror film in February. Let’s uh… dial back those expectations, even if I’m STILL pretty sure I’ll like this more than Hereditary. Is this the kind of horror film that’ll make the earlier parts of the year that much easier to get through, or is just another bump in the road as we try desperately to make it to the first Marvel film of the year? Let’s find out!!
The movie begins with… well a lot of stuff happening. Sarah (Taylor Schlling) and John (Peter Mooney) are about to give birth on the night that a woman named Margaret (Brittany Allen) manages to escape from a serial killer on the other side of town. The good news is that she escapes and makes to someone who calls the cops for her. The bad news is that she didn’t QUITE get away scot-free as the killer managed to take one of her hands before she escaped. Said killer by the way, Edward Scarka (Paul Fauteux), finds out that Margaret escaped and does the only thing he CAN do in that situation! Run out the front door naked and screaming until the cops shoot him dead! At the same time this is going on, Sarah has given birth to her son Miles and I’m SURE these two events won’t connect in some fashion! Anyway, we cut to several years later where Miles has grown to be a super smart yet social awkward eight year old (Jackson Robert Scott) and seems to be exhibiting more and more behavioral issues as the days go by. He attacks one of his classmates at the super fancy school, he starts saying inappropriate things to his parents, and he even starts to act like a total creeper which is freaking his parents out and each day the fear more and more what he is truly capable of. Is there something wrong with Miles that can be fixed with counseling and well-regulated medication, or will this problem call for more… unorthodox solutions? Will Sarah go to any lengths imaginable, and even some unimaginable, in order to protect her son even if he IS acting like a total jerk? Is it just me, or is this kid trying out to be the next Hannibal Lecter?
“Tell me about the lambs, Clarice.” “Geez, you’re parents let you watch THAT movie? No wonder you need help.”
Jigsaw and all the images you see in this review are owned by Lionsgate Films
Directed by Peter Spierig and Michael Spierig
I have a… complicated relationship with the Saw films as a few of them are ACTUALLY pretty solid thrillers, but ALL of them suffer from some fundamental problems that dogged this series throughout its seven film run; not to mention accruing brand new problems along the way that only made it harder and harder to take seriously. I guess that’s not unusual for a series like this as the downfall of horror favorites like Freddy, Jason, and Michael Myers are about as stark, but at least with THOSE films I found something to like even in the bad ones as the very loose commitment to continuity allowed for new voices and interesting ideas to permeate the series even when they were in a slump. Saw is one of the few franchise that took its continuity VERY seriously which is one of the many reasons the films became such a train wreck but is also why I’m genuinely interested to see where this one goes. Does this new iteration in the franchise right the course and set the stage for a whole new series of much better films, or should they have just let well enough alone? Let’s find out!!
The movie begins as most Saw movies do with someone dying in a horrible way. Okay, maybe not THAT horrible as he simply gets shot by the cops, but what appears to be just a car chase gone badly soon reveals itself to be the start of a new Jigsaw game which Detective Halloran (Callum Keith Rennie) is itching to solve along with his partner Detective Hunt (Clé Bennett) and forensic pathologists back at the station (Matt Passmore and Hannah Emily Anderson). As the game goes through the usual Saw paces of picking off its victims (Laura Vandervoort, Mandela Van Peebles, Paul Braunstein, and Brittany Allen) the bodies start showing up around town to mock the detectives’ lack of progress and to give them subtle clues that will lead them to solving this mystery. The biggest mystery though is how exactly these games are going on as John Kramer (Tobin Bell) who was the original Jigsaw killer has been dead for over a decade and as far as we know all his protégées have bit the dust by now. Okay, maybe not Dr Gordon, but if this movie wants to ignore what happened in THE FINAL CHAPTER, I’m perfectly fine with that. Who is REALLY behind this latest round of murders and could it somehow be John Kramer coming back from beyond the grave? What do the latest victims of the Jigsaw Killer have in common, and what will they need to sacrifice in order get out of these deadly traps? Seriously, how many of those freaking puppets did he make anyway!?
Seems like a lot of effort to go through; especially when he uses his real voice anyway…