Once Upon a Time in Hollywood and all the images you see in this review are owned by Sony Pictures Releasing
Directed by Quentin Tarantino
I really didn’t want to see this movie. In fact, if ANYTHING else had bothered to come out this weekend I would have seen that instead, but nope! Everyone had to make way for this film so I guess I have to try and be professional! I don’t know, with everything we’ve heard about Tarantino recently it’s just hard for me to get excited to see his movie’s again; let alone support a new one. Cancelled or not, I just personally feel very much deflated thinking about him and going to see his latest movie just felt like even more of a somber experience. Still, while acknowledging the very real and very important context of the artist behind the art, is there a good movie to be found here? I guess we might as well find out…
Rick Dalton (Leonardo DiCaprio) is an actor struggling to find steady work in the hectic world of late sixties Hollywood after a rather unsuccessful string of movies following a decent television career playing the lead role on a western. His stunt double Cliff Booth (Brad Pitt) has stuck with Rick all this time since he’s had trouble finding work elsewhere and seems to have accepted his lot in life even if he’s basically Rick’s assistant at this point. Fortunately for Rick, he’s got a decent gig lined up playing the bad guy in some TV pilot which will hopefully get him some attention (otherwise he’ll end up doing Spaghetti Westerns which I guess weren’t good things to be in at the time) and this also means that Cliff has the day to himself which he uses to pick up a hitchhiker (Margaret Qualley) who wants to introduce him to her buddy Charlie who’s got a bunch of followers out in the desert. Oh, and on top of that Sharon Tate (Margot Robbie) is Rick’s next door neighbor, and she’s doing stuff as well like… seeing movies and dancing around the house. Can Rick nail this latest role that may be his last chance to stay relevant? What will Cliff find at the compound the hitchhiker is taking him too, and will he be able to leave if things get out of hand? Is it just me, or is Tarantino trying a bit too hard here? Or perhaps not hard enough?
“Do you want me to say ‘Nazi scalps’ yet?” “No, we’re not doing that again.” “Really?” “…Okay, let’s not rule it out completely.”
Kubo and the Two Strings and all the images you see in this review are owned by Focus Features
Directed by Travis Knight
While Disney and Dreamworks are constantly fighting over dominance for CG animated features, studios like Aardman and Laika are still making an argument for more traditional forms of animation with films like Paranorman and The Pirates. Now we’ve got this movie which hopes to stand alongside some of the bigger hits this summer like Finding Dory and The Secret Life of Pets while also finding a spot in theaters just as the latter is starting to leave and Pete’s Dragon is under performing. Can the latest Laika creation not only manage to be an excellent film but be the big hit to end the summer with, or is this movie all style and no substance? Let’s find out!!
The movie follows young Kubo (Art Parkinson) who’s living with his mother in a cave that’s within walking distance of a nearby village. Why are they living there? Well apparently Kubo’s mother is the daughter of some super powerful dude known as the Moon King (Ralph Fiennes) who can do… stuff. Okay, I’m not sure what his powers are, but he ripped out one of Kubo’s eyes when he was an infant, and his mother just barely managed to get away with him; though at a severe price as she was injured during the escape and now suffers from memory loss. That only leaves Kubo to take care of her (though I’m not sure how they survived long enough for him to be able to do that) and he makes money by using his magic powers to put on fantastic origami shows for the people of the village. Seriously, Kubo’s got some badass magic powers that he’s able to conjure up with his Shamisen which can put on very elaborate stop-motion performances by Origami dolls, and you’d think that powers like this would either earn him enough to move his mom into a nice home or would brand him as a witch. Still, things seems to be going well as Kubo goes about his day to day life busking for coins on the sidewalk, when he stays out too late one night which gives the Moon King a chance to find him (I guess that guy can see everything at night) and sends out his daughters, who are also Kubo’s aunts (Rooney Mara), to find him. Kubo’s mother however manages to find him first and uses her remaining magic to send him off somewhere else while also bringing a charm to life in the form of a monkey (Charlize Theron) because apparently Kubo’s mother can do that. From there, we’ve got a whole lot more exposition as apparently the monkey knows what Kubo needs to do next and the end up finding a Beetle Samurai (Matthew McConaughey) to tag along on their adventure. Can Kubo stop his evil grandfather and save his mother? How exactly does this monkey know all this stuff if it’s only been alive for like a day or so? Most importantly, how many MacGuffins do they plan to stick in this movie!?
“We have to find the sacred armor that was created by your father that can protect you from the Moon King so that-“ “YOU’RE A TALKING MONKEY!!” “…yes. Did you hear what I said?” “We need to find some stuff?” “Good enough. Let’s go.”