Tag Archives: Brandon Scott Jones

Cinema Dispatch: Isn’t It Romantic

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Isn’t it Romantic and all the images you see in this review are owned by Warner Bros. Pictures

Directed by Todd Strauss-Schulson

This review is going up PRETTY darn late considering it’s been out for over three weeks now, but I have a VERY good reason for taking my time with it!  Okay, maybe not a GOOD reason, but the truth is that I got a serious case of writers block thinking about this movie.  Yeah, the mid-February release is the one that locked up my brain for a lot longer than I’d care to admit.  How could that be!?  In the year that already brought us Glass and Serenity, THIS is the one I had trouble wrapping my head around!?  Could it be that this is a multi-layered and nuanced examination of relationships and the media surrounding them, or is it just kind of… meh, but in ways that aren’t particularly interesting to write about?  Let’s find out!!

Natalie (Rebel Wilson) is a young woman struggling to make it in the big city and has abandoned love to focus on her career which isn’t going to great either because she’s a smart and overly competent woman who isn’t taken seriously at the workplace.  Her best friend Josh (Adam DeVine) has a crush on her, her girlfriend Whitney (Betty Gilpin) is a bit quirky but always encouraging, and the new hotshot with a million dollar smile Blake (Liam Hemsowrth) is ignoring her ideas to his own detriment because she has some brilliant plans for his next project.  Sounds a bit clichéd if you ask me, even the part about Natalie being cynical about love and calling out other Romantic Comedies for being unrealistic, but after suffering a concussion in a WACKY mugging scene, she wakes up and finds herself in a ROMANTIC COMEDYTM where everyone is a model, the colors are boosted up to eleven, and people will break out into song occasionally.  Natalie may be fully aware that she’s stuck in a Meg Ryan movie by way of Baz Luhrmann, but the question is how the heck does she get out of here?  Is this Back to the Future rules where she has to recreate the incident that got her there, or is this Groundhog Day rules where she has to fulfil some sort of destiny before she’s allowed to leave?  Well she’s gonna have to try both at least, and when the first one doesn’t work out she starts to pursue the hunk-tastic Blake because of course that’s who she’ll end up with in these kind of stories and starts going to the motions as best as she can; which includes living in her overpriced apartment, starring in makeover montages, and even having an offensive gay best friend stereotype named Donny (Brandon Scott Jones) who lives next door and always pops up whenever he’s needed!  Can Natalie survive this nightmare of high fashion, shallow problems, and unrealistic romance long enough to get back to her normal life of muted colors and an unfulfilling work environment?  Will Blake be the key to her escape, or is there something ELSE she should be looking for instead?  Doesn’t this feel a bit like a chicken and egg situation where figuring out if the cliché is more clichéd than the critique on the cliché?

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“I REJECT YOUR REALITY AND SUBSTITUTE IT WITH MY OWN!!”

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Cinema Dispatch: Can You Ever Forgive Me?

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Can You Ever Forgive Me? and all the images you see in this review are owned by Fox Searchlight Pictures

Directed by Marielle Heller

Have I mentioned that I really like Melissa McCarthy?  Because I REALLY like Melissa McCarthy.  The Ghostbusters reboot was one of the best movies the year it came out, The Happytime Murders is one of the best films of this year, and I even liked Life of the Party which may not have gotten QUITE as much negativity as the puppet cop movie, but makes up for it in just how quickly everyone seems to have forgotten about it.  Now she gets to star in a nice juicy biopic that doesn’t seem to have the over the top comedic tone of her usual output and is instead a much quieter and more character driven film.  Hey, it may not be what she’s known for but I have no doubt that she has the acting chops to pull off something much more serious and it’d be even MORE hilarious if she makes a movie that critics fawn over in the same year that they’ve quite harshly rejected everything else she’s done.  Does this biopic capture the importance of its subject matter along with giving Melissa McCarthy an interesting role to work with, or will this be a bigger disappointment than Bohemian Rhapsody?  Okay, chances are NOTHING could be as disappointing as that, but let’s find out!!

Back in the long ago time of the early nineties, biographer Lee Israel (Melissa McCarthy) was struggling to make ends meet with whatever profits she made from her earlier books drying up completely and her bitter attitude and sardonic wit making her not very popular in office environments.  This is made especially bad because she’s experiencing a rather lengthy bout of writers block and is being stonewalled by her agent (Jane Curtain), so with nothing else to fall back on a sick cat to take care of she starts to pawn off whatever memorabilia she has; including a letter she got from Katherine Hepburn.  It seems that letters like this can fetch a nice price from book stores and collectors, though when she just so happens to find two more letters from someone else who is famous she learns that they need to be… spicy as it were to fetch more than a few bucks.  Well hold on!  She’s a writer, isn’t she?  And she writes about famous people already, right?  Why, it wouldn’t be THAT hard to just make up some letters in the voice of those famous individuals and use old typewriters with old paper to more or less print money!  That will give her enough money to help her sick cat AND keep her drinking habit alive!  So she begins her life of crime which not only keeps a roof over her head but gives her a passion for writing that she hasn’t experienced for some time; not to mention giving her a little cash to spoil herself and her friend Jack Hock (Richard E Grant) who eventually joins her to help cover her tracks.  How long though can these two keep this scheme of their going before collectors and the authorities start to take a closer look?  Even if they can get away with it, will it help Lee understand and maybe even resolve the issues that have been plaguing her life and her writing up to this point?  Is it too early to start filling out my Award Card yet?  I know we’ve got another two months and I’m NOTORIOUSLY bad at picking winners, but this time I’m feeling lucky!

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What!?  Since she didn’t win for Bridesmaids, it means she’s due!

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