The Kitchen and all the images you see in this review are owned by Warner Bros Pictures
Directed by Andrea Berloff
Oh, now who doesn’t love a good period crime movie? We’re over a hundred years into the medium and mobsters have outlived cowboys, pirates, and musicals which, now that I think about it, would make an interesting For Honor sequel. I’ll have to pitch that Ubisoft at some point, but which I mean send an overly enthusiastic tweet. ANYWAY! What caught my attention about this movie right off the bat is the cast which stars the one and only Melissa McCarthy alongside Tiffany Haddish who’s become one of the most recognizable names in movies, and yet despite two of the biggest names in Hollywood right now (as well as Elizabeth Moss who’s great as well), this hasn’t gotten a whole lot of advertisement from the studio or buzz from the critics. Is this a hidden gem that everyone else but me managed to overlook, or is this a disaster that everyone was desperate to hide? Let’s find out!!
Kathy, Ruby, and Claire (Melissa McCarthy, Tiffany Haddish, and Elisabeth Moss) are the wives of three members of the Irish Mob back in the late seventies who are sent to jail after a robbery gone bad and they’re left to fend for themselves despite the promises that the mob will protect them financially until their husbands get out. With nothing to fall back on, a lousy economy, and two kids to take care of, Kathy decides that they should pick up the slack that the current mob boss Little Jackie (Myk Watford) has left during his ineffectual run at the top. She, Ruby, and Claire start to collect protection money, solves problems for local businesses, and even starts to recruit a few of the guys to their side including Gabriel (Domhnall Gleeson) who has just returned to New York after a seemingly shady departure and is looking to sow himself back into the community. Seems like they were just what this organization needed to thrive, but with every opportunity they grab and every inch of power they accrue, it only paints a bigger target on their back as more and more people start to get jealous of how much these house wives have managed to show them up. Not only that, but their husbands will only be in prison for so long, so what’s gonna happen when they get out and try to reassert themselves as the head of their respective families as well as the organization itself? Can this trio survive in a world full of death, violence, and hard decisions? What kind of attention will they attract from outside interests, and will they see an opportunity to destroy the Irish mob or worthy foes to make peace with? Anyone else not surprised that Melissa McCarthy is great as a cold blooded killer?
Dark Phoenix and all the images you see in this review are owned by 20th Century Fox and Walt Disney Studios Motion Pictures
Directed by Simon Kinberg
I’ve probably been nicer than most about the X-Men franchise, going so far as to be somewhat positive about Apocalypse, and even I can’t be bothered to muster any enthusiasm for The Last Stand: Remastered. I mean I GUESS I can see why Fox would want to prove that it was the other guy’s fault and not their own, and it certainly worked well enough for Dexter Fletcher, but with this franchise being so easily overshadowed by Deadpool, the MCU, and even some of the better DC films, it’s starting to feel more Quixotic than artistically advisable. Still, I have been surprised by movies I didn’t expect much out of before, and it’s not like they have much to lose considering this franchise is more or less done whether they make this movie or not, so hey! Let’s see if Fox can pull it off one more time for old time’s sake!
It’s the radical nineties for the X-Men with Charles Xavier (James McAvoy) and his crew of charismatic comrades more popular than ever; much like the ACTUAL nineties. Newcomers Jean Grey, Scott Summers, Ororo Munroe, and Kurt Wagner (Sophie Turner, Tye Sheridan, Alexandra Shipp, and Kodi Smit-McPhee) are fitting in well enough, Mystique’s (Jennifer Lawrence) barely contained annoyance with all of this is about as same as usual which is greatly contrasted with Beast (Nicholas Hoult) who looks like he couldn’t be happier to be there, and Quicksilver (Even Peters) is… around. ANYWAY! The big difference in this film that I alluded to just now which I don’t BELIEVE was the case last time is that The X-Men have become household names and everyone wants to be them! No more mutant discrimination, at least not outright, and all the jerk mutants went with Magneto (Michael Fassbender) to some island somewhere to keep things nice and peaceful. Why, the only thing that could ruin this perfect existence is if one of the high profile mutants on Xavier’s team went off and started blowing stuff up, but what are the odds of THAT happening!? Yeah, so Jean Grey gets hit by some sort of cosmic ray in the beginning of the film during an astronaut rescue, and it seems to have overcharged her system to the point that she can barely control her powers as well as her emotions; the latter of which is exacerbated by some dark secrets she’s made keenly aware of and have made things rather awkward at the academy. With one big public relations nightmare that could lead to Mutant internment AGAIN, Xavier and his crew have to find out what’s happening to Jean and if there’s any way to save her from whatever it is that will either destroy her from the inside or give her enough power to destroy us all from the outside. Oh, and Jessica Chastain is in this somewhere in the background. I’m sure she can’t be up to any good though! Will Jean Grey succumb to the power she’s been granted and become the worst enemy the X-Men have ever faced? Will Xavier finally learn that despite his idealistic rhetoric that he’s made huge mistakes in the past that could bring the world closer to destruction than anything his more militant counterpart ever came up with? If this is worse than X3, does Fox get like a Lifetime Achievement award for how badly they can ruin a franchise? I mean they should have already gotten one for their Fantastic Four movies, but you know the Academy! Give it to them when convenient; not when they deserve it!